I had always loved Rosewood. It is such a beautiful place and has always understood me. It is a maze of narrow winding streets, as complex as the heart. The streets were the veins, paved with dark red stones, smoothed over by squealing school girls; the hard working mother; and the men who would stagger their way home after a night in the tavern. The people were the blood: good or bad, they gave the town life. The sound of the smiths, beating swords and breastplates into shape, is the consistent and dull pounding that let you know the town is alive. The city loves me in ways no person ever has. It listens to my fierce footsteps, the clicking of my polished heels against its dirty pavements early on a Monday morning. It sees me smile ear to ear when I see the windows on its skyscrapers reflect the orange glow of the afternoon sun. It empathises with my frustrated groan long past midnight when I can't flag down a taxi to take me home. It hears my satisfied sigh in winter as the first sip of a morning coffee warms my throat and …show more content…
The glass stared down from skyscrapers that kissed the grey sky above. The roads were perfect rivers of tarmac untouched by all but the construction vehicle tires. Traffic lights blink to control the non-existent cars and the pedestrian crossing buttons were shiny without sheen of finger-prints. The air is as clean as the countryside. On occasion a deer would gallop through the streets or a bird alight on the tall black lampposts, but other than that the only noise is the wind. At the train station stood seven high-speed engines with multiple high-class carriages but the clock on the wall had long given up on telling the time. By anomaly it topped the nation’s charts for lack of crime, smallest hospital wait-lists and lack of children failing in school. It is a ghost town, or perhaps a ghost city. A town built in the belief that people would come and industries follow. They just never
These towns, each with its unique characteristics and inhabitants, serve as a microcosm of society. They reflect the diversity and complexity of human nature, with people who are flawed, kind, helpful, and accepting. Through their interactions with the people in these small towns, Emily and Sloan experience the power of human connection and kindness. They learn that true identity transcends labels and appearances, and it is the genuine connections and relationships that bring out the best in
Located in a “lonesome area,” the town did not have much to see. All of the local buildings were falling apart; with their chipping paint and “dirty windows” and “irrelevant signs.” The citizens of the dreary town were nice people, everyone knew everyone, and they spoke to each other in an accent "barbed with prairie twang.” The description of this town makes it sound very dull and boring, doesn’t it? Yes.
Beller opens up his story with a tone of confusion and cluster. People are walking around the city all moving in the same direction and the bells of Grace Church are pealing. And as he describes the people leaving he describes all they pass on their path away from the scene. He tells of cars
Truman Capote in a passage of "in cold blood" describes the town of Holcomb, Kansas. Capotes overall view of the mediocre town is evedent within the first few paragraphs and extends throughout the paper. The town is unfortunatly small and is looked apone in an almost patronising way. The tone, word choice, sentence structure and imagery are all retoricol divces that Capote adopt to convay his point to his reader. The tone of patronization showes up when He reffers to the little town being "a lonesome area", as if the town was so small that it was like you where by yourself.
In order to begin building the story, one must first erect a setting for everything to take place. Jeannette opens up every new memory with in this way with the use of imagery. For instance, “nothing about the town was grand except the big empty sky and, off in the distance, the stony purple Tuscarora Mountain running down the table-flat desert. The main street was wide—with sun bleached cars and pickups parked at an angle to the curb—but only a few blocks long”(51). The elaborate description of the setting allows one to understand how the place may affect the course of the narrative, as well as how each person with in the memoir may respond in relation with the environment.
This presents one striking difference between the description of ghost towns in reported history and in
It had two stories with porches, with banisters and such things. The rest of the town looked like servants’ quarters surrounding the “big house”. (47) After arriving in town, Janie soon realized she wasn’t living their life, she was living his. Here Hurston portrays Joe’s overbearing hold over Janie. The description of Eatonville is consumed by the imagery of Joe’s house, store and the porch attached.
The small town is depicted as a closed off community where people are close-minded and there are clear social hierarchies that are strictly enforced. Using descriptive language and vivid descriptions, the author creates a sense of place that feels both familiar and claustrophobic. For example, “The town is so small that nothing can exist outside of it. The trees seem too tall and too green. The air is too
When Smith first moved in with the Banks, he was a very rebellious teenager. In the Banks’ eyes he was very “different” and unusual. He wore baggy clothes, a hat to the side, and the way he talked or his communication rather was
The hopes of Wes, Mary, and many others can be depicted through the sight of their new neighborhood in which “flowerpots were filled with geraniums or black-eyed Susans, and floral wreaths hung from each wooden door” (Moore 56). Not only does this use imagery to describe the beauty of Dundee Village, but the metaphoric aspect contributes to the message that Moore is trying to
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
Being a black woman raised in a white world, Ann Petry was familiar with the contrast in lives of African Americans and whites (McKenzie 615). The Street, centered in 1940’s Harlem, details these differences. While Petry consistently portrays Harlem as dark and dirty, she portrays the all-white neighborhoods of Connecticut as light and clean. This contrast of dark vs light is used in the expected way to symbolize despair vs success.
In this passage from, "The Street", by Ann Petry, Lutie Johnson's relationship with her urban setting is expressed thoroughly. The author creates a vision of the surroundings and expresses Lutie's relationship with her urban setting through the use of selection of detail, personification,imagery and figurative language. Petry begins the passage utilizing the selection of detail. She stated, "It rattled the tops of garbage cans, sucked windows shades out through the top of the opened windows and set them flapping back against the windows"(Paragraph 1). She uses details to describe how forceful the wind that was blowing was and the strength of it.
As the car was in motion on the way to where I would be staying I rolled the window down. Something other than the tall green grasses and canopy trees caught my attention. I finally started to see some scattered buildings, hotels, and restaurants. The city started to seem more urbanized, that wasn 't the only infrastructure that I saw, more was yet to come. As we went deeper into the rural areas the buildings disappeared and the sidewalks started to become more deteriorated.
"Two live oaks stood at the end of the Radley lot; their roots reached into the side road and made it bumpy. Something about one of the trees attracted my attention. Some tin foil was sticking out of a knot-hole just above my eye level, winking at