There are numerous examples of metafiction in The Things They Carried; many are clear, and some are harder to notice at first glance. In the text, author Tim O’Brien uses a metafictional writing style to vividly illustrate what emotions and thoughts went through the minds of the soldiers fighting in Vietnam, including himself. It is unclear whether or not some of the stories he tells in the text actually happened, but there is no doubt that they are paramount to the underlying objective of O’Brien’s writing style: to use realistic scenarios that may not have actually happened, to make whatever changes necessary to the story to get his point across. Tim O’Brien uses metafiction to obscure the line between truth and fiction by manipulating details that trigger certain emotions to influence the reader. Metafiction allows writers like Tim O’Brien to manipulate what is held to be truth, and fabricate certain details in an attempt to enhance or reinforce the meaning of a story. There is no doubt that O’Brien actually went to Vietnam, however, there is some doubt that events that occurred within the text actually happened. When addressing these occurrences, he uses language that leads the reader to believe that the account itself may be fictional. For example, in “How to Tell a True War Story” alone, O’Brien essentially convinces the reader that many of his accounts in Vietnam are fabricated. He goes to the extent of saying things like:
“In many cases a true war story cannot be
Metafiction is a literary technique used by Tim O’Brien to frequently remind the readers of the fictional quality of his war stories and to emphasize the relations between fiction and reality. “Good Form” is an example of metafiction because it not only accounts for the reason why Tim O’Brien produces made-up stories—to deliver his personal feelings to the audience—but also makes the readers realize that The Things They Carried is a work of fiction, instead of a description of the reality. Tim O’Brien also applies metafiction to previous chapter, “How to Tell a True War Story”, and both chapters express the notion that feelings or morals are greater than facts. “Good Form” directly informs the readers about the author’s fabrication on the
In Tim O’Brien’s novel, The Things They Carried, he uses metafiction by writing about how he made up most of the stories. The stories of his experiences from the Vietnam war in his book, create a war-like perspective for his readers to better understand war because often, battles can be spotty in the mind and the imagination fills the gaps. O’Brien uses his book to help the reader find truth. Many things in The Things They Carried are confusing and contracting.
In Tim O'Brien's “The Things They Carried,” a fictional novel about an American platoon during the Vietnam War, O’Brien insists that the book and stories being told are real, only to contradict himself after a few pages. I believe O’Brien does not do this because he is an eccentric writer, but because he is trying to make us believe that these fictional characters’ deaths and hardships are real, in order to convey a message about how there is beauty in death. While reading through the stories it is often difficult to separate what is fictitious, and what is true. Throughout the novel we seem to find two different “truths”, which are “story truth” and “happening truth”. O’Brien uses war related imagery to demonstrate the power of storytelling by describing the brutal realities of death and how soldiers meet it and deal with it.
O’Brien does not try to justify his actions, but makes up a life story that is very similar to his own to try to familiarize with the dead Viet Cong soldier he stumbles upon in the story “The Man I Killed”. The story O’Brien makes up highlights the dead soldier's life. Going from being teased for his women-like appearance at school and faking his excitement of fighting and being patriotic in front of his father and uncles. O’Brien continues to make up stories about the young Viet Cong soldier, how he went to continue his passion in math, going to study in Saigon and how he met this girl that liked him for his bony legs and small wrists. The way that O’Brien handles guilt after the war shows his own problems that arose during the war.
The novel The Things They Carried by Tim O’Brian raises questions about how fiction can be more truthful than facts. The book contains many short stories about Vietnam told by different perspectives. The author creates characters that seem very real based on personal experiences. These characters tell graphic stories about the war making the book seem real. O’Brian creates a rich story by exaggerating details in order to get the reader to try and be able to feel how he experienced the war.
In “The Things They Carried”, the author, Tim O’Brien, uses unique and varying storytelling techniques to get his point across. These techniques can make the reader question or better understand the tone, details, and the author’s experiences in these stories. The thin line between factual events and the “truth” is also brought up in this book as O’Brien twists each story into his own version of the truth. The techniques O’Brien uses to do all this is metafiction to have direct conversation with the reader, detail to help provide a clear image of his experiences, and tone so the reader understands O’Brien’s thoughts and reflections on each story and the feelings he wants to convey to the reader. O’Brien uses these to provide information to the reader and to help them have a better understanding of the book.
O’Brien presents a story in which he kills an innocent Vietnamese man walking through the woods. He describes the guilt and remorse he feels for his actions. He references this story several times throughout the book. Around the third time he admits that the guy he specifically described was not real, and that in fact he never killed anyone in the war, but the fact that he witnessed so many deaths put him at fault. “I remember his face, which was not a pretty face because his jaw was in his throat, and I remember feeling the burden of responsibility and grief.
In the book The Things They Carried by Tim O’Brien, a story is told to exemplify how war can change a person. It expresses the humane side of war, the struggle to overcome grief and how difficult it is to deal with death. The book releases strong emotions and allows the reader to really connect with the characters involved. Tim O’Brien enables the audience to feel the emotions emerging from the book by writing it as fiction. With O'Brien's decision to write his novel as fiction allows him to more accurately convey emotion behind each story he has to tell.
Readers, especially those reading historical fiction, always crave to find believable stories and realistic characters. Tim O’Brien gives them this in “The Things They Carried.” Like war, people and their stories are often complex. This novel is a collection stories that include these complex characters and their in depth stories, both of which are essential when telling stories of the Vietnam War. Using techniques common to postmodern writers, literary techniques, and a collection of emotional truths, O’Brien helps readers understand a wide perspective from the war, which ultimately makes the fictional stories he tells more believable.
He follows the circle like motion of thought through out his book. In the beginning of the story O’Brien doesn’t like the idea and the reason for the Vietnam War in which he is fighting. Through out the book he changes in many different ways, in chapter five for example O’Brien says “I learned to smoke”. He picked up this and other habits from the training camp. When O’Brien goes back in time in telling the story he doesn’t really like the idea of killing people but later he learns that he has to.
Ever since the first war occurred in the world, written records by soldiers or people involved have been circulated and read. In the letters or stories, they include harsh conditions, homesickness, or desperation. Tim O’Brien uses limited third person in The Things They Carried while Stephen Crane uses dialogue in The Open Boat to both create an effect of desperation during war for soldiers.
He fought a war in Vietnam that he knew nothing about, all he knew was that, “Certain blood was being shed for uncertain reasons” (38). He realized that he put his life on the line for a war that is surrounded in controversy and questions. Through reading The Things They Carried, it was easy to feel connected to the characters; to feel their sorrow, confusion, and pain. O’Briens ability to make his readers feel as though they are actually there in the war zones with him is a unique ability that not every author possess.
Rather, the significance of O’Brien’s work is his utilization of a metafictional novel as a representative vehicle for the Vietnam War. Within The Things They Carried
The novel The Things They Carried by Tim O’Brien uses many effective rhetorical strategies throughout. In the chapter On the Rainy River, Tim O’Brien tells the audience a story he has never told anybody. Not even his parents, siblings or wife. He narrates the events and emotions that he experienced after receiving a war draft notice during the summer of 1968. O’Brien is ashamed about how he dealt with the notice and he feels as though he is “too good” to go to war.
Surrealism Surrealism is the use of non rational imagery to give insight to the book’s characters’ subconscious thoughts. The Things They Carried specifically references surrealism in “How to Tell a True War Story” and how it is such a big factor in war stories. It is what gives them such unrealistic sounding images and scenes but as Tim O’Brien puts it, “represents the hard and exact truth as it seemed”(68). Surrealism is apparent in many if not all chapters of the story.