The Yellow Wall-Paper Is anybody ever truly sane? There’s always something that everyone is afraid of or curious about. You never really know who’s trying to help you, or who’s trying to hurt you. I believe that the girl in the story was slightly crazy at first. I believe that her husband had very slight intentions to help her, but the main reason was to get rid of her. She thought she was going for a good place to get better and see if anything could change, but what she didn’t know is she was in for something entirely different. When they first got there she was amazed by the beauty of everything. The mansion was beautiful, the gardens were ecstatic, and everything was great. That’s until she got inside and was assigned a room for the next three months. She wanted a room down in the basement, because that’s where all of the pretty rooms were, “‘Then do let us go downstairs,’ I said, …show more content…
“So I take phosphates or phosphites whichever it is, and tonics, and journeys, and air, and exercise, and absolutely forbidden to “work” until I am well again”(648). She especially wasn’t allowed to write. So she had to sneak writing in each day. She didn’t sleep well at night, but a whole bunch during the day. Most nights she would lay awake and look at that terrible wallpaper. She couldn’t quite get the grasp on what drew her to it, until the night she finally did. She had finally realized the women trying to escape from the wallpaper. She knew she had to help her escape from the wallpaper. She rushed over and started ripping the wallpaper from the wall. Once the wallpaper was gone she was finally free. She knew no one else was allowed to touch the wallpaper while alive. She thought she was finally out of the wallpaper, she was finally free. “‘I’ve got out at last,’ said I, ‘in spite of you and Jennie? And I’ve pulled off most of the paper, so you can’t put me back!’”(656). She was now officially
At this point she begins to tear down the wallpaper as fast as she can. Then the protagonist says, “And I 've pulled off most of the paper, so you can 't put me back!”(Perkins, 2013) Meaning since she pulled off all of the wallpaper the girl in it has escaped. Since the girl is her she has escaped and now she is free and will not return
As she understands that the women trapped in the wallpaper is a reflection of herself she free herself mentally. Resulting in her going
Other would say she frees herself of that cage. However, although the narrator feels the yellow wallpaper is the cause of her
The short story, The Yellow Wallpaper, written by Charlotte Perkins Gilman, is a brilliant piece of fictional literature. The tale involves a mentally ill woman who is kept in a hideous, yellow room under the orders of her husband, John, who is a physician. The ill woman is conflicted due to the fact that the horrifying yellow wallpaper in the room is trapping a woman who she must help escape, but the sick woman is aware that she must get better in order to leave the terrifying, yellow room. The setting and personification applied in the short story, The Yellow Wallpaper, allows readers to develop an understanding of the sickness of the main character faces.
Then after this she kinda just went beyond crazy. “I’ve got out at last, in spite of you and Jane. And i’ve pulled off most of the paper, so you can 't put me back.” She wanted the woman in the yellow wallpaper to escape so she helped her out. Because her husband traumatized her she was always nervous and emotional.
The narrator throughout the story states “I wish that he would take me away.” Also, the narrator wants to be able to control what she does. She describes how at night the woman shakes the pattern that traps her. In the end of the story, the narrator exclaims “I’ve got out at last in spite of you and Jane!” This shows that the narrator is, in fact, the woman trapped in the wallpaper, at least symbolically.
However, we later see a shift in her feelings towards the wallpaper as she states that she is growing “really fond of the room in spite of the wallpaper” and comes to a realization that it may be “because of the wallpaper” (Par 94) As her opinions on the wallpaper begin to change, the progression of her mental instability becomes increasing visible. She begins to build a relationship with the wallpaper and claims that “There are things in that paper that nobody knows about” (Par 22) her. As this relationship with the wallpaper builds, her sanity begins to slip, and the hallucinations begin in a somewhat minor manor. In her first mention of “the woman” she says that the pattern on the
She proceeds to explain the contributing factors of the narrator succumbing to her “disease” of hysteria which was isolation from social interaction and the restriction of her own thoughts. She points out that the narrator is confined to a simple square room with nothing to offer in terms of mental health therapy. The narrator’s lack of the ability to interact with anything or anyone leads to infatuation with the wallpaper, which turns out to be “the
The Yellow Wallpaper by Charlotte Perkins Gilman is a short story told through diary entries of a woman who suffers from postpartum depression. The narrator, whose name is never mentioned, becomes obsessed with the ugly yellow wallpaper in the summer home her husband rented for them. While at the home the Narrator studies the wallpaper and starts to believe there is a woman in the wallpaper. Her obsession with the wallpaper slowly makes her mental state deteriorate. Throughout The Yellow Wallpaper Charlotte Perkins Gilman uses many literary devices such as symbolism, personification and imagery to help convey her message and get it across to the reader.
Secondly, throughout the story, the narrator describes seeing an evolving woman trapped inside of the wall. Although readers can assume that this woman is merely a product of the narrator’s mind, the woman can also be seen as a symbol of the narrator and her feelings of being trapped. Eventually, the woman in the wall aids the narrator in her escape. In conclusion, many elements of the narrator’s increasing madness throughout The Yellow Wallpaper contributed to her freedom from the confines of the room, the confines of society, and the confines of her
However as time moves on, and the woman in the wallpaper becomes more and more real to her, it’s clear that her mental state is rapidly depleting. Her first description of a figure in the wallpaper came when she stated that the wallpaper had a “recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (219). By the time the story ends, the narrator had turned into the
(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”
As the narrator becomes more fascinated with the wallpaper she moves progressively away from her normal day-to-day routines and lifestyle. When the narrator finally recognizes herself as the woman trapped in the wallpaper she screams at her husband "I 've got out at last," (Gilman 656) "you can 't put me back" (Gilman 656). She realizes woman are forced to hide behind the internal patterns of their lives and they need that she needs to be
By the end of the story the narrator was incredibly disassociated and has convinced herself that she freed herself from the wallpaper by tearing it off of the wall and that she shall be able to creep around the house no matter what John and Jennie try to do to "put her back in the wallpaper". She believes she has won her freedom, when she has only imprisoned herself inside of her own
Nonetheless, the narrator continues to pen her ideas about the wallpaper as it transpired from being perplexing to gaining clarity each day. Amidst arriving at a full conclusion of what the wallpaper depicts, the narrator says she sees “a woman stooping down and creeping about behind the pattern” (Perkins Gilman, 50). As the days passed,