Situations are defined by choices. Small actions in one moment of time alter the future of what happens forever. In Kindred by Octavia Butler Dana, the main character, is a black women born in 1976, who time travels back to the early 1800’s in order to save her relative, Rufus, a white boy who is the son of the owner of the plantation. Along the way she also meets her other relative, Alice, a slave born free, but enslaved since she helped her husband run away. Alice is owned by Rufus, who is convinced that he is in love with her. Even though Dana is in similar situations as Alice when it comes to how Rufus acts toward them, Dana tends to choose the subversive route, while Alice chooses the submissive route showing that women have come to look …show more content…
Dana tells Sarah how Alice committed suicide. Sarah replies:. “Oh Lord Poor child. He finally killed her...Even if he didn’t put the rope on her, he drove her to it. He sold her babies!” (249). Not even Alice’s suicide was her own choice, proving that her final act was not one of subversiveness, but of submission, because she had nothing left to live for and refused to fight for her liberty. She took the easy way out. Dying was not a final act of rebellion and was instead an act of complete loss. In death she no longer has to face any consequences. Later, after Alice died, in his grief Rufus tries to make a move on Dana. Dana decides to grab her knife in a desperate move to escape being raped. “A slave was a slave. Anything could be done to her. And Rufus was Rufus-erratic alternately generous and vicious. I could accept him as my ancestor, my younger brother, my friend, but not as my master, and not as my lover. He had understood that once” (260). Dana is distancing herself from being a slave doesn’t feel that she could ever be subjected to it like Alice was. She uses pronouns like “her” to describe a slave to show that she will be associated with one. Rufus no longer understands the difference between friend and master at the loss of Alice. Dana was able to make the selfish decision of killing Rufus, rather than submitting herself, for the good of herself, not the good of anyone else. She could not stand to become like Alice, a slave at the hands of a master; thus, her determination to escape stemmed from her will to remain independent. She knows as soon as she lets herself submit to the will of this society she cannot be viewed as a person, but a tool. Dana represents the women in the current day and age that would do anything to protect their own freedom, even at the
Analyzing Character Development: Dana Octavia Butler’s novel, Kindred, provides a unique look into slavery in the antebellum South through the eyes of Edana Franklin, a black woman living in the late 20th century, who is suddenly sent through time to the early 19th century where she is suddenly faced with the task of protecting her ancestor, Rufus, from many dangers in order to ensure her existence in the present. Dana begins her adventure with no knowledge of how or why she has been given this responsibility and, as a result, must adapt to her new and unfamiliar surroundings. As the novel progresses, the reader sees Dana’s internal battle with herself as she decides whether or not Rufus is worth saving, or if she should let Rufus die
This analysis of agency would be useful for a person pushing for more freedom of expression or freedom of speech. All in all, Bast’s successfully supports his perspective of agency through his evaluation of Kindred, and the comparison of the human instinct of expression to Dana’s want to create change with her time traveling powers constructs a powerful parallel between the novel and Bast’s article. The novel Kindred, however, serves to create an important message about society on its own, as well. Octavia Butler’s Kindred is a science-fiction novel that depicts the life experiences of a young black woman named Dana, who is given the task of traveling back in time to the era of slavery to save her ancestors, but is unjustly oppressed and has most, if not all, of her rights stripped away from her simply due to her race and gender. As a result, the most prominent overarching theme of the novel is the inequality of power and social status given to people of varying gender and race, and the struggle that those people must go through to gain as much freedom and equality as possible.
Rufus starts as a boy who wishes revenge against his father who beats him, however, he is not as racist as Weylin, even being friends with many other slave children, which continues as he grows older. The first time we get to see the true Rufus is after he rapes Alice for the first time, leading her husband Isaac to attempt to kill Rufus. This shows that no matter how much he cares about Alice, he still sees her as a slave that must do what he wants. This continues after Alice is captured and bought by Rufus, and Rufus continues to force her into sexual acts against her will. Rufus also begins to use both Alice and Dana as an outlet for his anger, beating Alice when Dana leaves and sending Dana to work in the fields after his father dies.
How is freedom defined? In The Violent Bear it Away, Flannery O’Connor explores the impacts of religious influence in relation to the secular world. O’Connor, a devout Catholic, very clearly shares a similar perspective as the religious great uncle, Mason Tarwater. Mason’s great nephew, Francis Tarwater (simply referred to as Tarwater for most of the novel), struggles with the perspectives of both his great uncle and his uncle, a secular teacher (referred to as Rayber. Both Mason Tarwater and Rayber preach what they believe freedom is.
The characters are very important in Octavia Butler’s science fiction short story “Bloodchild”. A character is a person presented on a dramatic or narrative work. When it comes to the story of “Bloodchild”, most people would agree that gender roles are reversed. This agreement may end, however, on the question of character in Butler. It is safe to say that understanding the characters, who they are and what they do, help explain the theme of gender roles.
