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A Doll's House Gender Roles

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Dariush Mehrjui, the director and scriptwriter of Sara, played a major role in the development of the new Iranian cinema. For 30 years his films have won critical acclaim both within Iran and internationally.
"A Doll's House" shows Ibsen's view on a variety of topics. Ibsen presents what he thinks about men and women's role in society, equality between genders, and feminism. "A Doll's House" is truly a modern classic and will be held as a model for women's rights for years to come.
It is said that cinema have helped women to reach the goal of equality both in the private and public in Iranian society. Simply said, the representation of women has played a significant role in the post revolution Sadughi
Party scenes in the film have been mostly …show more content…

In Iran, Islamic censorship authorities do not consider film aesthetics that had a great impact on feminist film theory. Instead, they focus on the problems of presentation of women in cinema and making taboos which bring the notion of cinema into question. Tapper, also, pointed out that Iranian film feature is full of simplicity, far from ‘dramatic plot’, action in ‘location-based stories’.” This ‘censorship’ viewpoints to cinema is so ‘simplistic and one dimensional’ and creating taboos is a new problem for cinema for not seeing many ‘established conventions’, showing women’s social subordination. (Tapper 259)
Mehrjui made an Iran without skeptics and misfits and in “Leila”, a feminist tract and “claustrophobic” film, he showed a rich but restricted women of the 1990s where “a moment of innocence ranges diachronically between generations of people with thoughts and feelings of their own.” A painful silence run all over the film for the sake of “consensual ethic of family”. There is a dichotomy of “respectability and integrity” in Leila. (Over

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