The Portrayal Of Color In The Film The Wizard Of Oz
In the movie The Wizard Of Oz Dorothy lives in Kansas which is portrayed in black and white and all the characters are in agitated, pitiful moods with faces that show no emotion like a plain white piece of paper; even when someone tries to make a joke no one seems to understand. Meanwhile when Dorothy lands in Munchkin Land a world bursting of color so much that it can overwhelm someone with jovial and happy emotions. People’s moods are often portrayed by the colors that surround them in everyday lives. The horrid, plain place Dorothy called home was full of dull colors; shades of black and grey made everything seem very outdated and the characters duller. Almost as if everyday was one of those rainy, cold, depressing days that you'd rather
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Of Belonging And Identity In L. Frank Baum's The Wizard Of Oz
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Color Symbolism In The Wizard Of Oz
349 Words | 2 PagesEverything from the house to the land is gray. Baum’s use of color that color lets the reader know that Kanas is in a state of despair. Dorothy and her family are living in a place that is lacking in vitality and funds. Dorothy is later swept away in the land of Oz which is colorful
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Wizard Of Oz Colour Analysis
2005 Words | 9 PagesThis is probably one of the most famous sequences in The Wizard of Oz (1939). In minute nineteen of the film, it is the moment in which the Technicolor world is revealed, merging the black and white (or sepia) world with the coloured one. Thus, depicting the change from black and white to colour film (both metaphorically and literally) there is no wonder that this film will attempt at a wide exploration of colours. In this essay I will explore the usage of colours in The Wizard of Oz, attempting to show how colours are used for different purposes and how their meanings can be changed.
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865 Words | 4 PagesThere were several means of color used in the production and reasons behind the colors as well. In his book The Wonderful Wizard of Oz, Baum describes Kansas as being 'in shades of gray.' Further, Dorothy lived inside a farmhouse which had its paint blistered and washed away by the weather, giving it an 'air of grayness. Aunt Em and Uncle Henry were 'gray with age.' Effectively, the use of monochrome sepia tones for the Kansas sequences was a stylistic choice that evoked the dull and gray countryside (Clarke Get Happy).
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