“It is impossible to think of any good meal without any good people involved.” In “A Kitchen Allegory,” a short story written by M.F.K Fisher, the main character and also the most concentrated character to the story, Mrs. Quayle, has an excessive obsession with cooking food which ultimately unintentionally creates a void in all of her relationships and separates her from the people in her life that are close to her. Fisher utilizes the communion model, different though from a ‘holy communion,’ by way of tone and imagery, to depict how from time to time, people have pure intentions but those same intentions are exactly what ends up driving others away.
A communion is often thought of as a service of Christian worship in which people eat, drink, and share bread and wine while, as a whole, experiencing their common beliefs. Another definition of communion, though, is
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Quayle is addicted to cooking food, and unfortunately her addiction to preparing meals puts a vast burden on many of her relationships. Addictions create harsh voids in relationships because the addict often puts their dependency before their family and friends. Many real addictions are far worse and treacherous than cooking food, but no matter the habit, it can easily put a strain on family life. In “A Kitchen Allegory,” Mrs. Quayle does, in fact, mean well. She believes that she can encourage people to stay around by relentlessly cooking, but she lacks in the area of communication which is what actually keeps relationships flourishing. She is so undeniably focused on cooking that she neglects the people that she is cooking for. Mrs. Quayle recognizes that she has an addiction, she just doesn’t see the problem with it or why she was losing people because of it. “[She] did not find out for several years that this was the way she had permanently alienated a close friend.” The first step to addiction recovery is identifying the problem and without that essential step, Mrs. Quayle may never
The one thing that any author must do when writing any sort of essay is to make it comprehensible to the reader. In order to achieve this, the author must utilize anything to get their point across or else the writing would be futile. In Turkeys in the Kitchen , Dave Barry gives his own personal stories about his Thanksgiving and how he feels that men aren’t as useful as women in the terms of the culinary arts (kitchen), Barry’s flippant tone and his use of rhetorical devices such as similes and irony bring forth a light hearted explanation of stereotypes between men and women as well as describing how men are useless in the kitchen. The uses of similes throughout the essay give purpose by showing how men are useless.
Millions of people begin each day with a cup of coffee. They likely believe that they prepare the drink by brewing grounded coffee beans in water. However, that is not completely accurate; the term coffee bean is a misnomer. The grounded substance was a seed, not a legume.
One generally invites one’s friends to dinner, unless one is trying to get on the good side of enemies or employers. We’re quite particular about those with whom we break bread.” (Foster, 9) Through the breaking of bread, or in this case the laborious cleaning, cooking, and finally the eating of chitlins is representative of a communion, between the almost sacred bonds between a mother and her daughter. Throughout the exposition of the short story, we constantly see that the other members of her family reject the chitlins for being “country” or smelling strange.
Instead, she opts for cooking frozen dinners, which were pre-made meals that only need to be heated up. This is because the mother could have more time to listen to Randy Travis if she avoided cooking meals which took effort. The foods the father wanted were all dishes that you needed to dedicate some time and effort to, referring back to how “it took time to ferment fish sauce…”. The mother desires to listen to Randy Travis, and if she were to cut out a main portion of her daily routine, she would have a lot of time to herself. The significance of this quote is to represent how damage could be done in relationships, due to addictions.
Drug addiction is a constant war. It is a battle being fought between oneself, possibly family, friends but always, the drug. Yet for anyone that is struggling, there is hope. Despite our differences, there will always be a path to recovery. In “Water by the Spoonful”, Quiara Alegría Hudes incorporates several strategies and tactics through various character’s agencies and symbolism to ultimately create a piece that centers recuperation.
Formalist Plot You know what they say; you are what you eat! What kind of food you eat and prepare shows a little bit of who you are and in literature it can sometimes be used to convey meaning. In many ways the heart shaped cookies that one makes in february can represent their love for somebody in a way that words can’t. Sometimes we have to recognize that the smallest actions we make can tell a lot about our lives and our stories.
New recipes for hibachi, fondue, quiche, crepes and the most recent addition salsas, were added to her mother’s recipe box. These foods indicate how far she has come from the traditions of her southern hometown. Additionally, she describes how cooking isn’t solely controlled by women but to men as well in the 21st century. The chapter provides a stark between the conventional housewife and the new aged husband who shares the responsibility of cooking. The starts the comparison by describing the image of her mother waiting for her father to come home from work every day.
