1. In one sentence, explain Jill McCorkle’s primary concern. I.e. What is she afraid of? She’s primarily concerned with the lack of liberation in people (especially children). She’s afraid of her son being unable to liberate his need to express language. 2. Summarize McCorkle’s argument (i.e. her response or solution to this concern) in 3-5 sentences. She argues that swearing (or cussing) is a good thing for children (and adults) and allows them to feel comfortable. Doing so moves the words “weigh the same” as regular words (assumingly to the child) stops them from saying the curse words to an authoritative person. Also embraces words that are deemed inappropriate, and become realistic. 3. What is “cussing”? Were you familiar with this word when you first began reading? …show more content…
Saying words that are typically viewed as “bad”. I knew about the word before, besides being subject to an area where the term was used instead of “swearing”, I have heard it elsewhere. 4. What does McCorkle mean by “Word Gestapo”? Why does she use this phrase? Words some deny and forget. Define and dictate what words in our vocabulary are appropriate or inappropriate. 5. Were there any words that you were unfamiliar with or phrases you didn’t understand? If not were there any words or phrases you found interesting or effective? Identify and explain 3 examples of unfamiliar and/or effective words and
Answer – Phyllis Tickle borrows an amazing analogy from an Anglican bishop named Mark Dryer to describe an occurrence that happens around every 500 years in the church; in which, the changes of the culture forces the church evaluate beliefs and doctrines (Tickle 152). Specifically, Tickle says, “It is the business of any rummage sale first to remove all of the old treasures that belonged to one’s parents so as to get on with the business of keeping house the new way” (Tickle 535-536). Her point can be seen in the example of the church teaching the earth was flat and the center of the universe, only to find out through Copernicus’ theory; and the later the sailing of Columbus, that the earth is round and not the center of the universe (Tickle
The essence of the speech relies on Chisholm’s fundamental ability and her own personal
But what inspires such submission to control? The mother and Daughter’s characters are more action that voice. Their only lines of dialog are responses to the father’s dinnertime badgering. The mother appears broken down, a shell of a person struggling to speak. The daughter spite and fire lashing out at the father's insults.
Words are the garb of people’s thoughts. Words can be very powerful and influential both in the society and among people, because whether or not someone choose the right words could change someone's life forever. Brilliant examples of power of words took shape in world’s history. A holocaust survivor, Elie Wiesel, who survived the concentration camp, wrote a book ‘Night’, as well as he introduced his acceptance speech to different people all around the world. He sought to restore the amicable and tolerate society where there is no place for such a word as ‘hate’.
Is Scout a Reliable Narrator? In To Kill a Mockingbird by Harper Lee the protagonist, who happens to be the narrator, is Scout Finch a six-year old girl who lives in Maycomb, Alabama. Since Scout is a very young child the book contains many hyperboles, or a literary device in which an author uses specific words or phrases that exaggerate and overemphasize the basic statement in order to produce a grander, more noticeable effect. So is this a detriment or an asset to the book?
but, they used the word in offensive ways that gave the word a bad meaning. The word wasn’t bad but the meaning behind it became bad which smeared onto the word which made it a horribly offensive
AIDS is the third leading killer of young adult Americans today. From the voice of one who knows the struggle all too well, political activist and author Mary Fisher, wrote the speech “A Whisper of AIDS”, presented at a Republican National Convention in 1992. In which she argues that AIDS should not identify a person, nor allow them to be hindered from experiences in their lives, which the Republican party can assist with. Fisher adopts a serious, compassionate tone in order to appeal to those infected with AIDS and their families. Fisher effectively convinces her audience that AIDS does not define a person and that these people deserve protection from society through the use of metaphors, meaningless words, emotional appeals and statistics.
By finally including one of the most vulgar words in the english language, Edelman declares verbally that she has hit the last straw and there must be a compromise to solve her co-parenting anger. From this point Edelman relaxes her tone and reflects on the decisions she has made. Edelman depicts how after her anger
Title Killing Mr. Griffen Author Louis Duncan Publication Date april 1978 Vocab - Choose 15 words that you are not familiar with or that are challenging. Write the definition of the word.
For example, when the narrator says “‘Y’all children get the stones, I’ll show you how to use ‘em’” (Collier, 27) and “‘I’m going out. If you want to come, come on.’” (Collier, 48) she is trying to act tough and strong. In addition to the narrator using diction, so do other characters.
The speaker’s grandmother is originally presented in a way that causes the ending to be a surprise, saying, “Her apron flapping in a breeze, her hair mussed, and said, ‘Let me help you’” (21-22). The imagery of the apron blowing in the wind characterizes her as calm, and when she offers to help her grandson, she seems to be caring and helpful. Once she punches the speaker, this description of her changes entirely from one of serenity and care to a sarcastic description with much more meaning than before. The fact that the grandmother handles her grandson’s behavior in this witty, decisive way raises the possibility that this behavior is very common and she has grown accustomed to handling it in a way that she deems to be effective; however, it is clearly an ineffective method, evidenced by the continued behavior that causes her to punish the speaker in this manner in the first place.
Three of the most important aspects of any story are the point of view, characterization and plot. In the short stories “Geraldine Moore the Poet,” “The Story-Teller,” and “Enemy Territory” this statement proves to be true. With a good analysis, all of these things can be found in the stories. Additionally, the point of view, characterization and plot can relate to the theme. The point of view needs to be scrutinized throughout the whole story.
On the sidewalks of Rochester in the year 1942, Walter Chaplinsky was arrested for repeating ' You are a God damned racketeer' and 'a damned Fascist’ to a police officer. Chaplinsky’s statements violated a New Hampshire law prohibiting offensive, derisive, or annoying words or sounds said unto an individual or party in a public place. He appealed the decision of the District Court, and when it came to the Supreme Court, they came to a profound decision. Supreme Court Justice Murphy said there are certain words that could reasonably result in a fight or a breach of peace when uttered.
Science has proven that reading can provoke positive changes in us as human beings. Annie Murphy Paul is the author of the article ‘Your Brain on Fiction’ published on March 17, 2012. Annie explains how researchers have discovered that reading can initiate different parts of the brain, this is the reason why sometimes literature can make the reader so engaged and attached to a piece of writing. Research also explains how reading has the ability to produce activity in our brain’s motor cortex. Finally, Annie explains how reading fictional pieces can change how you interact with other individuals.
There are many words that are unaccepted by the society in general and the outside of the group. The word ‘jargon’ comes from an old French word meaning ‘the twittering and chattering of birds’. It came into English in the fourteenth century, when its meaning extended to include ‘meaningless talk’ or ‘gibberish’. The Longman Dictionary of Business English defines jargon as