What is That 70’s Show? Erik Adams explains it to be, “... a sitcom set in malaise years whose true purpose was never lampooning disco cheese or outdated technology—though it did that, too. That ’ '70s Show is about the smaller stuff, the truly memorable moments of adolescence unseen in the history books” (Adams). What Adams means by this is that this show, while set in a very distinct time period, put a larger emphasis on what the adolescent characters were going through and how they lived in the '70s instead of focusing on the wars, changes in presidency, and overall strife that are the main ideas historical textbooks let us see. Since comedy, like history, starts from a root form from the past and then builds up to fit the trends of a …show more content…
Firstly, commedia dell’arte is a “form of comic theatre, originating in Italy in the sixteenth century, in which dialogue was improvised around a loose scenario involving a set of stock characters, each with a distinctive costume and traditional name” (Wilson and Goldfarb 510). The stock characters associated with commedia dell’arte are Commedia were Pantalone (a lecherous, miserly old Venetian), Dottore (a foolish pedant who was always involved in his neighbors’ affairs), Capitano (a cowardly, braggart soldier), zanni (servants who were also shy and foolish sometimes), and Arlecchino/Harlequin (the most popular of the comic servants) ( Wilson and Goldfarb 136-137). Brighella, Scopamuccia, and Pulcinella were servants as well but, they were sometimes given other roles instead (Wilson and Goldfarb 137). Those were just a few on the main characters that may be seen in commedia but the characters in That ‘70s Show may suit the lesser known ones …show more content…
Fez, as an imaginary person, holds at least one trait from each of the guys. He has Eric’s nerdiness (found in the collection of GI Joe action figures), Hyde’s sarcasm (seen practically every time he speaks to Kelso), and Kelso’s obliviousness (found when he has a wide grin on his face when he doesn’t understand what is going on but still wants to look cool). When it comes to Jackie, Fez is the only one of the four male characters that worships her the way that she would want to be. Like William O’Connor said, “Jackie’s motivation [to imagine Fez] is hidden in her surname. The name Burkhart is very close to the words “broke heart.” The other men in her life [being Kelso and Hyde] either abandoned her, cheated on her, or were incapable of committing to her. It is easy enough to imagine Jackie decades later, broken hearted and alone. Why wouldn’t she pine for the admirer who was never really there? Fez is her attempt to turn a tragedy into a fairy tale, but even she knows that her wish can never come true. This is why she can never give him a real identity. He’s naught but a shadow of what should have been” (O’Connor). O’Connor is saying that since Jackie did not get to experience what true love was and what it would be like to be whisked away by prince charming, she created Fez in her subconscious to help her cope with loneliness. Fez’s “creation” is just a mechanism that they created to make themselves feel better about the things they don’t like about themselves. Maybe he
Television programs often retain an aspect of reality in order to relate to the audience and commentate on social issues. Although both The Goldbergs and The Twilight Zone address controversial issues such as gender roles, insanity, and ethnic stereotypes, genre differentiates their approach and their audiences’ receptiveness to change. Whereas The Goldbergs, an ethnic sitcom, addresses the external world using comedic relief, The Twilight Zone, a science fiction program, delves into the human mind using imagination. Despite their common efforts to direct social change, the programs are inverse images of one another, and The Twilight Zone’s genre structure allows it to resonate more with the audience. From 1949 to 1956, The Goldbergs dominated television as the first televised sitcom.
A sitcom is a genre of comedy that features characters sharing the same common environment, such as a home or workplace, with often humorous dialogue (Merriam-Webster Dictionary). Some of today's top sitcoms are Big Bang Theory, Family Guy, and South Park; however, back in the 60s the top television sitcoms wereThe Andy Griffith Show, The Lucy Show, and The Dick Van Dyke Show. Unlike modern day sitcoms, 60s sitcoms, mainly The Andy Griffith Show, used down-to-Earth comedy and moral lessons to attract viewers. The Andy Griffith Show takes place in small town Mayberry, North Carolina, where Andy Taylor (police chief) and deputy Barney Fife stop any and all crimes in a nonchalant manner.
Maguerite Duras once said, “The thing that’s between us is fascination, and the fascination resides in our being alike. Whether you’re a man or a women, the fascination resides in finding out that we’re alike.” This is true for Sal. She was fascinated how the situation Phoebe was in was so similar to hers. She didn’t want it to end the way her situation ended with her mother never coming back.
If you do not have integrity then this jacked up thing we call society will change you into someone just like everybody else and will try to get you to change in ways you don’t want to and some people think that they can stay the same person in some places and change in others and still act and talk and be around the same people as before, but they can’t. Jackie’s integrity was important because if he was changed into a bad person and got mad and would lose his temper he would get labeled as “hot headed” or
Disco Music during the 1970s Pop culture during the 1970s originated as a consequence of the historical context of the era. The official end of the Vietnam War, the Watergate scandal, and the Bicentennial of the United States all occurred during this decade. As a result, a variety of social groups such as women, gays and lesbians, as well as racial and ethnic minorities confronted the American conservative ideals that had governed American society since the end of World War II. Conservative white Americans reacted to the civil rights gains that took place in the 1960s and moved to the suburbs of the city, leading to city deterioration. Ultimately the decline of the city allowed for the creation of cultural spaces (disco clubs) that in turn challenged normative American social values.
