Gender constructs are virtually everywhere. No matter what society, time period, or seemingly progressiveness of a people, gender continues to shape and limit ideologies. In Louise Erdrich’s novel The Last Report on the Miracles at Little No Horse, the main character experiences the limitations of gender constructs firsthand as she finds herself transformed to a male to achieve her goals of becoming a priest. It is after this transformation takes place that Father Damien is able have control over his life which he did not previously have living as Agnes. In this novel, Agnes crosses gender borderlands to gain agency which she didn’t have previously when living as a woman. However, even though Agnes lives out the rest of her life as Father …show more content…
While Father Damien had devoted himself to performing the role of a convincing male and priest, still some Ojibwa people had their doubts. When Nanapush asks Father Damien about his gender, Damien replies simply that “I am a priest” (Erdrich 231). Again, Father Damien resorts to defining himself as a priest rather than identifying with a particular pronoun. In fact, his confession only of being a priest serves as a representation for a safe ground between gender borders. While gender is an abstract concept which Damien can float between and not have to adhere to, being a priest is the one thing that keeps him grounded in the reality of the situation. During this defining moment, Agnes realizes that even though she has been figured out – her greatest fear – “this moment, so shattering to her, wasn’t of like importance to Nanapush” (Erdrich 232). In American society, so much importance is placed on identifying a person’s gender, it clouds all other aspects of a person’s identity. Here, in the Ojibwa culture, less importance is placed on the necessity of identity as a defining feature of self-construction. Without the gender roles and ideologies that are prevalent in American society, there is room for a person to truly develop into their own individual identity. Father Damien can be a woman and a priest and it the Ojibwa people do not mind. They do not rely on gender roles for reassurance. It is only in the case of people who have been exposed to American gender constructions that gender borderlands are formed and identity is limited to socially accepted norms. For Father Damien with his border dweller’s consciousness, he was terrified of being discovered and then not having any where to fit in. However, Nanapush’s dismissal of
As Father Damien comes to the conclusion that Gregory must leave, she tells him, "I cannot leave who I am," to which Wekkle responds, "You are a woman" (p. 206). This quote is significant due to the fact that Father Wekkle’s unjustly description does not compare to the magnitude of Modeste's presence on the reservation at Little No Horse. The affair between the two characters creates a turning point for Agnes, as she must choose between the two identities that coincide within her. Moreover, if she were to run off with Father Wekkle, then Agnes could never fulfill her strangely liberating calling to be a priest. Agnes then discovers that the only possible way for her to maintain both identities is through her piano playing.
In her article, Susan Billingham explores the concept of gender roles and identity present in the play “Dry Lips Oughta Move to Kapuskasing”. Billingham analyzes the character of Nanabush who is often shown wearing large prosthetics except for when she is dressed as the christian God and is wearing high heels. Billingham explains that this actys is an allusion to drag, thereby attempting to break gender norms, despite this portrayal, Billingham argues that based on the disruption Nanabush causes, Highway uses this character is used express Cree culture not necessarily the third gender. The struggle with gender identity is a prominent subject in the play and Billingham explains how each male character exhibits some ‘feminine’ characteristics;
The characters are very important in Octavia Butler’s science fiction short story “Bloodchild”. A character is a person presented on a dramatic or narrative work. When it comes to the story of “Bloodchild”, most people would agree that gender roles are reversed. This agreement may end, however, on the question of character in Butler. It is safe to say that understanding the characters, who they are and what they do, help explain the theme of gender roles.
The main point of the article is that in many cultures, there are alternatives to “man” or “woman” and that not all countries agree with the Western culture’s strict classification of male and female. Supporting Evidence The author, Walter L. Williams, first provides evidence of his main argument at the onset of the article. Before even introducing the berdache, Williams explains that Western tradition is often viewed to be normal, and anything outside of those norms may be considered abnormal. Williams then explains that to an invididual raised under Western ideals, gender is often viewed simply as male or as female.
Richard's presence in the text is important because it show's a cultural difference, being an Ojibway person for Richard meant being there in times of crisis to help his people as this was most important; however, Lisa fails to see this, and she can only seem to focus on the more material aspects in her marriage. In this paper, the focus is going to be elaborating and investigating the relationship between Lisa and Richard and I will highlight the cultural differences showcased in specific events that will eventually lead to Richard being in Oka and answer the question "What is Richard doing there?". I am going to investigate these changes in two stages, before Donnelly's death and right after Donnelly's
Analytical Summary “Are We Worried About Storms Identify or Our Own” by Patricia j Williams uses the child’s gender complexity issues of the parent’s decision not to release the gender once born to ask a philosophical question to people who feel that they must know a person’s gender. Patricia j Williams feels that the label of a gender should not be a crucial issue in the world that we live in today. She feels that the world should become less gender oriented in todays world. People talk all the time about how we should not categorize by gender, but as soon as someone attempts to erase gender ideals the world goes into an uproar.