In Kindred, Dana’s narrative entirely revolves around the slaveholding American narrative of Rufus which illustrates the second fiddle notion of Dana’s identities. The fact that she can only time travel when white man, Rufus, mortally needs her demonstrates that her entire story regardless of time is dictated by the White Man (Butler 12). Furthermore regarding time fragmentation, the imagery of Dana’s body being in a constant state of scars, bruises, and general crisis in 1976 and 1819 while Rufus’ body and life continues in a progressive linear state depicts how the white historical narrative continues to strut along time whereas the black, female, American narrative continues to be an unhealed wound discarded alongside white-American-male chronology. This notion is expressed when Dana puts her bodily pain to the side in order to sexually usher love and welcoming to Kevin’s five year journey in Antebellum south (Butler 190). Essentially Dana’s body politics do not exist in a state of paradox because through Butler’s textual portrayal of embodiment, she was and still remains as an
In any novel there is multiple parts that make up and define how the novel will go, such as if the character will be good. There is always a storyline to follow and from that storyline there are many different themes that give the novel character. In the novel Kindred by Octavian Butler there are multiple themes laced into the text that make the novel what it is. For example, throughout the story there is a huge underlying theme that involves Rufus Weylin, a main character of the novel and how the environment shapes him into the man he is at the end of the novel. Kindred starts off with Dana, a black woman, who by some mysterious means is sent back in time, to the days where her ancestors were alive and enslaved by Tom Weylin, a southern plantation
Reason: Power over a person can be a poisonous temptation and it can deftly change a person. Slavery can be a deadly thing, and can change a compassionate person (such as Mrs. Auld) into a cold-hearted, cruel master. Power often corrupts and poisons people and owning a person distorted and warped Mrs. Auld’s views of morality. Purpose:
besides, held a most impious disobedience (Behn, 84).” Her race and gender intersect because she has no power which is shown when she is not allow to refuse the king when he makes advances to her and it is common for men to have more than one wife. Onahal is also a great example in showing the difference between their race and gender because she is an old mistress of the king and it is shown since her beauty has “decayed,” the only use she has is to train the new young beauties. “And certainly, nothing is more afflicting to a decayed beauty, than to behold in itself declining charms, that were once adored: and to find those caresses paid to new beauties, to which once she laid claim; to hear them whisper, as she passes by, ‘that once was a
As an African America, Dana is forced into the life of a slave, suffering through various hardships and numerous close encounters with death. All of these experiences have a significant effect on Dana’s mental stability, as she becomes more and more distant and distressed. However, her fellow characters are unable to fully realize Dana’s state of
Dana and Rufus’s Relationship Ever wonder what it's like to have a changing relationship with a plantation owner's son back in the 1800’s? Dana Franklin is a younger African-American woman married to Kevin Franklin who is a middle-aged man. Dana travels from California in 1976 back to the early 1800’s whenever Rufus is in trouble. Rufus is a plantation owner son and is also the father of Dana’s ancestor. Dana’s travels are random; she gets lightheaded and dizzy when she is about to travel.
“I thought I would die on the ground there with a mouth full of dirt and blood and a white man cursing and lecturing as he beat me. By then, I almost wanted to die,”– or so Dana physically and socially identifies the skewed dynamics existing within the South that greatly impact her overall character (107). In Kindred, a novel that collides science-fiction with historical fiction, Octavia Butler tells the story of an African American women who is forced to reconcile with oppression of the past as she is sent through time from 20th century California to 19th century Maryland, where she must protect the slave-master’s son: Rufus. Her experiences in the South greatly challenge and inform her sense of morality, or principles that influence the measures
As Rufus was carried in the house, his mother frantically entered the bedroom and pushed Dana aside. Margaret Weylin noticed Dana and asked for her name. She seemed to recognize Dana from the past but as she spoke Rufus interrupted her asking for some water. Margaret turns and looks at Dana, as if Dana is her slave, and orders her to “get him some water” (Butler 69). Failure to do so Margaret dismisses Dana to the cookhouse.
Even being under so many troubles, Anna managed to get back on her feet and started a new family. During the accident, Anna showed "grace under pressure" by being able to save her own life in a split second. During the act, when her husband 's hands and her 's didn 't touch, Anna "tore her blindfold away" (Erdich, 11). Seeing that her
In this tale, Alice follows a talking White Rabbit, down the well with the help of pool of tears, and into a garden wherever she encounters a Mad Hatter’s party, a game of croquet compete with living things, and an endeavor of the Knave of Hearts. Alice may be a kid getting into a world of adults ranging from the neurotic White Rabbit, to the meddling Duchess and psychopathological Queen of Hearts. These mad, absurd creatures commit to order Alice concerning, but Alice manages to answer them back. Despite the insistence of the Lady that “Everything’s got an ethical, if solely you can realize it” (Carroll, 1993, p.89), Alice finds no ethical here in Wonderland, unless the thought that you just should learn to air your own to fight your own battle in an exceedingly hostile environment. Alice’s engagement within the varied episodes with such characters as the fictional character, the Caterpillar, the milliner and therefore the Queen cause her to question her own identity