I have chosen the train fighting sequence , as it is an example of a scene in ‘The Matrix’ which uses many different genre tropes and iconography to propel the narrative forward. Looking at the mise-en-scene and cinematography of this fight, elements of both the Western and Kung Fu/Martial Arts genre are shown. Both Agent Smith and Neo are standing centered to each other while the frame is off centered, focused on their hands. The cracking sound of Agent Smith hand is heard, resembling a Bruce Lee Kung Fu movie such as ‘Way of the Dragon’ (1972).The editing cuts back and forth with the music building up like a traditional western until they pull their guns out and shoot at each other. This scene then proceeds to the two fighting in way which resembles old Bruce Lee, Kung Fu action movies. …show more content…
A lot of the iconography in this scene resembles elements other genres that are not science fiction. However, that does not mean the scene is devoid of science fiction iconography as the scene cuts to the Nebuchadnezzar crew where the future technology of their hovercraft is shown. As well as this the outfits of both Neo and Agent Smith resemble science fiction iconography and tropes. Their Outfits are unusual and strange with the black glasses and the full black outfit and greased back hair Neo is uncommon. However, the shot of Agent Smith and Neo jumping into the air, and unloading their guns caters to the Telottes (2001) idea of the science fiction trickery. The shot is almost fantasy like, as this action could not be done by people in real life without the use of effects. This scene is full of different genre elements and tropes and is an example of Telottes (2001) idea of how diverse science fiction films are. Because they not only incorporates science fiction elements but also a myriad of other genre
In Flemming Kress’ short story “The Sword” the author displays setting and character to express that immigrants to new country struggle to belong. Firstly, the author displays that the story takes place sometime in after WW2. Aaron does not fit in with everyone else except with his grandmother in their new country, Canada. In the story, it mentions “He and his papa and his Bubbie [are] barely a year in Canada. Changing countries [is] not easy”(Kress 53) and that “She [Bubbie] dressed very much like her ancestors dressed for in her country, for the past two centuries”(53).
In the beginning of Dragonwings, by Laurence Yep, Moon shadow is 8 years old and lives with his mom and grandma in china. Shadow never met his dad ,because when he was born his dad left to go to America to get more money. Shadows dad was a master kite maker but when he left to America he had to clean clothes. Hand clap is shadow's cousin, he brought a letter from shadows dad inviting shadow to America. Shadow decided to go to America.
Connection to Self: Tears of a Tigers I can relate the characters from the novel Tears of a Tiger to my own life. For example, Tyrone,Andy, and BJ all lost someone close to them and they seen it happen and there was nothing they could do to save him. According to chapter Three Tyrone tells the officer that they were driving just fooling around and that they were drinking but Andy had the most to drink. He also tells the officer that the car started to sway and that they thought it was funny, he also mentioned that Rob had his feet on the dashboard then all of a sudden a wall was in front of them. Once they ran into the wall the car quickly burst into flames, but everyone escaped, but Rob and once they seen his legs poking out of the front window
The Sapphires film is directed by Wayne Blair and produced in 2012. The Sapphires is a beautifully filmed true story based in 1968 about the story of four indigenous women who go by The Sapphires who got picked to sing to the soldiers in the Vietnam war. The scene that is being analysed is 18.15-2o.23 in this scene Gail is singing a gloomy song for the soldiers because she thinks that Dave is dead. This scene is around the end of the movie just before they go back home. The purpose of this scene is to make us feel sorry for the Sapphires because they just witnessed their manager being killed and that they are singing their sorrows out.
This passage from “A white Heron”, by Sarah Orne Jewett, details a short yet epic journey of a young girl, and it is done in an entertaining way. Jewett immediately familiarizes us with our protagonist, Sylvia, in the first paragraph, and our antagonist: the tree. However, this is a bit more creative, as the tree stands not only as an opponent, but as a surmountable object that can strengthen and inspire Sylvia as she climbs it. This “old pine” is described as massive, to the point where it, “towered above them all and made a landmark for sea and shore miles and miles away.” (Line 8).
Like, when Malcolm is seen communicating with his wife at their room with the window open. Here we can observe that there is an amusing use of camera angle to present the interaction between the one living and another dead person. Interestingly, both are unknown about their realties. The symbol of the open window also can be represented as Malcolm is ready to leave for the other world. Also, there is a rich use of varieties of colors in the movie.
