In Albert Camus’ novel The Stranger, readers follow the story of Mersault, a young man living in Algiers who is dealing with his mother’s death. Right away readers can look at Mersault and see his careless and unemotional life. He clearly does not care for what people think about him, and he would never lie about himself to be recognized. He does not accept the society’s idea of happiness by the way he deals with the moments in his life. He does not believe in life after death and has no religion to support his beliefs, which make his life poor and empty. In The Stranger, Camus uses character Mersault to illustrate that life is an absurd and pointless by the reaction to his mother’s death, the interaction with his friends, the treatment with …show more content…
The same can be said about the promotion his boss offer to him. He has a big promotion in front of him where he would move to Paris and consequently would have a better salary and life. This is an offer that everyone dreams about and would never refuse, but not Mersault. He tells his boss that he was prepared to move and start this new job, but he really does not care much about it. This part of the novel clearly shows his personality. He is not against the idea of promotion, but clearly he feels that his life would be the same with the promotion or not. Even though a promotion can change any life in good ways, Mersault does think this way. A promotion, or even a marriage and death of his mother would not be able to influence him in any …show more content…
He is sentenced to execution for killing the Arab man, and when he was about to die he says “For everything to be consummated, for me to feel less alone, I had only to wish that there be a large crowd of spectators the day of my execution and that they greet me with cries of hates.” (123). At this point he is starting to think about his mother for the first time and realized that she even living in a that wistful house she must have felt free and ready to live again. He says that no one can cry over her death and that he is ready to live again. He is about to be executed and he realizes that his entire life was meaningless and he could have done a better job in every situation in his life. The readers take the affirmation of he would live it all again as a repentance for the way he carried his life. His only desire at the end of his life is people greeting him in the moment of his execution with, showing him their emotions through their
The Analysis of the Stranger, John Wilson in The Secret Lives of Sgt. John Wilson Heroes in literary works were once referred to as the "rebel"; however, the rebel has been replaced by the "stranger" in recent literature. In Lois Simmie's The Secret Lives of Sgt. John Wilson, the novel centers on the title character who is alienated, disaffected and an outsider. The author’s depiction of the central character of Wilson as a stranger engages the reader in a different way, by having the reader want to know more about this mysterious and striking figure.
He has put everything on the line including his hidden secret to save his wife and ends up being accused and forced to accept his sin. He finally forgives himself for his immortality and when he does, so does his wife. He makes the decision to die as a holy man and a true puritan with
Backing away, proud at his work, he went on home. He had killed the men who took his mother’s life yet impulsive he was and mad crazed that he could no longer stop. Fear quickly spread across the lands of Both mortals and immortals alike.
It was a brutal and violent murder in which he suffered a painful death. One example is when he says, “Can I say in twenty minutes what was building twenty-one years and ended in twenty seconds? What are you waiting for when all I can tell you is his name?” (455). IM knows it’s absurd and acknowledges the impossibility of conveying the full complexity of a man’s life and death in a brief speech.
In this final action, he attempts to redeem himself by gifting what remains of his estate to Pearl. Whether this is genuine or not is completely up to the reader. However, he did do something much unlike what was expected of him. He gave what he had left to the product of sin he had been trying to correct for years. This action allows readers to see him less cut and dried; he is left up to the reader’s
Medbourne’s second character trait is being a risk taker. When Mr. Medbourne was at his peak, he was a “successful merchant,” but due to some risky investments he had made, he lost everything. “Mr. Medbourne, in the vigor of his age, had been a prosperous merchant, but had lost his all by a frantic speculation, and was now little better than a mendicant” (Hawthrone, ). This character trait he demonstrated tells the reader that he is willing to take risks and to invest everything he owns, notwithstanding the risk that he could lose it all at any moment. Mr. Medbourne's third character trait is that he is unrealistic.
The protagonist, Bartleby, resists the crowd and the usual way of living. He lives against the norms: isolating himself from society and humanity. Barely eating, or a certain point refusing to eat, living in his own office consequently cutting contact with humans and not executing his boss’s, the narrator, orders. Therefore, completely defying
He was given more power than he wished for and if the final verdict on the man’s life was down to him, maybe he feels that it has changed him and that he regrets his
He is very prideful of himself, especially in his refusal to give up his stance on burying his dead brother (whom he murdered). In response to reason, he says “What? What man alive would dare--” (pg. 708, l. 280). Throughout the play, he increasingly realizes that if he changes his position, his life would become much easier. However, due to his excessive pride, he feels that a concession would appear “weak” to his citizens.
His death becomes the story’s climax and every character is affected by him suddenly getting killed. His death catalyses a change amongst all the characters and soldiers in the story. As a main character that represents morality in the story his death to many is seen as death the surrounding and only
Throughout the story Maupassant’s heroine would rather live in her imaginary world, than suffer from the “poorness of her house.” She acts as if “she had married beneath her” and even when her husband is trying to bring joy into her life, Mathilde is ungrateful. Even when the opportunity to appear in high society presents itself, she is reluctant to agree. From the beginning Mathilde is worried about how others will perceive her. She always wants to appear wealthier than she really is.
Without the realization of his own mortality, without knowing that his entire existence can be gone any moment, he would have continued to live a static life. Through this confrontation he is motivated to end this stagnation, and get his life truly
In The Stranger, Camus explores man’s perception of the absurd through his protagonist Meursault, a French Algier, who ‘unwittingly gets drawn into a senseless murder’ on an Algerian beach. Meursault’s indifference to his mother’s death and the crime he has committed, among others, isolates him from society and leads to his incrimination. Throughout The Stranger, Meursault’s intensive focus on the natural world such as the sea and especially the sun, in contrast to his indifference to human relationships, highlights their importance. Light, a product of the sun, proves especially significant. Camus description of light in relation to Meursault shows Meursault’s individuality throughout the story and his reaction to death.
There is no hope for a fulfilling afterlife. This unorthodox mentality is exactly what Albert Camus conveys in The Stranger through the main character, Meursault. Despite the obvious differences between Meursault and a typical society member he is able to carry out and relatively normal life that has value depth and an overall good quality of life. Although Meursault’s disposition appears obscure at face value, his outlook on life in nothing short of perfect as shown through his display of unconventional
BP1 Literary merit is defined as having certain qualities by the College Board including but not limited to being fun to read, nonconformist, stood the test of time, shows thematic depth, not falling into the traps of “pulp”fiction, and being of universal appeal. The Stranger qualifies for having literary merit for these listed reasons. First of all it is a good read. It also helps that it is a rather quick read. The reader is struck by how apathetic Meursault is and needs to keep reading to try and figure him out.