Serpent Symbolism in Gardner’s Grendel The talk of dragon fangs, claws, wings, and fire has been used in literature for generations, dating back to the beginning of the Middle Ages, and this serpent imagery is typically associated with evil, malevolent events or entities; however, it is not exclusively entitled to these attributes. In John Gardner’s Grendel, the tale of Beowulf from the perspective of the monster Grendel, serpent imagery is used consistently, adding to the overall scheme of the novel, and simultaneously portraying significant themes which aid in the subtle metaphysical conflict of the main character’s existential perception of the world. As the novel progresses, the use of the serpent imagery is gently placed into key events, …show more content…
A clear interpretation for the symbolic meaning of the pool of firesnakes seems unclear, but one could interpret that it represents Grendel’s leap out of innocence, or a leap that will consequently bring him into positions that will strip him of his innocence. Shortly after this event, Gardner presents a large quantity of serpent imagery to enhance the visual interpretation of the scenes such as Grendel’s arms behaving like snakes hanging from a tree, but the significance of these devices are limited until the dragon imagery is introduced. The dragon is the focal point of Grendel’s serpent imagery, and embodies a philosophical conflict for Grendel as well as a major turning point in the novel. Grendel’s existential beliefs are encouraged and approved by the dragon; however,the dragon also advises Grendel to “seek out gold and sit on it,” illustrating the idea of finding a meaningless purpose to satisfy the desire within Grendel’s mind(74). Proceeding …show more content…
Beowulf is described as having hands “like a dragons claws” and fingers “like fangs with poison” and “out of his shoulders come fiery wings”(168-169). The imagery relates Beowulf with that of the dragon, emphasizing the iconoclastic conflict of both. Beowulf; however, is destroying Grendel’s existential perspective of reality and truth, while the dragon was destroying Grendel’s growing curiosity towards the shapers reason. When Beowulf and Grendel fight, their is a stronger appearance of a philosophical battle than that of a physical one as Beowulf whispers and “flames slip out at the corners of his mouth,” again showing the iconoclast relation and the web of connections with the serpent
Philosophical symbolism in Grendel In the novel Grendel the shaper and the dragon both talk about life. The Shaper has a good view point of life and the dragon has a bad view point of life. The Shaper talks about what the universe and world around us has to offer through his stories.
Grendel’s Internal Battle Throughout John Gardner’s novel, Grendel, Grendel’s thoughts are constantly at war with each other. He does not know what or whom to believe, and how to distinguish lies from what he knows to be true. The Shaper’s songs, the brutal reality of the corpse, and the dragon’s cynical way of thinking all change Grendel’s view of life and thoughts, and are examples of how the art of falsehood in seen throughout the novel.
Debbie Park Mrs. Vandergrift British Literature H. 18 November 2014 Consequences of Evil The novel Grendel, by John Gardner circumstances around a cynical beast, Grendel. Grendel is a beast whose sole priority is to destroy mankind. However, John Gardner adopts Grendel, an inhuman monster, to simply depict the flaws in men. Furthermore, Grendel also represents the destructive nature of greed and jealousy that pertains to all humans. Although Grendel is depicted as a nihilistic beast, John Gardner creates instances in which the reader sees heroicness and benevolence in Grendel, ultimately showing the correlations between Grendel and mankind.
In this time, the dragon was attempting to convince Grendel to terrorize the humans, since they are already scared of him. However, Grendel can’t even comprehend what the dragon is saying because he’s so scared of how he looks. Shmoop.com says, “In short, Grendel's dragon is elemental, massive, invincible—totally scary. In an ironic twist, Grendel can hardly pay attention to the "wisdom" that the creature wants to give him, because he's so entranced by sight of the dragon's body. It's another way in which Gardner is trying to play with the idea of the monstrous: Grendel is too afraid of the dragon to listen to anything he has to say, just as the humans are too afraid of Grendel to listen to anything he has to say.”
Grendel: A Demon of Depravity Evil exists naturally within us, it always has and always will. And while it may not be a finite item, that we can touch and see, the beings that possess it are. Arguably the most critical concept in John Gardner's epic, Grendel, evil, as a character trait, is well adopted by the text's main antagonist, Grendel. Not a human but a self-conscious being, Grendel is portrayed as one of the most vile beasts depicted in literature, as he initiates scenes of blood-curdling murder, feeding a ruthless addiction all the while. Despite carrying out such heinous acts, the reader may find himself caring for Grendel, possibly routing for him at points as he battles with the Thames and even his own thoughts.
