The novel, Turn of the Screw, by Henry James takes place in England and is told from the point of view of the Governess, whose sanity is questionable. The Governess is insane because throughout the novel, she is the only one who sees the ghosts, she is in love with the master, and she allows her desire to protect the children to drive her to insanity.
First, the Governess is insane because she is the only character in the novel to ever have seen the ghosts. Early in the novel, the Governess claims she sees the ghost of Peter Quint, and immediately tells Mrs. Grose. At first, Mrs. Grose goes along with the idea of ghost sightings, but soon after, she says that “she herself has seen nothing, not the shadow of a shadow, and nobody in the house
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In the preface of the novel, a man named Douglas sets the stage for the rest of the novel, explaining the relationship between the Governess and the master. When talking about the Governess, he says that “she was in love” (James 3). Love very often drives people to act rashly or do things they would not otherwise do. In the case of the Governess, her love for the master and her desire to impress him cause her to find reasons to talk to him about the well-being of the children. She begins to hallucinate and tell tales of dangerous phantoms so that she can speak to the master and possibly win his affection, thus making her insane. Her love for the master does not make her insane, but the way she acts upon that love does. In describing the Governess’s first meeting with the master, Douglas says that “he struck her, inevitably, as gallant and splendid, but what took her most of all and gave her the courage she afterward showed was that he put the whole thing to her as a favor” (James 4). This shows that the Governess is at once infatuated with the master. She thinks he is perfect and describes him as angelic, which proves she is in fact in love with him. Her obsession with his beauty stop her from reasoning rationally where he is concerned, and this translates to her behavior around Miles and Flora, who are his niece and nephew. Because her love for the master affects her behavior, the Governess can be deemed insane. The Governess is in love with the master of the house, and although he is not an important character in the novel, the affect he has on the Governess drives her to
Mrs. Reed likewise separates Jane from the Reeds’ social circle by confining her to the nursery while her cousins spend their days in the drawing room (22) and calling Mr. Lloyd, the apothecary for “ailing servants,” instead of the family physician for Jane’s illness (15), thus placing her among the servants. However, the servants too reject Jane from their group—Miss Abbot told Jane that she is “less than a servant” because she does “nothing for [her] keep” (9). Jane thus
Thesis: Amongst the library of supernatural fiction and ghost stories written within the late 1800s, The Turn Of The Screw offers a direct commentary on the suppressed social fears of class change through the embodiment of ghosts. Introduction: Written in 1889, during the rise of supernatural psychical research and supernatural fiction, The Turn Of The Screw by Henry James tells the tale of a governess driven to insanity. The governess claims to have seen ghosts of the late governess, Miss Jessel, and the deceased valet, Peter Quint, on the grounds of castle Bly. The ghosts that she sees throughout the novella are not real and were created by the governess, due to the social pressures that she faced working at Bly. Her repressed desire to belong to a higher social class and her fears of trying to elevate her status were
Another side of the story where people fails to perform their duty. Unlike other queens, Queen Modthryth was a queen that would “punish the innocent” thus failing to perform her duty as a peacemaker or a hostess. “A queen should weave peace” and not “perpetrated terrible wrongs”. She frightens the people of the land because of her unqueen-like behavior. She was married off to Offa and became “less of a bane to people’s lives.
The governess is insane because she is the only person at Bly to witness the ghosts of Peter Quint and Miss Jessel. During her employment, the Governess claims to experience several ghostly interactions, however no one else could relate to her sightings. For example, after claiming to see two ghosts, the Governess confides in Mrs. Grose and later says “she herself had seen nothing, not the shadow of a shadow, and nobody in the house but the governess was in the governess’s plight,” (James 24). Mrs. Grose is eliminated as a witness and cannot argue if the paranormal activity at Bly was real. Since no one can support the governess’s claims, then presumably, they were hallucinated by
It is in this same intimidating mood that the girls follow her lead in beginning to call out the names of who they "saw" with the Devil at the end of Act I. Her dominance continues as the play advances and the girls are required to attend court and follow Abigail’s order. They all start pretending as if they have a special ability to identify those who are
One reason the man may have been a ghost is when he said, “We’ve all been dead” (Oates). The man had said this when the mom apologized for asking about his mother who had passed. Nobody just says that they have been dead, which hints to the fact that he may be a ghost. When the man walked up the stairs, this is how the family described it, “It was as if a force of nature, benign at the outset, now controllable, had swept its way into their house!” (Oates).
