Record label Essays

  • Why Are Record Labels Losing Out

    508 Words  | 3 Pages

    is to reveal the deteriorating music industry, and show how digital streaming serves earn percentages from Artists and Labels. The internet opened global avenues up for independent artists and musicians. The music industry has been a step behind due to illegal sharing of music and the transition to the digital model. Napster and Audio Galaxy were early file

  • Record Labels And Artists Cannot Persuade Listeners To Buy Their Music

    551 Words  | 3 Pages

    Nowadays, record labels and artists cannot persuade listeners to ‘buy’ their music. It is believed that the aspect of music has changed due to the popularity of music streaming. Allen (2013) agreed by stating that music streaming has changed the view of people in the industry of music. For example, popular music streaming services such as Spotify and Pandora and a number of new music streaming applications provide the easiest way for listeners to enjoy music freely without having to do illegal downloading

  • Hobby Bassist Research Paper

    550 Words  | 3 Pages

    Being a bass play professionally is a difficult thing to do. Being signed with a label would make you plenty of money; but, see the problem is that signing with a record label is actually hard to get done. You have to be in a band or a very good solo player. Then the band or you has to be seeing my a label company. From there they have to think you’re good enough or that you’ll make them enough money to be signed over. So instead of that let’s talk about what is like to be a hobby bass player. As

  • Corruption In The Music Industry Essay

    1046 Words  | 5 Pages

     Producers are not being paid or credited by record labels and artists because of the position there being put in in the industry; they need to come together and find methods to license/contract there work and also raise awareness.    The new model that the music industry is transitioning to is the streaming model. Artists and producers used to make most of their income from physical copy sales. Now most of the income usually comes

  • Controversies Faced By Record Companies

    1062 Words  | 5 Pages

    Record companies usually feel like they’re the true victims. They are insulted that after making multi-million dollar investments in artists, few of whom actually pay off, that they are then held hostage by the successful ones. They claim they are forced to pay large advances to artists who make millions, yet complain that they are being badly mistreated. They further complain that artists should be helping fight the real enemy of digital piracy, instead of accusing record companies to be thieves

  • A Career As A Music Producer

    1804 Words  | 8 Pages

    music sales with just flop. The next part of the career is the salary. “A Music Producer gets an average salary of $28,000-$188,000” (Indeed). The amount of money made depends on where and with who someone is working. When someone works for a big label with fewer people, they will make a lot more money than if they worked for a big company. Besides the salary, the work environment is huge part of the career. “A producer working steadily is frequently under a lot of pressure, especially during rehearsals

  • Artist Personal Statement

    309 Words  | 2 Pages

    for me to keep up the trends but also be a step ahead and be able to see the next big thing that could happen. The traditional way of finding talent is to go to small events where new artist are trying to build a fan base and for some attract a record label. In today’s search for new talent, the Internet has changed the way artist attract management. In order to market a

  • Argumentative Essay: Backlashing The Music Industry

    413 Words  | 2 Pages

    Although claims have been made that downloading music for free without paying is stealing and hurts profits, complaints seem to originate most commonly from record labels and a handful of the larger artists such as Def Leppard and Taylor Swift rather than from every artist who has free music on sites like Napster. When Napster came out on the internet and began to develop success, only then were they targeted by the music industry: when their success became a threat. Ian mentions how she was bombarded

  • Dj Jekyll And Mz Hyde Case Study

    392 Words  | 2 Pages

    ELMIRA, NEW YORK (August 24, 2014) – Local public image team of DJ Jekyll & Mz Hyde, has set out to change the way artists and bands get recognized. Not only are they hoping to put their mark on the local music scene in upstate New York, but eventually the whole Northeast. Their vision is to blend music, fashion, and entertainment all while giving young up and coming artists the opportunity to get noticed. “Music promotion doesn’t have to be so stiff and formal, you can make it entertaining and

  • Breakdown Of The Music Business Chapter 1 Summary

    316 Words  | 2 Pages

    In this book David Hooper explains the entire breakdown of the music business. Chapter 1 of his book starts off by discussing Commitment. Making the commitment to do what it takes to be successful in the music business consists of two decisions: Acknowledging that you and you alone, are responsible for your music business success, because you are the one making the choice to do something or not do it (Hooper, 2013). Recognizing that every decision you make, even the small ones, is either getting

