A Comparison Of The Film Rear Window
In adapting text to film, the success of the film is often equated to its fidelity to the original text. Robert Stam however, claims that complete fidelity is impossible because of the differences in mediums (75). He argues that, “a variation on the theme of fidelity suggests that an adaptation should be faithful not so much to the source text, but rather to the essence of the medium of expression” (Stam, 79). For example, in adapting texts to film adaptations often include transmutations of the plot and of the characters, characters are often condensed and elements of the plot removed. However, in the movie Rear Window directed by Alfred Hitchcock, an adaptation of the short story, It had to be Murder by Cornell Woolrich, characters and plot lines are added not condensed or removed. By providing visual pleasure to the audience and the spectators, providing motivation for the action of the male protagonist and other female characters, and introducing a love story to the film, the introduction of female characters in the film Rear Window helped the adaptation move beyond fidelity and helped the film accomplish cultural translation.
A key transmutation between the movie Rear Window and the short story It Had to be Murder is the addition of the female characters Lisa and Ms. Torso. Along with the addition of characters, was also the introduction of a love story. In the short story, It had to be Murder, Mr. Jefferies watches his neighbors from his window and believes one of
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Cinematic Techniques In Anthony Burgess A Clockwork Orange
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What Is The Controversy Of Rear Window
386 Words | 2 Pages“Rear Window” has caused a lot of controversy ever since the Hitchcock movie hit theaters back in 1954. Rear Window is actually based on the short story, “It Had to Be Murder,” that was written by Cornell Woolrich. Years later Woolrich decided to sell the rights of this particular story to a newly production company. That production company later would sell the rights to the story to Hitchock and Stewart. They would later produce the movie known as “Rear Window.”
Symbolism And Motifs In Alfred Hitchcock's Rear Window
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Ethical Issues In Rear Window
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Lenny: Comparing The Book To The Movie
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Relationships In Alfred Hitchcock's Rear Window
827 Words | 4 PagesAlfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.
Rear Window Mise En Scene Analysis
657 Words | 3 PagesBoth of Alfred Hitchcock’s films, North by Northwest and Rear Window, were great movies with lots of suspense. The suspense, however, would not have been created without the entire mise-en-scene of the movies. Hitchcock was a master at using the elements of lighting, sound, and cinematography to heighten the suspense in his movies. The first key element of mise-en-scene that played a significant role in both movies was lighting.
Alfred Hitchcock Rear Window Analysis
1431 Words | 6 PagesWith Rear Window (1954), Alfred Hitchcock proved himself to be one of the best directors of suspense thrillers filled with mystery and humour. He himself called the film his most cinematic one because it was told only in visual terms (Morrow), but it was also a challenging “editing experiment” as the entire film was shot from one place, Jeff’s apartment that overlooked his backyard. The Film follows L.B. Jeffries “Jeff” (James Stewart), a photographer confined to a wheelchair in his apartment after breaking his leg at work. He spends his days watching his neighbours and eventually suspects that one of them killed his wife. His caretaker, his girlfriend Lisa and his detective friend, at first unconvinced of his suspicion, eventually join him in his voyeurism and help him to solve the crime.
Compare And Contrast A Raisin In The Sun Book And Book
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2119 Words | 9 PagesEvery Film Adaptation is Not Necessarily Faithful Throughout history, philosophers wrote thoughtful poems and sophisticated plays; plays sought to challenge the intellectual minds of those who would read them. Inevitably, as time progressed, people found ways to stage the plays for entertainment. When staging the play, whether it would be literal actors reciting lines on a stage or a movie with the reenactment of the play, the director always faces the problem of fidelity of the adaptation and how true their adaptation has to be to the original source. Fidelity in the terms of film refers to the authenticity and familiar similarities an adaptation has to its original source.
Rear Window Final Scene Analysis
627 Words | 3 PagesIn the film Rear Window, the director, Alfred Hitchcock uses a variety of techniques to create suspense and leave viewers on the edge of their seats throughout the film. Hitchcock uses a good assortment of tempo to create thoughts in the viewer's mind. He slows down the pace to create anticipation, and speeds it up to show a change in intensity. In the ending scene of Rear Window, Alfred Hitchcock uses changes in pace and tempo, lighting, and a short term deadline to constitute an immense atmosphere of suspense in the viewer's mind.
Essay On Rear Window
934 Words | 4 PagesIn Laura Mulvey’s article, “Visual Pleasure and Narrative Cinema,” she writes about the relationship between voyeurism, cinema, and gender. She begins by describing the concept of scopophilia, which means to gain pleasure from looking. She writes that scopophilia is inherently active/masculine, and that pleasure is derived from looking at other people as mere objects. On the other hand, the passive/feminine is derived from the experience of being looked at (pg.188). Mulvey sees this binary relationship between viewer and object being viewed as a part of our culture, and the greatest example of this is found in cinema.
Away From Her By Alice Munro Analysis
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