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While this is happening, none of the people in Iran are fully aware of how to react because the country didn’t have a leader at the time. Marjane had to experience this imperialism during her teenage years and it played a large role in her perspective. To demonstrate this in the book, it says, “‘God did not choose the king. ’[said Marjane’s father] ‘He did so!
The graphic novel Persepolis, by Marjane Satrapi is loosely based on her childhood during the Islamic Revolution in Iran and the Iran/Iraq war. Marjane and her family are against the Revolution and the new laws of how women must cover themselves and how all Western products are banned. Marjane struggles with the troubles in her country, especially since she is not afraid to speak her mind. Even though the Regime bans the citizens from partying and drinking alcohol, Marjane’s family and their friends do not let that stop them. Marjane and her family still go to parties because without them it would be mentally hard to deal with the forcefulness of the Regime.
People are like cameras and their personal experiences can be their lenses that change and modify the actual picture. This evident in Marjane Satrapi’s book Persepolis because the whole book is about a girl growing up, and forming her own opinions. Furthermore, Marjane has to mature in the turmoil of an Iranian-Iraqi war, she also has to survive the brutal Islamic regime governing her. This creates a very particular point of view considering that the parents raising Marjane are against the new form of government, and actively protest, risking their lives. As a result, this rubs off on her creating a very rebellious and dauntless little girl, who isn’t afraid of the new oppressors.
Imagine if everyone had a pre-determined negative image about you? This is what life was like for Marji, the protagonist of the novel Persepolis by Marjane Satrapi. The book is set in the year 1980, in Iran where Islam was a major religion at the time. This is also the time for the Islamic Revolution which kicked the Shau out of office and made Iran a theocracy. In Persepolis, Satrapi challenges negative stereotypes about Iranians through important characters who oppose the Islamic Regime.
Without God as a guiding presence in her life, Marji began to rebel against the ever-encroaching fundamentalist institution as much as possible. Under the pretense of religion, Iran strictly enforced new laws against social gatherings and all items of decadence, “They found records and video-cassettes at their place. A deck of cards, a chess set, in other words, everything that’s banned… It earned him seventy-five lashes”(105). This sudden loss of mediums to enjoy one’s self and prevalence of excessive punishment enforcing the declared moral code (132) were invitations to rebel for Marji.
My scenes take place right after Khomeini has officially become the leader, and is slowly implementing the law to make it obligatory for women to wear a veil. The beginning of my script starts Marji’s mother running in a crowded
This evil act pursued by the Shah and police was a defeat for the Iranian people, but they continued to demonstrate daily. Although many people fled the country, including Marji when she got sent to Austria by her parents, the people of Iran and Marjis parents who stayed, fought for humanity and eventually
The role of politics in Marjane Satrapi 's life is a critical one, as seen in her graphic novel Persepolis, which narrates her experiences as a young girl raised by revolutionaries during turbulent times in Iran. Particularly, Satrapi uses juxtaposition between her parents and children to highlight the hypocrisy and myopia of the upper class revolutionaries when it comes to the interpretation and implementation of their political ideology. Satrapi builds the foundation of her criticism through the superficial comprehension her child self exhibits regarding her parents '—and, by extension, upper class communists '—ideals, then warns about the dangers that such lack of understanding presents through child soldiers who are fed ideologies and then sent to war. However, while pointing out the shortcomings of the movement, Satrapi 's use of children as the vessels for comparison entails that there is room for the communist community to develop, like Marji does as she matures from child to teen, and encourage equality through the removal of social barriers created through binaristic thinking to truly promote communist ideals. The first point of juxtaposition is Marji herself, particularly her initial myopic thinking as a child.
Instead of a simple coming-of-age story, Satrapi outlines the social and economic conditions that shaped her childhood and adolescence. The simplicity of a child’s mind and her confusion at adult notions is a constant theme in the book. This is brought forth in Marji’s childlike understanding of the
She knew that it wasn’t all perfect and good but she also knew that it was not a cesspool of despair and darkness that some people make it out to be. So, she wrote the novel in a very smart way, she uses literary devices to show and tell a fantastic story but at the same time uses it as a way to talk about the problems and good things about Iran in the 1970s. This allows Persepolis to live longer and be discussed much longer if she simply didn’t use metaphors. It is also a way to show and teach people about a very heated subject and show them not everything is totally black and white in this world and that sometimes the monsters are actually men but at the very same time people can be great, people can work together to further a cause, people can care and at the end of the day people in Iran are exactly that, people and Marjane Satrapi simply wanted to show that in her novel and she succeeded
He was raised in a strong Roman Catholic household and continued to study these religions as he grew up. Religious bias may offer some limitations or biased views on the insight into the impact of the Iranian Revolution. Value: The author of this novel has been studying Islamic studies for the majority of his life and has taught Islamic Studies as well. He understands the approach and thoughts of Iranians in addition to the other perspectives of the world.
Everything can be viewed from two perspectives; A fist fight, a murder, bullying, just to name a few situations. This is still the case with Iran and it’s people. Iran and its neighboring countries are often portrayed negatively as terrorist, or failed nations. This is not always the truth, however, and one can learn that through Marjane’s coming of age story, Persepolis. The personal nature of the story is told through Marjane’s loss of innocence, her opinions on religion, and her observation of the prominent gender roles.
After the Iranian Revolution, it became compulsory for women to wear the veil as the Islamic dress code and all women were removed from government positions, leading to increasing oppression and inequality in Iran. The use of black and white on the first page of the book creates a very clear image that a lot of people are unhappy with the new rules that are introduced by the government. The use of images shows us the oppression of freedom in a way that it would be hard to imagine with words. The first panel shows Marjane in a somber mood, crossing her arms to show her defensive thinking against the veil and the world. In the following panel, the girl’s expressions range from neutral to dislike or discomfort, which shows the general thoughts from people on how they think of the veil.
Writing the history of Iran’s theatre is one of his major works. This novel is written for people above forty, but I suggest the youth to read it, so that they can see the years before the revolution and the incidents during and after that, such as war before their eyes. The events that happened in our country in these periods are portrayed fully portrayed for the readers of the novel. The romantic theme, particularly an Eastern love, is salient in the novel.
The story begins with the life of marjane and ends with her life. But in the background, the novel involves the war in Iran. Iran is always at war which includes the Iranian revolution and the struggle of people after the revolution. Though these are not implied does not affect their significance. They have a very important function of shaping the actions of the characters of novel which have long lasting effects.