In the beginning of the story, it shows that she is a very superior person as being the reverend’s niece. She evidently changes when she had the power of
Author Joyce Carol Oates ' discovery of the stories of Edgar Allen Poe and Ann Radcliff “sparked her interest in Gothic fiction”. These Gothic elements typically include gruesome or violent incidents, characters in psychological or physical torment, and strong language full of dangerous meanings. Oates herself is citied as saying that "Horror is a fact of life. As a writer, I’m fascinated by all facets of life". “Where is Here?" This story is sort of eerie and tells the tale of a grown-up man who goes back to visit his childhood home.
In Charlotte Gilman’s short story “The Yellow Wallpaper,” she tells a horrific ghost story about symptoms of the rest cure. The “rest cure” was a treatment developed by Dr. Silas Weir Mitchell who restricted women of intellectual stimuli and condemned them to a domestic life to help their postpartum recovery. After being a victim of this treatment, Gilman wrote “The Yellow Wallpaper.” Careful attention to the use of Gilman’s symbols in her short story allows the reader to analyze some of the themes concerning feminism and societal misogyny. Foreshadowing throughout, Gilman uses the house, the writing, and the wallpaper as symbols to show how man’s use of the “rest cure” limit women in society and offers that the solution to this issue is to persistently tear away at man’s injustice.
The governess’s sanity in Henry James’s Turn of the Screw is often disputed over in literature. Because the governess sees ghosts in the novel, she is often argued as insane. The definition of sanity proves otherwise, stating that it is the “state of being sound of mind or having appropriate judgment skills” (Psychology Dictionary). The governess is sane because she behaves rationally, protects the children above all costs, and is not the only character witnessing a supernatural presence.
He places her in the nursery of the colonial mansion, despite her requests to be placed otherwise, “I don 't like our room a bit. I wanted one downstairs... but John would not hear of it” (Gilman, 2). The narrator’s husband dictates all aspects of her life to the point where she internalizes her husband 's authority, accepting his dominance over her, “I sometimes fancy that in my condition if I had less opposition and more society and stimulus—but John says the very worst thing I can do is think about my condition, and I confess it always makes me feel bad,” (Gilman, 2). Even though the narrator knows what she needs is to be active surrounded by people instead of cooped up alone in a house out in the countryside, she abruptly stops her train of thought as she remembers John’s instructions to not think about her condition.
She is a loyal though misguided wife, not without tenderness and not without conscience. Lady Macbeth’s willingness to sacrifice her femininity exposes her loyalty towards Macbeth. After reading the letter regarding the witch’s prophecies, she decides she must do whatever it take to make Macbeth King: Come you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty.
In Henry James’s novella, The Turn of the Screw, the topics of sanity and insanity are commonly argued among the readers. Insanity is the state of madness or being irrational while sanity is reasonable behavior. It is up to the audience to decide on whether the author intended for the governess to be sane or insane. Despite this dissension, the governess is insane throughout the whole story because she possesses all the symptoms of a paranoid schizophrenic, has an obsessive personality, and is the only one who claims she sees the apparitions.
Since she is a woman, reach royalty on her own, so she uses her husband, a man who she vowed to love, as a catalyst to get the power she craved. The excessive desire for power can cause one to do things a normal person wouldn’t do. Macbeth was once a man of high prestige. He had just won a battle and been named the Thane of Cawdor.
The governess progressively believes in things around her that are pseudo and assumed. Nobody else at Bly can see the ghosts that she claims even when the children tried to believe her, they just could not see the ghosts she could see. Things slowly but surely fell apart at Bly, and it seemed to start right when the governess made assumptions about the ghosts she had met. The governess had done many things at Bly, but proving her insanity is something she could not