Fantasy V.S. Reality In some cases an individual can perceive something as the complete opposite of what it truly is. People create the illusion or the fantasy on what they believe something to be. I believe that in the short story “Where Are You Going, Where Have You Been?” false perception V.S. reality is seen. The main theme in this short story is the conflict between fantasy and reality. One of the main characters in this short story is Connie. She tries very hard to create an adult persona. Connie uses her attitude and appearance to attract boys. But she is not aware of the reality of the society in which she lives. Connie is living in a fantasy world, but when she gets trapped by Arnold Friend she is put into a scary reality. There …show more content…
He symbolizes the dark side of reality. The author conveys Arnold as being a “bad boy.” Arnold knows that he can take advantage of Connie and nothing is going to stop him from doing so. He is a predator and is determined to lure Connie even if it means by force. Everything about the way Arnold looks and acts represents his shady and dark persona. Arnold’s hair is “shaggy, shabby black hair that looked crazy as a wig” (197). Also Arnold’s sunglasses serve as another symbol. His sunglasses reflect mirror images and don’t show his eyes. This is a symbol of disguise as if he is trying to hide who he really is. Arnold’s car is also a major symbol in this short story. It serves as a contrast between who Arnold is and who he is disguised as. The car symbolizes the fantasy and the reality aspect of Arnold. The new paint job on his car is used to symbolize Arnold’s fake disguise that he puts on to lure Connie in. Arnold’s car becomes a major example of his dark appearance and nature. The color of his car which is gold represents being flashy. Also it represents as being an out there person. As if he is trying to attract a younger crowd. Arnold has his full name, “Arnold Friend” written in tarlike black letters on the side of his car with a drawing of a round, grinning face that reminded Connie of a pumpkin, except it wore sunglasses (197). This reflects how Arnold tries to fit in with the young kids even though he is much older. Connie asks Arnold how old he is and she realizes that he is not a kid he might be thirty or older. When Connie realizes that Arnold is much older than she thought, she is taken over by fear of what’s going to happen. This situation is much different than anything else she has ever
Arnold Friend was there to take Connie away; away from her childhood and home, which never quite felt like home until her fantasy world deteriorated and reality set it. The next moment is pivotal, this is when Connie forgets her hedonism and becomes something of much more substance. Before Connie studies Arnold Friend’s abnormal personality and erratic behavior she is fascinated by him and even worries that she is ill prepared for this
However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an
In “The Flowers”, Alice Walker explores the woods through the eyes of a little girl named Myop, but she soon realizes the world isn’t as nice as flowers. In “Where Are You Going, Where Have You Been”, Joyce Carol Oates follows a young girl named Connie who is focused on others and her own appearance, until she is introduced to the world in a unexpected way. Both Walker and Oates use young girls to show the harsher sides of the world and how their childhood changes to adulthood in different ways. The main thing that Myop and Connie have in common is that they are both females, but their looks and the way the live are totally different.
The short story “Where Are You Going, Where Have You Been?” was written by the author Joyce Carol Oates in 1966. Oates describes her idea for the story after briefly reading an article about the real-life murderer, Charles Schmid, who lured and murdered three teenage girls (Kirszner & Mandell 523). She uses this idea to create the character, Arnold Friend, and his victim, Connie. Connie is a typical teenage girl portrayed as naïve and self-centered. The short story appears realistic, given that the conflict in the story is based off of real events.
Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.
Friend himself. There’s so much symbolism going around this one character and his beloved car alone, that one could write a separate paper on the topic. Speaking of yet more symbolism, we get finally get a formal introduction to Arnold Friend, who’s name alone symbolizes trouble. Since Arnold Friend is symbolizing Satan a known shapeshifter, one could do a little reading into the several interpretations of his name. One, An old friend, this being Eddie, the guy she had burgers with at the mall.
He tries to seduce and persuade her to go with him for a ride similar to how the Devil lured Eve with a shiny and mysterious apple. Oates displays evidence of biblical allusions regarding Arnold Friend’s appearance and persona in the story by depicting his physical characteristics, his supernatural knowledge, and his demeanor as an image of evil. Connie wants to be desired for her sexuality and Arnold possesses this by his tone throughout the story. His appearance comes
While “Where Are You Going, Where Have You Been?” may seem like your average “coming of age” story at
In her short story "Where Are You Going, Where Have You Been?", Joyce Carol Oates utilizes a variety of literary devices to strengthen the story in its entirety. This short story is essentially about a 16-year-old girl named Connie and the conflict between her desire to be mature and her desire to remain an adolescent. Throughout the story, the audience sees this conflict through her words in addition to through her behavior. The audience is also introduced to Arnold Friend, a rather peculiar man, who essentially kidnaps her. This short story by Joyce Carol Oates functions and is additionally meaningful because of her usage of literary devices.
Throughout the story, there are many instances: the illogical time and settings, the similarity between Arnold and Connie and the unrealistic events show that the meeting between Connie and Arnold Friend is a dream. The dream is also a preparation for Connie before she steps onto the stage of being an adult. Connie’s dream begins when she refuses to go to her aunt’s house for barbecue party. She stays home, and under the warmness of the sun, she begins her day dreaming about love and the boy she has met the night before. In the beginning, the author writes “Connie sat with her eyes closed in the sun…”
The short story “Where Are You Going, Where Have You Been?” by Joyce Carol Oates can be interpreted in a multitude of ways due to its ambiguity. A psychological lens, however, provides the most accurate viewpoint for analyzing the story as it clarifies certain obscure scenes and actions of Connie. One psychological issue of Connie that is easily inferred from the beginning of the story is her insecurity about her looks. Connie constantly worries about the way that she looks and takes any opportunity to do so, “craning her neck to glance into mirrors or checking other people's faces to make sure her own was all right” (1).
Reluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.
“Where Are You Going, Where Have You Been,” is about a teenager named Connie who is trying to come to terms with her transformation from childhood to adulthood. Through this process, Connie attempts to act older than she is an tries to gain the attention of boys. In “Where Are You Going, Where Have You Been,” Joyce Oates portrays Connie as obsessed with men to symbolize how one’s obsession and narcissistic attitude can cause danger to seem surreal. In the short story, Carol Oates describes Connie as having two different personalities, one being a narcissistic attitude.
Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.
The ego is a fragile model of the personality that can be easily thrown out of equilibrium: “This place you are now… is nothing but a cardboard box I can knock down anytime. You know that and always did know it” (9). In conclusion, Joyce Carol Oates depicts the superego, ego, and id in her short story: “Where Are You Going? Where Have You Been?”