The hero’s journey archetype has appeared in many forms of literature and will most likely continue to do so for as long as long as literature exists. The story of Equality 7-2521 and his journey to find the true value of individuality is one example of this very commonly used archetype.
Every story has some common elements. In the Hero’s Journey; the elements are organized in a way that allows for infinite possibilities to occur. The ordinary world lets the reader get to know the hero by understanding his feelings, problems, and life. One common elements are stories have is they all have a problem. Every hero has a quest. Every hero is afraid of something. someone or something always helps the hero during his journey. All stories have a central dramatic question. All heroes have a test of some of their characteristics. The journey is long and always riddled with self-reflection. Finally, the reward was worth the trip. On the return trip, the hero’s story can always change. In the resurrection, it can be physical or emotional,
The first stage of the Hero’s Journey is the Ordinary World. In the Ordinary World, the hero has a normal life where the character is either not satisfied with his or her life or has a vivid contrast to the journey that the hero is going to take. This is similar to how the main character in the novel The Sword in the Stone by T.H.White
Being a hero is hard work! First the hero must accept his/or her calling to become a hero. After that he/ or she goes into a world unknown and try to fix it. Final thing after all the work is accomplished the hero gets to return home. In a hero’s journey stages are Departure, initiation, and Return phases of a hero’s life.
The hero’s journey describes the pattern of a story that is seen in myths, drama, fantasy and others. It includes specific archetypes that create that pattern . Without the majority of these archetypes, the story could not be defined as thus. Star Wars: A New Hope is a classic example of the hero’s journey. Luke is the hero, while the others play essential archetypal characters. One of the most important is Princess Leia. She first plays the vulnerable damsel in distress, but she quickly changes into a powerful character. She soon becomes the goddess for Luke and the temptress for Han Solo. Princess Leia plays three vital archetypes throughout the journey, the damsel in distress, the goddess and the temptress.
Do you know what the Hero’s Journey is? The Hero’s Journey Archetype is a pattern found in stories that shows what a hero does. It was found by Joseph Campbell. It appears in Greek myths from a long time ago to the movie Finding Nemo 2003, and to the book The Hunger Games by Collins. The Hero’s Journey appears in many stories and has three stages with several steps.
As the creator of the 25 epic hero steps, Joseph Campbell said: “We must let go of the life we have planned to accept the one that is waiting for us” because every epic hero must put aside his own plans for his life to accept the one that was meant for him. In order to maintain the title of an epic hero, a champion must complete the hero's journey steps. The words from Joseph Campbell describe the journey of our once comfortable hobbit, Samwise Gamgee’s transition to becoming an epic hero in The Lord of the Rings as a epic hero must be willing to step out of something they are traditionally comfortable with. Along next to the mighty Odysseus
What is a hero? What must one do to qualify for the honor of having such a title? A man named Joseph Campbell wrote a book called The Hero with a Thousand Faces, with the idea that there is a road on which most heroes in most stories travel on their way to becoming a hero. This is called The Hero’s Journey. From leaving the comfort of The Shire to helping defeat a dragon and returning home with the treasure Bilbo Baggins from The Hobbit by J.R.R. Tolkien is one of these heroes.
The Hero’s Journey consists of multiple stages that a Hero must experience throughout a story. A Hero will first be introduced in The Ordinary World through their eyes, so that the readers may be able to relate to him and understand his problems and urges. Before the story can progress any further, there is usually a Central Dramatic Question, or a problem, that upsets the balance of The Ordinary World. Because the balance of The Ordinary World is disrupted, the Hero is then presented with The Call to Adventure. Although the Hero has a responsibility to accept this Call to Adventure, they may Refuse the Journey because of fears and insecurities. However, other Heroes are able to skip this stage and go into action, but Allies or Guardians must
In Illuminae, the main character Kady flees her planet after it is invaded in the year 2575 with her ex-boyfriend Ezra and boards a refugee ship, where she encounters many obstacles. These include a war between two rival megacorporations, a conscious and sometimes deceitful AI, and biological warfare in the form of a plague manufactured by BeiTech Industries, the enemy megacorporation. The authors, Amie Kaufman and Jay Kristoff, use Kady’s Hero’s Journey to develop the plot and show Kady’s growth. In particular, they use Crossing the Threshold when Kady and Ezra escape their planet and Tests, Allies, and Enemies when they meet and overcome the challenges mentioned above.
One day during summer break on a very hot and steamy day a girl was running through a field when there lay an arrow in the grass telling her to go towards the forbidden place. She refuses to go and turns in the other direction and goes home, though fear and curiosity were bubbling inside of her. Well for the past two weeks she has been thinking of going and she went to start the journey.
I woke up in a dark room with a massive headache that beat like a drum. I slowly got up and tried to remember what happened. I remember a huge storm that ravaged the west coast, then a space-ship came down and started to abduct people. “Oh no, I have been abducted!” I screamed to myself. As I said that the door opened, and light flooded into the dark room. My jaw dropped as I saw a huge poster behind me and it looked almost like animal cell. The man who opened the door said to me, “Come with me, now”.
The common theme we see in Harry Potter, in both The Sorcerer’s Stone and The Order of the Phoenix is that in both book Harry Potter is just a variant on the same hero. Do you believe that? Well, Joseph Campbell. Joseph Campbell studied myth and stories from all over the world and wrote the book “The Hero with a Thousand Faces,” in that book he retold many popular stories and myth, and he explained how each story can be categized into the Hero’s Journey.
From Greek mythology to 21st century TV shows, the idea of what a hero is has changed. The antagonist was always patronized for his wrong doings and mishaps, the protagonist was always favored and rooted for during his journey, and the audience was always eager to find out what was going to happen next. The “hero’s journey” was consistently the traditional, saccharine, orthodox concept of the good guy embarking on a new adventure, with an objective that s/he must reach, while overcoming obstacles in order to transform her/him. Surprisingly, that all changed when we began to empathize with the bad guy during his journey. Those bad guys are not only in TV shows but also are in reality represented as celebrities. Today, directors and screenwriters
Would the statement, all heroes and heroines are originated from the same basis be true? Most likely, ones favorite hero novel would follow the hero’s journey which is the cycle of the hero’s adventure involving different archetypes. A hero novel does not necessarily have to involve supernatural powers and the hero does not necessarily have to save the world; a hero can go through the hero’s journey to save one person or to reveal a hidden truth. If a story follows the hero’s journey, it includes the three categories of the archetypes—character, place, event. Midwinterblood written by Marcus Sedgwick is one example of a novel that fits into the hero’s journey archetype.