Reflection On Saru In Dark Holds No Terror
REFLECTION OF Traditional ETHICS IN MOTHER/DAUGHTER RELATIONSHIP IN MANJU KAPUR’S DIFFICULT DAUGHTERS AND shashi deshpande’s the dark holds no terror
Feminist ethics is an “approach to ethics that builds on the belief that traditionally ethical theorizing has under-valued and/or under-appreciated women 's moral experience and it therefore chooses to reimagine ethics through a holistic feminist approach to transform it”(1). In other words we can define feminist ethics as “an attempt to revise, reformulate, or rethink traditional ethics to the extent it depreciates or devalues women 's moral experience”. (1)
Feminist approaches to traditional ethics about the gendered nature of principles, have not occurred in recent growth in literature. During the eighteenth and nineteenth centuries, a large variety of thinkers including Mary Wollstonecraft, John Stuart Mill, Catherine Beecher, Charlotte Perkins Gilman, and Elizabeth Cady Stanton addressed topics related to “women 's ethics” (1). Each of these scholars raised questions such as:
“Are moral virtues as well as gender traits connected
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The revolt against the mother reaches scathing proportions in Shashi Deshpande 's The Dark Holds No Terrors. Saru In Deshpande 's novel directs a more personal attack against her mother for whom she has only bitterness and scam: "she never really cared Not after Dhruva 's death I lust didn’t exist for her I died long before I left home" (DH . 271). Saru gets no sympathy from her mother even during the sensitive phase of adolescence. Her mother, on the other hand, makes her feel ashamed of growing up, and so Saru sees her body as a burden Also, she is repulsed by the physical appearance of her mother "If you 're a woman. I don 't want to be one, I thought resentfully, watching her body" (DH
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