When Marla, a woman who is faking illness to attend support groups too, shows up to the same ones that the narrator attends, he can no longer cry or enjoy attending the meetings. She also touches on the fact that Tyler would sleep with Marla, but “Jack” would not. In the movie “Jack” was characterized as the more feminine of the two men, he had nice furniture in his home, he did what is boss said to do without question, he was softer and more approachable than Tyler. And when people in the club talked about the creator of “Fight Club,” they would always call him Tyler, this angered the narrator because he was a part of the creation, and he deserved
The last male character is Lengel. Lingual is the manager of A&P and is a strict one at that. He is the main oppression to the three girls. He tries to stop them from buying their item, but fails to notice their attire until they reached check out. Lingual sparks anger in not only the girls by asking them to be “decently dressed”(17) but also Sammy domino effecting him to
Professor and philosopher, Jason Zinser, in “The Good, the Bad and The Daily Show” addresses the topic of “fake” news, and tries to decide if shows such as The Daily Show are good resources for people to use. Are these shows a suitable replacement for "real" news? In the article he states that “fake” news shows have their “virtues and vices”. At the end of the article, Zinser believes that as a whole the shows helps the viewers learn about current events. Zinser uses ethical appeal, logical appeal, and emotional appeal to help get his point across to the readers.
Michael Omi argues that popular culture is shaping America’s attitude towards race and says, “Since popular culture deals with the symbolic realm of social life, the images which it creates, represents, and disseminates contribute to the overall racial climate.” (540). Popular culture shapes how society views people of other races through, music, movies, the media and in print ads. These stereotypical images that we see of other races on a daily basis have an enormous influence on racism. For example, if we were to turn on the radio and hear a rap song, most people would assume that the rapper is black, and when you think of a gardener the majority of people would assume that they are Hispanic.
Television situational comedies have the ability to represent different values or concerns of their audience, these values often change every decade or so to reflect and highlight the changes that the audience is experiencing within society, at the time of production. Between the years of 1950 and 2010, the representation of gender roles and family structure has been addressed and featured in various sitcoms, such as “Father Knows Best” and “Modern Family”, through the use of narrative conventions, symbolic, audio and technical codes. These representations have transformed over time to reflect the changes in social, political, and historical contexts. The 1950’s sitcom “Father Knows Best” traditionally represents the values of gender roles and family structure in a 1950’society, with the father, held high as the breadwinner of the family and the mother as the sole homemaker.
In sight of the cold war, in 1961 the highest point of the cold war is when the episode known as “The Shelter” in the series called The Twilight Zone was created. The episode covered the possibilities of many particular situations that may have occurred in a desperate time like this if a missile was launched at the United States. At the beginning of the episode, Rod Serling himself tells us “what you are about to watch is a nightmare.” We get a very ominous sense of what is coming due to the eerie music that had been playing in the background, and we soon find out that this episode is just that. A nightmare, in the sense of the event that is occurring but also the constant battle of a nightmare between thoughts that may drive one crazy as well as those thoughts mixed with the people you knew as “friends.”
First, he ignores the taunts of fans and spectators, who taunt him endlessly like the Nyan Cat played on an endless loop. In one key scene, Jackie’s friend,
The 1970’s was a time for radical change. Within the radical change was feminism, sex and sexuality, and drugs. Although this may not have been part of everyone’s lives, it was there, and it was prevalent. However, in 1970’s television none of this was talked about. Even though the 1970’s was a turning point in censorship in American television, the ideas and values were still moderately the same as the previous decades.
She was not contented with the banal and basic Gerald and it did not match the standards of Kat. She took advantage of Gerald, as he was like “blank paper”(38), and painted him into her image: the sexy and elegant Ger. Though Ger fit the image of Kat, she still was not pleased and she longed for someone else, she thought to herself, “Gerald is what [I’ve] been missing… Not Ger, not the one [I’ve] made in [my] own image. ”(41) She yearned for the same Gerald she originally changed into her image.
One of the most valuable aspects of personality is humor – we value one’s sense of humor and make friends often based on finding certain things funny. But how and why do we consider things to be funny at all? Human beings have strived to uncover fundamental truths about human nature for centuries – even millennia – but humor itself is still yet to be pinpointed. Henri Bergson is only one of many who has attempted this feat, and his essay Laughter: an essay on the meaning of the comic from 1911 breaks down comedy into what he believes to be its essential forms and origins. While Bergson makes many valid points, Charlie Chaplin’s film Modern Times that was brought to screens only twenty years later seems to contradict many of Bergson’s theories, while Bergson seems to contradict even himself over the course of his essay.