Winifred Morgan’s article, “Gender-Related Difference in the Slave Narratives of Harriet Jacobs and Frederick Douglass”, examines multiple fundamental differences between male and female slave narratives. Morgan says, “However, given the pervasive impact of the ‘social organization of the relationship between sexes’, gender influenced even the way in which bondage was experienced; men and women experienced it in different ways.” (n.pag) Women in slavery not only faced dehumanization, but sexual harassment and rape as well. A slave woman dealing with these aspects daily could break down their life into pieces and destroy their personhood for their whole life. Jacobs writes, “The remembrance fills me with sorrow and shame. It pains me to tell you the truth, and I will do it honestly, let it cost me what it may.
Motherhood is the most basic human right, and slaves are being stripped of their ability to have families. No white woman in America would ever ‘wish that she and they [her children] might die before the day dawns,’ so Jacobs includes this notion to appeal to the maternal instincts of the women reading her narrative. It creates a sorrowful tone that veils underlying anger at the unjust nature of this New Year’s practice. Furthermore, she creates more sympathy for the situation of slave mothers by reminding her white audience that slave children are ‘torn’ from their mothers at a young age. The word invokes a different emotional response from her audience; it invokes a feeling of longing for their children and sympathy for the mothers.
Sethe is the female protagonist in Beloved. She lost her mother at a very early age and she too is a slave. She was brought to the Sweet Home Plantation as a slave where she marries Halle Suggs and bears four children from him. She as a slave suffers a lot inhumane treatment at the plantation by the white masters. She is thrashed hardheartedly and milked like a cow.
Celie understands that as a Black woman she is seen as worthless having a meaningless existence.There is no other way of life. It is as if all Black women are enslaved to the typical hell of exploitation, bigotry, and abuse. The female characters are molded from pain and sacrifice. As the novel progresses, the reader gets to follow Celie who was offered to get married to a widower who has children. The widower first hesitates in getting married to Ceile but after some encouragement by Celie’s stepfather (Alphonso) She can take that cow she raise down there back of the crib (The Color Purple.10) the widower agrees to marry her.
The Pre-Slavery Era – Elements of African American Identity https://elementsofafricanamericanidentity.word Slave culture in North America was largely a combination of tribal African culture, Christian worship and resistance. American slave culture was based on defiance and survival against the American slave system. American slaves practiced other forms of resistance like running away, suicide, slow paces of work, deliberate sabotage of the plantation equipment or crops, and poisoning of their slave masters. In all of these instances, slave culture enabled a ELEMENTS OF AFRICAN AMERICAN IDENTITY PAGE 3 significant amount of resistance to the plantation economy and created a relatively cohesive slave identity that shaped the southern life and relationships between slaves and whites in the colonial era. Although the treatment of slaves varied depending on the plantation more often than not it was characterized by brutality.
Though slave rebellions, and opposition to authority were common in the antebellum south, slavery would have lasted for a greater length if the South had been victorious in the Civil War. If the South succeeded in victory, one can believe that this would have been a great downfall for the slaves and abolitionist who worked relentlessly to free the slaves. Narrative of the Life of Frederick Douglass, an American Slave portrays the mounting tensions of the slaves on Frederick Douglass’s
Patsey despised her life as a slave even more fervently than any of her companions, at one point pleading Northup, her closest friend, to mercifully end her life. In Patsey 's final scene of the movie, when Northup is proven free and rescued from the plantation, she embraces him and tearfully watches as he rides away to freedom. Although little is known about Patsey 's fate after Northup 's departure, she was eventually freed from Epps by the Union
Within all major societies of the world exists a power struggle between the majority and the minority, the disenfranchised and the coddled. But no power struggle has achieved the same notoriety as the black slave’s plight in the Western world. From England to the West Indies and the Americas, black slaves suffered insurmountable trauma and subjugation. One of these slaves, Olaudah Equiano, recounts his experiences, both triumphant and pitiful, within the Americas and England to affect change in his audience and in the world. In his The Life of Olaudah Equiano, he utilizes specific rhetorical strategies to affect this change and to accomplish his goal.
The two sides were already at each other’s throats with civil idea differences, land ownership issues, and a passion for the same subject: slavery. This convoluted case only made the water boil more. Tension throughout America tightened as yet another civil rights case went in favor of the white man. As previously stated, racism has been a part of America’s history since our ancestors settled here years ago. African Americans used as slaves and not recognized as real people was a daily behavior.
Panchaali is informed that she has been gambled away like property, “no less so than a cow or a slave” (PI, 190). When she is dragged into the hall, the whole court stares at her, but worst of all is that her husbands send “tortured glances but sat paralyzed” (PI, 191). She is stripped of all ornaments, yet the ultimate shame is the command to take off her sari, the only item of clothing protecting her from “a hundred male eyes burning through me” (PI, 191). she forced to expose her vulnerable body to male eyes, reduced to the status of an object lost by her husband. In the novel, Panchaali describes the situation thus: “The worst shame a woman could imagine was about to befall me – I who had thought myself above all harm, the proud and cherished wife of the greatest kings of our time” (PI, 193).