Shane Black has casually become a genre unto himself. Before trying his hand at directing - which is also a genre unto itself, he dreamt-up (meaning he wrote them) some of the most beloved movies of all-time, such as Letha Weapon, The Long Kiss Goodnight, and Last Action Hero. Okay, maybe the “most beloved movies of all-time” designation is a stretch, but that doesn’t change the fact that Black certainly has a distinct style - and as such, a legion of followers.
With his directing debut, Kiss Kiss Bang Bang (2005), Shane Black rocked the cinematic landscape, creating one the modern era’s great neo-noir crime films. And, if you think that statement is a stretch - well, I’m prepared to fight you tooth and nail over it. After all, it did land him writing and directing rights for one the highest grossing superhero movies of all-time, Iron Man 3.
Thus, we come to Shane Black’s long-awaited follow-up project, The Nice Guys…
In The Nice Guys, written and directed by Shane Black (Iron Man 3, Kiss Kiss Bang Bang), Ryan Gosling stars
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In all honesty, the story should be the selling point of this film, yet Ryan Gosling and Russell Crowe are the “poster boys (if you will)” of the film, and are absolutely perfect with this respective renditions. Gosling brings the jokey humor, while Crowe adds the brawn. Add-on a stellar performance from the youthful Angourie Rice, and it culminates into a wonderfully rounded acting extravaganza. In the end, it’s tough to find an aspect within The Nice Guys to dislike - and from my point of view, there’s nothing there. This is an excellent film production from start to finish, and even poor box office returns won’t change that. This film is recommended for anyone and everyone, regardless of how you feel about Gosling, Crowe, or Shane
HIP-HOP,BLAXPLOITATION AND ITS IMPACTS ON THE CULTURE AND MOVIES It 's crucial to mention that Tarantino is a product of the hip-hop generation. Hip-hop an another important cultural phenomenon which took America by the storm in 70 's was discovered in black neighbourhoods of Bronx, New York. Black people couldn 't relate to rock and roll elite culture which was prominent in the American society at the times. In the ghetto parties at Bronx DJ 's invented this new music by remixing and resampling the existing music and creating beats out of them.
I think he enjoys creating projects such as “Diary of A Mad Black Women” because those type of actions is taking place in today’s generation. He is certain that others would enjoy watching it, that is exactly why he continues to produce such outstanding movies. Even though his creations are very similar to each other, each movie has it’s own unique purpose. Although, the
Good Night and Good Luck’ is a historical film based on the work of Edward Murrow and the television crew of ‘See It Now’, a programme broadcasted by CBS in the 1950s. Murrow and the crew are determined to confront the anti-communist command of the Republican Senator Joseph McCarthy. Throughout the film, the CBS team work in an effort to dismantle the views of McCarthy and prevent the spread of McCarthyism in the U.S. The film was written by George Clooney and Grant Heslov and was released in the U.S in October 2005. Clooney also directed the film, which is fitting to the subject matter of the film, given his background.
If this low-budget movie that no one saw is so deeply flawed, why do teens and angsty semi-adults seem to love it so much, even after all these years? Certainly it’s not the for the educational value or blockbuster appeal. According to Alex Zalben, managing editor at TV Guide, the film taps into an adolescent variant of vulnerability. It’s a movie that understands you at a time you’re struggling to understand yourself and what the hell is going on in the world around you.
The Beginning of Good Night, and Good Luck is a setting which could be happening all over the world at this very moment. Wonderful tuxedoes with amazing dresses flowing throughout the room. Classic jazz streaming in the air. With smoke billowing throughout the room and finishing with it all over David Strathairn, playing Edward R. Murrow (Clooney). The director (George Clooney) is setting the stage for something very important that is about to happen.
Communication is an important element in video analysis. Ideally, a careful analysis of the different characters in the scene and their role in enhancing interpersonal communication is much more important. In consideration of this concept the underlying principles of interpersonal communication, there is a need to assess its applicability in the movie; Goodfellas. The three-minute scene titled, "I'm funny how, I mean funny like I'm a clown" is a reflection of how self-concept, perception, and non-verbal communication work together in the context of dyadic communication.
the cinemetogaphy displayed throughout the whole film gives the movie a different feel to it then any other drama or so called sports film ever made. This is easily one of the most powerful films that was ever made, “Raging Bull” is a cinematic masterpiece and will go down as one of the best films of all time thanks to its constant fluid theme of violent and anger and most important it cinematography which made the movie so noir . “Raging Bull” has changed the way american films and film writers are
What Can “Forrest Gump” (1994) Teach Us About Scriptwriting? Forrest Gump (1994), an American comedy-drama film based on the novel by Winston Groom, with the screenplay adapted by Eric Roth, tells the story of a mentally disabled and very kind-hearted child that comes to lead an extraordinary life. The movie revolves around the irony that the protagonist, Forrest Gump, even though the most simple-minded character in the film, becomes the most successful, as his talents involve him in US history's most prominent historical events between the 50's and 80's. The storyline is very character-driven and resembles a ‘vignette into one's life' as opposed to having a traditional story structure. This is seen through the feather motif and the well-known
Even though the textbook Cinema of Outsiders says “Spike Lee has made only two indies”, his contribution to black filmmaking
Dirty Dancing was released in 1987. The film clip I chose was from the end of the season talent show. Johnny Castle (Patrick Swayze) approaches Baby’s (Jennifer Grey) table and tells her father “Nobody puts baby in a corner.”
With controversial subject matter, spectacular acting, and a timeless and relevant plot, audiences truly will get hooked to this film and not want to remove their eyes from the screen. People will either be touched by the ending or they will be left hanging, all depending on perspective, but either way it is something that will affect them and leave them thinking. Maybe the audience will even wonder what their personal “rosebud” is and what it means to
INTRODUCTION QUOTE OR FACT. The Breakfast Club was a film produced in 1985 by John Hughes in Shermer, Illinois, that involved 5 different stereotypical teenagers in detention who were assigned an essay to tell his or her story. When the day ends, they all queried if they were all somehow the same. The experiences they had throughout the film made them question the stereotypes given to them. The purpose of The Breakfast Club is to inform teenagers and adults of the negative effects that stereotyping and parental pressure has on young adults.
A good man only goes as far as how the person perceives a good man to be. One comparison is Red Sammy and the misfit. In the story, both are called good men but they are different in attitudes. That being that Red Sammy being a
The critically acclaimed film, Goodfellas, is a gangster crime drama that features an incredible amount of talent. Household names such as: Robert De Niro (Jimmy Conway), Joe Pesci (Tommy DeVito), Paul Sorvino (Paul Cicero), and promising stars like Ray Liotta (Henry Hill) and Lorraine Bracco (Karen Hill), attracted numerous Oscar and Golden Globe nominations. That type of cast power, linked with the signature talent of Martin Scorsese as a director, made for cinematic gold. Unquestionably, the actors and actresses did an excellent job augmenting the verisimilitude of this film and compelling audiences to empathize with their characters. But the cinematography in this film plays just as large a role in having audiences feel what the characters
Costner and Carroll did a remarkable job playing a father-daughter duo, and the light hearted comedy mixed with the serious subject of politics was blended both flawlessly and gracefully. Although the likelihood that something like this would ever occur is extremely slim, I found the plot to be very entertaining, and I would recommend the movie to everyone looking for a good family-friendly