In the conclusion paragraph, Barry talks about the point of view of his wife, that before womens liberation, men took care of cars and the women took care of the kitchen. Women had a more womanly jobs, while the men had the more manly jobs. The stereotypes of women having a job of working in the kitchen and doing all the chores in the house, make men believe nowadays that it’s okay for women to do all the work and that men don’t need to do as much as they have to in the kitchen. In conclusion “Lost in the Kitchen” portrays a story that focuses on the food of Thanksgiving, football, and the inability for men to multi task.
Madeleine Thien’s “Simple Recipes” is not mainly about the father cooking food and his treatment towards his son, instead, the author uses food to symbolize the struggles her immigrated family experienced in Canada. While it is possible to only look at the narratives that food symbolizes, the idea is fully expressed when the father is compared with the food. The theme of food and the recipes are able to convey the overall troubles the narrator’s family encountered. Although, food is usually a fulfilling necessity in life, however, Thien uses food to illustrate the struggle, tensions, and downfall of the family. Yet, each food does represent different themes, but the food, fish, is the most intriguing because of the different environment
Meals in literature often represent something bigger, bringing communities together in a form of communion. However, this is not the case; in The Poisonwood Bible by Barbara Kingsolver, the meals are ironic they help to show discord and strife among the characters of the book. She uses meals to foreshadow future events, reveal the flaws of the characters, and as the book progresses, allows for the reader to see character development. In novel, Kingsolver twists the normal connotation of a meal and makes it ironic in order to demonstrate the discord and strife that is commonplace throughout the book that shows the lack of community between the Prices and those they interact with for most of the book.
In Anne Tyler's novel "Dinner at the Homesick Restaurant," the theme of cruelty takes center stage, serving as a driving force that shapes the lives of the characters and propels the narrative forward. However, amidst the cruelty depicted in the novel, a powerful and transformative theme of resilience emerges. The characters' ability to endure and rise above the pain and challenges they face becomes a central aspect of the work's meaning. By exploring the theme of resilience as a response to cruelty, examining how the characters' resilience allows them to confront their pasts, navigate their emotions, and forge their own paths toward healing and personal growth.
“Single-Handed Cooking” by JJ Goode speaks about his disability and how although he acknowledges it as an obstacle it isn 't one they aren 't continuously ready to overcome. He uses the example of cooking. It 's a task that for most does not require the intense focus that he needs ,yet it doesn 't stop him from cooking dishes ranging in difficulty. With each dish he successfully creates its a way to prove himself, while the mistakes no matter the cause are a failure. Which is why he continues to tackle demanding recipes because each time he achieves a great end result its another accomplishment.
In Margaret Visser’s essay, “The Rituals of Fast Food”, she explains the reason why customers enjoy going to fast food restaurants and how it adapt to customer’s needs. Some examples of the most loyal fast-food customers are people seeking convenience, travelers, and people who are drug addicts. First, most loyal customers are people seeking convenience. The reason why fast food restaurants are convenient because longer hours of being open, the prices are good , etc. As Visser said in her essay, “Convenient, innocent simplicity is what the technology, the ruthless politics, and the elaborate organization serve to the customer” (131).
The short story, Chef’s house, is written by Raymond Carver in 1983. This essay will include an analysis of the short story, a summary but mainly focus on the themes in the text, the style of writing and the effect it has. In the short story, we are introduced to Wes, a middle-aged man, and he has rented a house from another man called Chef. Wes – the main character, is a recovering alcoholic. He separated from his wife, Edna, and goes to live by the ocean, in a house he has rented from another recovered alcoholic, Chef.
Joy Harjo’s poem “Perhaps the World Ends Here” implants an impression of the world as a kitchen table: “The world begins at a kitchen table. No matter what, we must eat to live.” (1). As I interpreted the poem, I perceived it as a brief analysis of life. Harjo elaborates life as one protracted feast, and our life ends when we eat the concluding bite of our meal: “Perhaps the world will end at the kitchen table, while we are laughing and crying, eating of the last sweet bite.”