A Comparison Of Claude Monet And Pablo Picasso

Main Authors: Claude Monet: Is the true promoter of Impressionism, which always remained faithful. Born in Paris in 1840, spent most of his childhood in Le Havre, where he studied drawing in his teens with Eugène Louis Boudin. By 1859 Monet had firmly decided to start his career as an artist for what he spent long periods in Paris. In the 1860s he was associated with the pre-impressionist painter Édouard Manet and other French painters who would later form the impressionist school like Camille Pissarro, Pierre Auguste Renoir and Alfred Sisley.

It was important to him to incorporate his emotional and spiritual thoughts through his paintings. He uses the apparent brushstrokes of luminous colors to show his style of artwork. Throughout each one of his paintings, he shows us how he interpreted the world the way he saw and felt about it. http://www.theartstory.org/artist-van-gogh-vincent.htm The last greatly significant artist in the Impressionism era was Paul Cezanne, who was a European artist born in Occitania on January 19, 1839.

Matisse owned a third of van Gogh’s paintings. Different from Picasso though, Matisse adored Gaugin’ flattening perspectives and ceramics. Furthermore, he shared Picasso and these older artists ' desire to draw on pre-modern arts. For Matisse, pre-modern arts meant Islamic, African and Byzantine art.

Their style portrayed subjects and landscapes naturally. The emergence of Impressionism galvanized several alternative artists of the time and throughout the nineteenth century and led the means for a range of alternative movements, together with Neo-impressionism, Post-impressionism, Fauvism, and Cubism

John Henry Twachtman, born August 4, 1853, Cincinnati, Ohio, U.S.—died August 8, 1902, Gloucester, Massachusetts, painter and etcher, one of the first American Impressionists. Twachtman went to Munich, Germany, in 1875 to study painting and adopted the broad brushwork and warm, dark colouring art. Then he moved to paris and during that period, he started to become an impressionist artist. In addition, Twachtman was one of the gilded age painters that were famous of using the luminists style; Art historians also, considered Twachtman style of impressionism to be among the more personal and experimental of his generation.

Delacroix often painted contemporary and historical events in a style that characterized political and exotic scenes passionately. After Delacroix traveled to Morocco and developed an interest in Orientalism was enchanted by exotic people, their culture, and the colorful clothing they wore shaped his use of pure hues. Delacroix's works are passionate and reflected his belief that beauty exists in nature and he looked to recreate those values that nature held such as no straight lines existed and very rarely could you find a pure hue. Delacroix in a way anticipated the Impressionists use of color theory and he understood the power that complementary colors bring to a composition. 1850-1875 Edouard Manet

John Muir’s essay, The Calypso Borealis, and William Wordsworth’s poem, I wandered Lonely as a Cloud, are two wonderfully written works centered towards their love for nature. They were able to create vivd images in the reader’s head through their writing as well as emotional transitions. Both works, inspired by events in the 19th century, have their differences, however, their emotion and love for nature is the same and creates the same impact with the

“Even as a child, his gift for combining poetry and reality is a rarity in English art, and it enable him to intercept classical myth and legend in a quite extraordinarily convincing way” (Wood 244). His paintings of classical and mythical scenes show a true mix between Neoclassical themes and Romantic style. His art and style will help inspire and develop other artists throughout the 19th century. “Warehouse is a brilliant dramatist of subjects and narratives. He’ll find a composition for a complex narrative subject that gives this powerful interpretation at a glance, even if it’s an unfamiliar story.”

Monet was named the father of the French Impressionism movement because he was responsible for bringing most of the individuals together (.theartstory.org/artist-monet). Monet’s work was mostly oil on canvas paintings that were in the Realism and Impressionism styles. His most important paintings were Parasol-Madame Monet and Her Son and the series called “Water Lilies”. According to the website, The Art Story, “Impressionism and Monet are now considered the basis for all of modern and contemporary art, and are thus quintessential to almost any historical survey” (theartstory.org/artist-monet). Pierre-Auguste Renoir was born to a simple, working class family in France.

' 'work of art which did not begin In emotion is not art’’(Paul Cezanne).Every one of this world has been created uniquely. This is similar to the artist of the 19th century including Paul Cezanne(1839-1906) and Pierre Auguste Renoir(1842-1919).Both are from French. In addition Paul, Cezanne was a shy, rude and angry man. His new ideas and intense style of painting changed the history of art so, he is known as the father of modern art (Zurarakhinsky 2018)On the other hand, Pierre Auguste Renoir had a pleasant personality and he painted many paintings demonstrating joyful scenario(www.biography.com 2016).In spite of rheumatoid arthritis, he devoted himself in painting till the end of life(www.biography.com 2016)though they had committed their whole life to painting, their art movements,subject matter of painting and influences has seemed totally opposite to each other but still, both loved to paint portraits and nude women. One obvious difference is work movements.

The Hudson River School was a group of American artists who were interested in capturing aspects of the American landscape and also shared a specific genre of painting. Their focus shifted across the continent and many tried to capture the beauty of the uncultivated west. Thomas Cole and Asher B. Durand were two very significant Hudson River School artists whose almost invisible brushstrokes and muted palette defined the art of the American landscape for society in the mid-nineteenth century. Previously, Europe had been the center for art and controlled what art was accepted, but the United States’ uncultivated wilderness was a popular subject for landscape painters. There was a sense of mystery and grandeur that was attractive to artists and people paying to see the art.

His painting “The Woman in the Green Dress (La Femme à la Robe Verte)” which he painted in 1866, brought him recognition. Throughout 1871 to 1878 Monet lived in Artenteuil where he painted on his boat. He examined the scene in front of him which he tried to reciprocate onto his canvas. That was where Monet painted some of his best works. In 1872 or 1873 Monet painted “Impression, Sunrise (Impression: soleil levant)”.

Sidney Nolan lived from 1917–1992 and was born in Melbourne and died in London. He studied occasionally at art school. He was considered a master painter, potter and graphic artist. His main influence was the poetry by Rimbaud and Rilke. Other influences included modernist artists such as Paul Cézanne, Henri Rousseau, Pablo Picasso, and Henri Matisse.

Paul Cezanne (January 19, 1839 - October 22, 1906) changed into a French artist and post-Impressionist painter whose paintings laid the rules of the transition from the 19th century thought of inventive endeavour to a brand new and appreciably exclusive international of art in the twentieth century. Cezanne can be said to shape the bridge among overdue nineteenth century Impressionism and the early 20th century 's new line of inventive enquiry, Cubism. the road attributed to both Matisse and Picasso that Cezanne "is the daddy people all" can not be without difficulty disregarded. Cezanne 's work demonstrates a mastery of design, shade, composition and draftsmanship. His frequently repetitive, sensitive and exploratory brushstrokes are exceptionally feature and sincerely recognisable.