One 8 feet tall, put together by multiple people's body parts, the other a giant, angry, man eating monster, the monster from Frankenstein and a monster named Grendel. Grendel is a fictional character first introduced in the novel Beowulf. He is the protagonist to Beowulf, exiled from civilization. Grendel was born an outcast from society then slowly became what he was always told he was, a monster. What makes Grendel such a successful villain is his lack of remorse for anything.
In Beowulf, Grendel the dragon is looked at in a very negative light, as an evil character. This is due to the strong descriptive words that the author uses, such as: “a powerful monster…in darkness…growled in pain” (pg.41 L. ). These words paint a clear picture of Grendel, and it supplies you a feeling for how evil the beast truly is. The epic states that Grendel was “spawned in that slime” (pg.41 L.), giving a very dark image of what he was conceived into. Grendel is a character of true evil.
When Grendel went in fot the kill Beowulf jolted up and grabbed Grendel arm. 759-767 – Beowulf begins crushing the fingers of Grendel just by grabbing him. 768-778 (SKIP)-this section just talks about how noisy it got in the hall during the battle 779-791 – As Beowulf begins squeezing Grendel, Grendel begins screaming and
The obvious monster which dominates Part I of Beowulf is Grendel. This “fiend out of hell” (Heaney 100) represents everything nasty about
This is the beginning of Grendel falling directly into the role that the dragon said he would need to fill. Grendel’s murderous tendencies completely reflect the monstrous side of his personality and the more he kills the more he grows insane, separating from rational, humanistic thought. “I am swollen with excitement, bloodlust and joy and a strange fear that mingle in my chest like the twisting rage of a bone-fire... I am blazing, half-crazy with joy” (168). It is clear that, by the time Beowulf arrives, Grendel has embraced the fact that he is required to be evil, despite the fact that he previously claimed he would oppose that destiny.
Grendel uses his brute strength to rip his victims limb from limb, Grendel’s mother uses her shapeshifting abilities to lure and disarm her enemies, and the dragon uses its fire breath to scorch those brave enough to challenge it. Towards the end of the epic, in passage 16, the tone transitions to a more mournful cry of praise for the fallen Beowulf, King of the Geats. The dragon fatally injures Beowulf with a puncture wound to the neck before being slain. Beowulf’s lasting impression is one of a glorious, brutal, and epic
What many don’t know is monsters of today are much like monsters back then in the Anglo-Saxon times. A specific monster of those times is Grendel, an antagonist in Beowulf that is bent on killing and eating people. In this epic, Beowulf is a well renowned hero that has great strength and abilities. He is sent to defeat the monster Grendel that has been wreaking havoc on the Geats, located in present day Sweden, for 14 years, murdering and eating their people. Grendel is portrayed to be a typical
This demonstrates that Beowulf was not a monster, but in fact, a hero. In “Human”, Beowulf’s “hug” is not out of goodwill or kindness, but out of the will to kill Grendel and his claws. “I was greeted with a gesture, given by hands/Generally used for showing sincere affection” (Human 2.38-9). By conveying how the claws felt, and personifying them, it shows two humans battling, and empathy from the reader is more likely. The claws appear again in the battle between Grendel’s mother and Beowulf.
In the first place, they are many themes in Beowulf that best displays the difference between how Beowulf is depicted as opposed to how other characters are depicted which is good prosper over evil. Grendel is a sadistic monster, he is relentless. In the poem it stated that “he would kill and eat thirty people”. Every night grendel slaughters more danes and feed on their corpses after tearing them limb by limb. He is also jealous and impatient.
Based on the article, the symbolic meaning of the snake in the Creation stories is a distraction. Moreover, the snake plays a role in diverting Eve from the things of the Paradise, but instead with her own human condition. Additionally, Lawrence indicates "Cleverly, he sowed in Eve the seeds of discontent... Being human was no longer good enough, both she and Adam wanted to be like God." (Lawrence 2).