Nora finally finds the courage and strength to free herself. She figures out that she was simply transferred from her father’s hands into Torvald’s. Her father called her his doll-child while also Torvald treats her like a puppet and plays tricks on her. She states how
She realizes that this is not the way she wants to live or be treated and leaves her life behind to find herself. It was essential for Ibsen to end the play this way, because respect is needed for one to be happy. Throughout the play Nora is treated as if she was a child. The way Torvald refers to her, is somewhat degrading.
A Doll’s House is a play written by Henrik Ibsen in 1879. It is one of the first dramas which portrays realistic people, human relationships, and situations. It is a feministic play about the development and eventual breaking off of the marital relationship between Nora and her husband Torvald Helmer. Nora, the play’s protagonist, escapes the traditional gender roles, i.e. that the society was male dominated and men were considered superior than women, in order to learn about her true identity and to achieve her true freedom.
Another very important theme in this play is the home. From the very beginning of the play home is a place of comfort, joy, and shelter. Towards the end of the play, the happiness in the Helmer household changes and the imbalance of power becomes a major issue. At this point, the seemingly happy home is revealed as just people putting on an act for each other and the outside
Ibsen’s play A Doll 's House, written in 1879, examines the importance of social class and the expectations that follow. A Doll’s House tells the story of married couple, Torvald and Nora Helmer who strive to fulfill social expectation. However, the ending is known to be a shock for some, as roles reverse and Nora comes to realize that she has been mistreated like a doll throughout the whole marriage. Throughout A Dolls House by Henrik Ibsen, doll 's and the dolls house are symbolic of how Nora is a submissive wife controlled and dominated by Torvald, and both are repressed by societal standards. Torvald exhibits patriarchy in his relationship with Nora as he calls her pet names and controls her eating.
The sneaking of macaroons put up with a result of Nora’s role as a child within the marriage. The macaroons show that Nora is not the perfect doll that Torvald tries to mold her into; nevertheless, she is not able to think of any other way where she can prove herself like her husband’s doll. Still, she tries to disguise her real personality and is constantly lying about many things. She hasn’t been taken seriously and treated with very less respect by her husband. Her lies are less a thought of her own character and more a reflection of her husband’s surroundings .She does feel the need to keep up her self –respect, while satisfying her own needs.
Although extremely uncommon the time A Doll House was set in, she is one of the few people whose eyes were opened to the unfairness in her life, and she finds an unlikely way out instead of settling for complacency. Luckily in modern times women can do almost whatever they want and are considered equals to
In A Doll’s House, a well-furnished living room is the setting of the entire play. It gives animation to a real-life doll’s house. This is the juxtaposition that Ibsen uses in his writing to display a stark contrast of how the plot of A Doll’s House is anything but halcyon. The title and setting of A Doll’s House contributes to the development of and adds potency to the themes of the home, society’s gender roles of men and women, and the individual vs. society by portraying the feeling of confinement and isolation. A Doll’s House begins with the setting in the Helmers’ house and remains so for the rest of the three act play.
During the Victorian era, the controversial play was written to highlight a female seeking individuality in an immoral society which stirred up more controversy than any other works. In Ibsen’s writing, “A Doll’s House”, women’s lack to having their own purposes and goals was introduced. Throughout the play, Nora Helmer eventually comes into realization that she has to conclude playing the role of a doll and instead seek out her individuality as a heroine. These occurrences are portrayed through an unstable relationship in which women’s role depends on finance, power, and love. In the nineteenth century, communities had great interest with the changes of social and economic class.
Throughout A Doll’s House, Henrick Ibsen gives emphasis to male-controlled symbolism in order to emphasize the standard family structure of the late nineteenth-century. Torvald, the central male character, perfectly depicts the typical male dominance through his actions of control and dominance in the relationship with Nora Helmer. The names he gives her throughout the play: skylark, little squirrel, little spendthrift, etc. shows his looking down to Nora. He gives her no respect and like all typical marriages in nineteenth-century Denmark, he gives Nora no means to have any control in the marriage.