Tim Burton Essay
So you’re going to the store to get some stuff but on your way home there was a dog in the middle of the road so you swerve out of the way and crash into the river. Next thing you know you wake up thinking it was a dream just to find out your dead. You’re trying to get used to it but then people come into the house. Just like in Tim Burton’s movie Beatlejuice. Beatlejuice along with other films are mainly gloomy storylines with low key lighting and dark colors but he turns them into enjoyable movies for kids and adults to watch. Tim Burton uses lighting and colors to convey dark, mysterious style like in his films Edward Scissorhands, Corpse Bride, and Beatlejuice.
Tim Burton uses colors to show how different people are and how different the situation is in a scene. This occurs in Edward Scissorhands with the people’s outfits and Edwards. Example Edward wears an all-black suit that looks similar to a strait jacket. While the people wear bright colorful outfits. Edward’s and the people’s outfits are different to show that Edward comes from a different place and that he is sad and dark. While the people are happy and don’t have anything to worry about. Also in Tim Burton’s movie Corpse Bride he uses low key lighting to show the scene’s intensity and how to feel during the scene. Like when
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Like in his movie Beatlejuice he uses close ups when Barbra and her husband got taken out of the ghost world and put back into the human world but they were dying and it showed a close up on their faces when they were dying and turning really old. Another example is from his movie Edward Scissorhands when Edward was tricked into breaking into Jim’s house and the alarm goes off and he gets locked into a room it zooms in on Edward’s face to show that he is scared and terrified. Close ups make sure that the audience know the intensity of the scene and is knowing of how the character
Moreover, when introducing characters, Anderson always has a close-up with the actor’s face. In real life, faces are the first thing people see when meeting someone new. From that first glance, a bias is developed and there is a connection. In one simple shot, Anderson manages to give a personal aspect to character introduction, thus separating his movie from others. Another technique that makes the film successful is the fact that Anderson puts details into his movies.
We can still see the subtle lighting used in each scene because the movie is in black and white. The soft focus lens is used to give the impression that the scene is magical, romantic, and emotionally charged by removing sharp edges and giving it a more diffuse appearance. In the airport scene, for instance, the camera was very close to Rick and Ilsa's faces. Additionally, the two actors were extremely close to one another because of their long-standing connection or relationship. The camera captured Ilsa's face in a very close-up shot as she wept over leaving Rick.
As the women are being dragged out, and throughout the scene, the director uses low-key lighting to emphasize the shadows lurking in the darkened corners. This style of lighting contributes to the
The contrasting elements in his films exaggerate the difference between the settings and characters. In Edward Scissorhands, the castle appears in dark colors along with low lighting. Towering over the neighborhood, it looks menacing and evil. Lightning flashes and eerie music is played when the castle
Tim Burton uses his mysterious and creepy characteristics and expressed it through his film Edward Scissorhands Burton uses his unique style of editing that helps understand the main character’s, Edward’s, background. In comparison with the editing the sound helps understand the meaning of certain part such as the suspense of what would happen to Edward in the end. The costuming was a peculiar choice, it shows how in the town there was a lot of colors, but, Edward wore an all black steam punk like clothing showing how he was different. Therefore Tim Burton’s character, Edward, is a somewhat reflection of himself. Like Burton he has an imagination in order to create “art”, and the style of clothing is alike to that of Burton’s.
For instance, when Diana is in “No Man’s Land” the camera shot used is a long which captures the battlefield along with Diana. This show her isolation and vulnerability; this is due to the fact that she is the only one brave and strong enough to go on the battlefield. Also in this shot, danger and suspense are shown through shadows and darkness which are features of low key lighting. Diana is a warrior hero who follows the hero’s journey for the majority of the film.
On November 26, 2016, I attended the Emerald City Theatre Company production of Charles M. Schulz play Charlie Brown Christmas. The production of the play was great for the children who were in attends of the play. The production took away the 4th wall. Which help the children of the audiences be a part of the play a couple of times. Still, it 's a good and time-efficient choice for family members who are used to the animated Charlie Brown and wanting it to be the same as the TV special.
The lighting in Donnie Darko movie is a key component of composition which creates our sense of illuminating for people and things. This movie uses two sources of lighting; natural light, such as daylight, when the scene is in an outdoor area for example, walking from school, at home, waiting at bus stop, or playing outside of the school on sunny days. Another source of light is artificial spotlight which is used in the movie indoors to cut and shape the light at the dining table, in the classroom or in the psychotherapist's house. Also, distinct shadows are used as an essentially smooth surface that reflects hard light in the Halloween party to feature deep shadows and scary areas in function of the plot. Three-points of lighting create ominous shadows in the horror genre for all the actors at Donnie and Elizabeth's Halloween party with lighting from below the cast to create monstrous objects in real life.
For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.
As the camera zooms out slowly and we hear crickets chirping, we are introduced to the charming world of “What’s eating Gilbert Grape”. The film that many have come to love, along with its extremely famous actors, was released in 1993 in the United States and directed by Lasse Hallstrom. Endora, Iowa is the home of the Grape family, it’s a small, unchanging town where the main character Gilbert (Johnny Depp) feels trapped and death seems to be the only way out. Gilbert provides for his mother, sisters, and his autistic brother, Arnie (Leonardo Di Caprio). “What’s Eating Gilbert Grape?” is in many ways an unrealistic and demeaning view of autism.
These different lighting techniques are applied in the movie to help set the tone and mood for the film scene. The
The film Lord of the Rings: The Fellowship of the Ring makes use of low key and high key lighting. The low key lighting is seen when Gollum is first introduced in an ominous dark blue lighting that creates suspense and suggests an air of mystery. Further on the unnatural chiaroscuro is created when the Nazgul on his horse stands on a cliff with a lit up background surrounded by a dark forest. This makes the Nazgul seem more mysterious and threatening to the audience.
In Burton’s films, lighting is used to show happiness or sadness. For instance, in the movie “Charlie and the Chocolate Factory”, it is shown how dark and gloomy the town is while the factory is disconnected from society compared to when Charlie's grandfather was younger, working in an upbeat and colorful environment. Nevertheless, the lighting in his movies are manufactured for you to think a certain way of something when it could actually mean something else. With the accompany of lighting, Burton’s films
In the movie, Edward Scissorhands, Tim burton uses low-key lighting when Peg meets Edward for the first time in a castle. Edward was sitting in a dark corner and there was just enough light to see his face but not his clothes. This shows the amount of loneliness of Edward and that he was sad and frightened but also willing to make a friend when he approaches Peg. Also, in the movie, Charlie in the
Tim Burton 's use of this helps show the contrast of the insider and outsider world. When the viewer is watching they get a sense of suspense and start to second guess whether or not they should trust the outsider. In Edward Scissorhands Burton uses a high-key low-key light contrast when Peg is in her car and sees Edward 's house in her side mirror. When the viewers are watching they get a frightened sense and wonder whether or not Edward or whomever is in the house will