While both Steve Harmon from Monster and Andrew Jackson from Tears of a Tiger both seem like they are unable to do with without somebody else, they differ because Steve is discouraged while Andy is irresponsible. Both characters are very dependent on another supporting character whether it is emotionally or physically. However, Steve is discouraged and worried about his future. Andy, on the the other hand, seems very thoughtless and doesn’t seem to think about the consequences of his actions.
Ender’s Game is a 1985 science fiction novel by Orson Scott Key. Set in the future where an insectoid alien species, the Formics (or the buggers), have attacked Earth twice with devastating results for the human species, Andrew “Ender” Wiggins is humanity's last hope. A child prodigy and main character of Ender’s Game, Ender is sent to Battle School to learn how to fight and destroy the buggers. He is chosen because his characteristics are perfect to be a commander. Some traits that are very important in making Ender who he is are his calculating judgments, creativity, and compassion.
Julie Taymor’s A Midsummer Night’s Dream film adaptation creates a fantastical spin on the well-known Shakespeare play. The director is able to create an effective dream-like setting with the use of projections, lighting, and puppetry. From the beginning, there is a sense of wonder created, as without word or introduction, Puck, played by Kathryn Hunter, glides onto stage and lays down on a mattress supported by branches. Puck is then lifted into the air and a large white sheet consumes the stage. Even for those familiar with the play, such as myself, it immediately commands your mind to travel to the dream world Taymor has created.
To be trapped in one's own mind may be the worst prison imaginable. In Charlotte Perkins Gilman's "The Yellow Wallpaper", the narrator of the story is constantly at battle with many different forces, such as John, her husband, the yellow wallpaper that covers the walls of her room, and ultimately herself. Throughout the story the narrator further detaches herself from her life and becomes fixated on the yellow wallpaper that surrounds her in her temporary home, slowly driving her mad. The narrator of "The Yellow Wallpaper" is a major and dynamic character as she is the main character of the story, and throughout the story her personality and ways of thinking change drastically.
Pan’s Labyrinth (2006), directed by Guillermo del Toro, is a gorgeously realised tale of fantasy and horror, set against the backdrop of post-Civil War Spain. The story follows a young girl, Ofelia, who travels to the countryside with her ill mother to live with her new stepfather, Vidal, a captain in Franco’s Fascist army. The film explores how Ofelia uses her imagination as a copying mechanism to deal with the monstrosities of her reality as well as to interpret the horrific events unfolding around her. Del Toro employs a number of cinematic devices including cinematography, sound and editing to effectively draw parallels between Ofelia’s reality and imagination, ultimately creating a powerful film that condemns the nature of Fascism.
Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just
In Kate Chopin’s “The Story of an Hour” demonstrates the personal growth of the dynamic protagonist Louise Mallard, after hearing news of her husband’s death. The third-person narrator telling the story uses deep insight into Mrs. Mallard’s thoughts and emotions as she sorts through her feelings after her sister informs her of her husband’s death. During a Character analysis of Louise Mallard, a reader will understand that the delicate Mrs. Mallard transforms her grief into excitement over her newly discovered freedom that leads to her death. As Mrs. Mallard sorts through her grief she realizes the importance of this freedom and the strength that she will be able to do it alone.
The film is heavily dependent on the music, the clothing, and the gothic aesthetic. The music in the movie is a mix of electronic, metal, and alternative rock, adding to the whole futuristic, but dark and dangerous, vibe. The gothic aesthetic is everywhere; it’s in the costumes, the interior decorations, the moody lighting, and the buildings. The main colors being used while they are in the Matrix are black and green, muddled and not as bright as when Neo is removed and brought to the real world. Specifically, the film borrows from the cyberpunk or industrial styles/subcultures of the 1990s - the PVC/leather outfits, the abundance of black clothing and “edgy” accessories, the trench coats, the black glasses.
These four techniques help emphasis Niccol’s aim and also shows the influence that being superior has on people. In this running scene, Niccol uses the techniques of camera angles with lighting and colour together. Niccol uses these techniques together best in this scene when Will realises that Leon has time in his car and sprints with only 28