  • The Copyright Royalty Board (CRB)

    282 Words  | 2 Pages

    The music industry is contingent upon royalties generated by the licensing of copyrighted songs and recordings as a primary form of revenue for musicians. A royalty is a payment to the owner of a copyrighted work by those who wish to use the work for the purpose of generating profits. The Copyright Royalty Board (CRB) is responsible for setting the streaming-music royalty rate. The CRB is a division of the Library of Congress in the Copyright Office. Three judges are appointed by the Librarian of

  • Pandora, Copyright Royalty Board, And Soundexchange

    434 Words  | 2 Pages

    in large part due to the internet. Downloads replaced physical copies of music and webcasters are quickly replacing downloads. The future of music and revenue made from music is in flux. Just before the beginning of the millennium, artists and record labels realized the industry could not rely on physical sales much longer and lobbied for performance royalties in the digital frontier. Since then, tech companies and copyright owners have debated performance royalty rates extensively and the cost of

  • Sound And Music Industry Analysis

    1648 Words  | 7 Pages

    The Sound and Music Industry There are 4 main aspects of the music industry : Live performances,Record Labels,Artist Management and Music Publishing. I will be studying each one in detail and comment critically on each area. The first one I will report on is Live Performance. There are many important roles in the music industry. Many types of musicians, including backing musicians, function bands, residency bands (e.g. hotels, cruise ships) and tribute bands, perform wholly or mainly original material

  • Pestle Analysis Of The Music Industry

    2724 Words  | 11 Pages

    technology. The Internet Marketing plays one of the most important roles because using the Internet to market and share music is a way to reach a deal with recording label and earn millions for that. Free online promotion brings money in companies and help musicians and artist to start their career and become popular. Record labels dominate in the music industry and provide the opportunity in artists to make contracts for a lot of

  • Motown Research Paper

    944 Words  | 4 Pages

    This label I’m most intrigued with is a subsidiary of Universal Music group known as Motown Records. Founded by Berry Gordy, the label was originally known as Tamla Records, but it changed its’ name after suggestions from the Ford assembly line. Now the title Motown fits the city that it was established in, Detroit, Michigan which is also known as the Motor City. Motown Records and its’ artists were influential in the integration of popular music and added soul and culture that had not been seen

  • Personal Narrative: My Universal Music Career

    972 Words  | 4 Pages

    to major labels. He has told me stories about his involvement in the business side of the music industry, and it absolutely fascinated me. The idea of being able to remain true to my original dream, while simultaneously utilizing my management skills and maintaining my passion for music seemed too good to be true. After a great deal of research, I realized that I would love to become an A&R Manager for Universal Music Group. Universal Music Group is one of the “big three” record labels, along with

  • Negative Effects Of Piracy

    856 Words  | 4 Pages

    More than 1.2 billion songs are downloaded for free each year. Many record labels and associations have tried to stop these illegal act for a long time. Still, music piracy is a crime people commit without any guilt every day. According to The Recording Industry Association of America (RIAA), piracy is a music theft that has damaged impact for artists and all music creator. However, when looking from another perspective, music piracy actually plays a major role in defining success and it is definitely

  • Fall Out Boy Thesis

    469 Words  | 2 Pages

    back three years later and create Save Rock and Roll. The most recent album they created was American Beauty/American Psycho, and they are in the process of making another one now. Fall Out Boy was one of the reasons Fueled by Ramen, an American record label that was struggling to get onto the music train, skyrocketed years later.

  • T Paul Persuasive Speech

    481 Words  | 2 Pages

    Record labels and sponsers will all come at you every and which way to benefit off of your music. You’ll benefit off of their offer as well but if you don’t have that knowledge in the business and financial part of the deal, they will definitely try to take

  • Blood On The Onto Analysis

    954 Words  | 4 Pages

    Introduction The concept of recording has changed drastically, evolving and developing throughout the years. This allows musicians to record any amount of music they wish. Albin Zak chose to discuss this subject in his article "Sound as Form" and dissects the concept of music recordings and what they are comprised of. Zak is of the opinion that musical recordings begin as "isolated elements" which combine together to become "the piece as a whole". Zak identifies Musical Performance, Timbre, Echo