The first production I was able to see this semester was Uncle Vanya on Sunday, January 21st. The show was screened at the Michigan Theatre and I paid the student price for my ticket, only fifteen dollars. The performance was presented by Stage Russia HD, performed at Moscow’s Vakhtangov Theatre. The show was performed in Russian, so English subtitles were added to the screening. Sergey Makovetskiy played the title role, and the production was directed by Rimas Tuminas. The scenic and costume design was done by Adomas Jacovskis with lighting design by Maya Shavdatuashvili. The show was a intense and fascinating production, not only because of the talent of the actors on stage and the interesting story, but because of the beautiful design …show more content…
While the set suggested the interior of a house, there were many aspects left abstract. The set never really changed, certain props being brought out to imply different rooms and a couch that was turned around at intermission being the only real differences. The set consisted of a large archway that resembled the interior wall of a home with a sofa stage right, a workbench stage left, and a statue of a lion upstage. The purpose and reason behind of the lion statue was a bit confusing, but in its mostly concealed and dim position, it added to the eerie nature of the production. All of the scenic elements conveyed an old and worn atmosphere that supported the atmosphere of the …show more content…
There were multiple times where two different colors of light hitting the actors from different directions helped to create depth on stage as well as heighten the emotional tension of the scene. One of the most constant instances of lighting that was very noticeable in the performance was the presence of a small circle of light upstage. This circle seemed to represent the sun or moon and helped to balance the upstage playing area with the lion statue. This paired with the low light upstage and the dim highlight on the statue reinforced the peculiar tone produced throughout the show. the haunting sadness and melancholic mood already created within the
A few weeks ago I went to the showing of a piece titled Braided Sorrow at the University of San Francisco Lone Mountain Theater. Braided Sorrow is a performance written by Marisela Orta, was directed by Roberto Varea and was presented by the USF Performing Arts Department. When I arrived to the performance the first thing that I noticed was the set up of the stage. It looked very different from usual. This past spring semester I was in a class taught by Professor Varea (The director of the play) and throughout the semester we were required to go to a number of performances.
The production ‘Chores´ had a fantastic impact on the audience. It successfully covered all elements of drama into the production
The scenic designer, Terry Martin, truly captured the elements of this production. The way E. Turner Stump Theatre was set up made you feel like you were in the side show yourself. There were lights hanging from the ceiling, and cages set up for the “freaks” on the stage. It was creepy, uncomfortable, and mesmerizing. Examples where the set design was most adequate was during the love tunnel scene, during the beginning of the production, and at the ending of the production.
The Federal Theatre Project was a New Deal plan, administered by the Works Progress Administration (WPA), during the Great Depression. The FTP came about during the height of the Great Depression, 1935, only four years before the Depression came to an end. The Great Depression has been referred to as the greatest economic disaster in the United States and lasted from 1929-1939 (history.com). During this time, nearly 13 million Americans were unemployed (history.com). The FTP was administered by the WPA in hopes to send many unemployed theatre professionals back to work.
The set was simple, and it had a lot old fashion furniture that you don't see that much unless you have grandparent that still have old style furniture. The theater was small and minimalistic and help the audience feel closer the
The changes in lighting creates the feeling as if this is happening in two different places when in reality the characters are quite close together on the stage. The characters in this scene are coming to terms with their realities, and the lighting not only highlights the action, but also represents their own process of
The dim light was used to create a sense of mystery. But as the play goes on, the lighting gets brighter to portray the characters' changing emotions. The various shades of blue, green, and yellow are used to create different moods. For instance, the lighting is frequently dark blue during moments of distress, symbolizing that the character is feeling sad.
While both stage and screen portrayals were highly acclaimed there are some similarities as well as some marked differences in each interpretation. On the surface, the first difference noted between the stage and screen versions are the sets. The stage version describes the setting of the play, the Younger family living room, as a
The productions of this play were successful through stage design, lighting crewing, and acting. Those three aspects made the quality of the play stand out to me, as an audience member. The production of the set design of the play was a good effort. The set design for the play staging aims for the sweet spot between feeding adult nostalgia and satisfying a new generation of children.
Aside from the stage, a warm, red lighting engulfed the remainder of the room, allowing me to see the scan rest of the room. The walls were decorated with strange portraits of what looked like Ancient Greece, and were scattered across the walls. Another section of the wall had a constellation looking portrait that was illuminated with alternating red and blue lights. Despite all of the colored lighting, the feeling in the room was still generally calm and calming. It was easy to observe the general age of the room, the majority of the audience looked to be in their late 20s’, and all their curious faces were directed at me as I walked inside.
Prior to this, I have never attended a classical concert. I actually had no clue as to what to expect because I could not find a review for UH concerts. The Jazz Orchestra performed in the Moores Opera House on a stage setting similar to that of my middle school band. The band instruments were tiered on the risers while the other performers were simply beside the risers. There were a few noticeable differences such as, the microphones set in the center for soloists, and a marker hanging from above to mark the center of the stage.
Before the audience lay a stage set for the unimaginative person’s benefit. Many hands worked tediously building a fantasy setting. I feel gratitude to those who built it, knowing that I could never accomplish a task of that magnitude. Simple furniture fills the stage, for
The puppets’ dramatic gestures are so emotional that they send powerful feelings towards the audience. The energy and dramatic intent that drives the performers in Petrushka is what makes the production as successful and
“All the world’s a stage, and all the men and women are merely players,” (Shakespeare), meaning the whole world is like a stage show and humans are the actors. The quote proves that life can imitate art even when it’s not recognized, art is everywhere you look, in places you never thought to look. Theater is represented in any imaginable way, so why is it not good enough for a simple required subject in school? Fine arts such as drama, dance, and art programs get cut from high schools due to the expenses that go into them. People say theater is not needed for the future, no help in the “real world”, and it’s not a life skill.
What is acting? Acting is where one person takes in the role, behavior, attitudes, and other traits of another person or character in a script for either a film or play. With an acting major you will spend a lot of time working on your body and the way you move on stage. In most acting majors you will have six main classes that you must take to graduate. You will have to have a class for acting, voice for actors, movement, improvisation, theatre history, and maybe an actor coaching class depending on what college you go to.