In the short story “Growing” by Helena Maria Viramontes, the author focuses on the forces that separate women from being themselves and rights to live their own lives. In the story, the father forces the youngest sister in the family, Lucia, to chaperone her older sister, Naomi. The reason he compels Lucia to chaperone her sister is to report Naomi’s every action, behavior and conversation to him. Despite Naomi wonders why her father refused to trust her and put someone to spy on her, the only reply from her father is “TU ERES MUJER” (36). Naomi was being punished just because her gender identity.
Analysis on the Roles of Gender in Rudolfo Anaya's Bless Me, Ultima Bless Me, Ultima by Rudolfo Anaya narrates the story of Antonio Márez y Lunas, a seven year old boy who lives to learn that the journey to manhood is about learning to make decisions on his own. In the story, his mother hopes for Antonio to become a priest, while his father desires him to become one of the llano. Anaya cleverly uses the contrasting views of both genders to highlight Antonio's struggles of making sense that his life was a development from being an innocent young boy to being a man of wisdom and understanding. During the time of Bless Me, Ultima's writing, as in most traditional systems, women were primarily firm believers of religion (in this case, Catholicism). The teachings of Catholicism has a tendency to place women as inferior and an accessory in
The moment a child is born, society presents it a complex gift steering the course of its future. Gender is the most important social construct in the human life as it shapes the way we interact and navigate the world we live in. From the colours that the baby is wrapped in to the hues of wallpaper in the bedroom – a girl, is most likely to be thrown into a world of pastel pink and lavender, if you are a boy, you are most likely to be surrounded by bold red and blue hues. We are already starting to be forced into identifying with a specific gender. Dolls, plastic vacuum cleaners and Fischer Price kitchenettes are given to girls, and are taught that Barbie and Bratz dolls are gender appropriate toys; shopping, fashion and makeup is that which defines femininity.
Kate Chopin’s short story “The Story of an Hour” is set in the late 1800s – a time when women were considered inferior to men. Women had traditional roles as wives and mothers. In this 19th century patriarchal society, Chopin shows us Louise Mallard, the main character, who does not comply with the female gender norms of the Victorian period. When Louise learns about the death of her husband, her reaction and the reaction of her sister and the doctor tell us a great deal about gender stereotyping during this time. Louise Mallard is described to us as “firm” and “fair.
The novel “Into the Wild” is about a man known as Chris McCandless, who takes a spontaneous journey across America and into the wilderness of Alaska where he attempts to live off of what he thinks he knows about survival. McCandless embarks on this adventure because he wants to escape his family and the way his parents live. Throughout the book, elements of the gender theory are present as far as what McCandless does and how he handles different situations in the novel. According to the gender theory, people adjust their behaviors to fit in with the gender norms and expectations of their culture. As you read you can pinpoint things in the book that can be considered both masculine and feminine.
In her essay, “Where I Came from is Like This,” the author Paula Gunn Allen effectively utilizes ethos, logos, and pathos to convince her audience, women studies and ethnic scholars, of her claim that the struggles of American Indian women have had with their identities. Gunn Allen uses all three modes of persuasion to describe the struggles of American Indian women. She uses ethos to strengthen her credibility, logos to logically explain the issue, and pathos to emotionally explain the struggles of American Indian women have had with their identities. With ethos she tells us where she is from and how she got her information, which makes her more trustworthy and believable.
Equality is a very controversial topic within the world today, and it is the subject of many debates. This state of mind is the reason for many protests and brawls among the various people of the United States. In a world full of this controversy, it is to be expected that many groups believe that they should be treated as equal to others. If this equality is not delivered, the consequences could be dire. In Dorothy Johnson’s short story “A Man Called Horse,” the main character changed in three ways: his abundant wealth, his outlook after being a slave, and his drive for equality.
With all things considered, the personal nature of the story is expertly expressed through Marjane’s loss of innocence, her beliefs and opinions on her religion, and her experiences with gender
Comparing Boys and Girls and Emma Watson’s speech for her HeForShe campaign Gender is not referred “to sex, but to this set of prescribed behavior,” as said by Marlene Goldman’s “Penning in the Bodies” (Goldman). There are many rules set upon an individual as to what is acceptable and what is not. The short story Boys and Girls by Alice Munro focuses on the implications the narrator had to endure on her journey to womanhood by reason of gender stereotypes. Emma Watson’s speech for the HeForShe campaign targets on abolishing gender inequality. Despite inequity, there is a myriad of comparable traits that are shared by humans which portrays our personality.