A Secret Lost In The Water Analysis

The poem represents more than just the son’s recount of childhood baseball because the son wants to “let this be the sign” to his father that he loves and appreciates him (21). Moreover, the title of the poem, “Sign for My Father, Who Stressed the Bunt,” adds to this sense of the poem expressing the love the son shares for his father. Another symbol, or even implied metaphor, is the bunt which represents self-sacrifice by extension. Since the father desperately wants his son to understand the value of the “bunt,” he clearly cares deeply for his son. The son claims that his father “could drop it [the bunt] like a seed,” which implies that the father’s sacrifice has been gingerly placed in order to grow strong one day (8).

Since his father’s death, Hamlet begins to confide in Horatio because of his need for a father figure. Hamlet has such faith in Horatio that he leaves him with one last request: to tell his story. The close bond between the two makes this possible because, being the one man who knows everything that happened, Horatio is the only one who can tell the story. The confidence Hamlet has in Horatio, even after death, is something only a father could have. The deep care the two have for each other is significantly proven in the final moments of Hamlet’s life.

Because of the context of the letter, Frethorne is also attempting to ingratiate his parents to aid him in his plight. Frethorne writes: “Loving and kind father and mother: My most humble duty remembered to you, hoping in God of your good health, as I myself am at the making hereof” (par. 1). Frethorne’s use of diction in the words “Loving,” “kind,” and “humble” reminds his father and mother of their role as caretakers and paints himself in the light of a son thinking of his parents to strengthen his case for assistance later in the letter. To accompany this, Frethorne uses the imagery of his diet to appeal to his parents’ compassion.

In reconciling the various conflicts, however, the youngest son introspected deeply within himself and decided to go back to his father and apologize asking for a bargain of being a servant. The father an optimistic fellow-a symbol of the Almighty – is benevolent enough to accept him back and carefully approaches the eldest son on how to receive back his younger brother (Pierce, & Brian, 2016). The tone by St. Luke is that of excitement and fun initially but trickles to nostalgic when the prodigal son starts to think of his home and shifts again to fun upon the arrival back

Christ begins this parable with the younger son requesting his inheritance. “And the younger of them said to his father, ‘Father, give me the share of property that is coming to me.’ And he divided his property between them.” The younger son feels he is free from his father’s authority and embarks on a journey that is filled with reckless behavior that leaves him homeless. It is in this humble state that he reflects on his faith, asks for forgiveness, and is rewarded a king’s welcome upon his return. This infuriates the older brother who believes he has been a righteous son. His father replies, “Son, you are always with me, and all that is mine is yours.

The father and son may be getting older and spending less time together, but their love as father and son fortifies their relationship and prevents it from completely changing, which is exemplified when the father allows his son to use his rod to go fishing. The father’s rod is said to be “the only extravagance his father had had in his whole life” (45-46), meaning that the rod is of great significance to the father. Almost a whole paragraph is about how important the rod is to the father, and that’s not a detail included for decoration in Trumbo’s writing. Knowing that the father values his rod and invests time and money in it to

Seamus Heaney mentions his father in three different poems: ‘Digging,’ ‘Follower,’ and ‘Mid-Term Break.’ In the three poems, Heaney’s portrayal of his father, as well as his voice, changes into two different images. One of it portrays his father as a leader and role model, while the other portrays him as a frail and fragile being from Heaney’s broken fantasy. In the first part of his poems, ‘Digging’ and ‘Follower,’ Heaney portrays his father as godly, fully admiring his father. He uses overstatements and hyperbole, such as ‘An expert’ and ‘more than any other man,’ to emphasise his respect and admiration for his father’s work. His use of imagery, rhyme scheme, and cultural background also intensifies his dream to become a man like his

From that, a point of similarity presents itself that connects Baba and Ali. The two men share the battle of raising their sons with little to no help. In a sense, Baba and Ali exist in the same position, allowing them feel for one and other. Although the two men may express their feelings in opposite manners, Baba and Ali mirror each other in terms of the loyalty and unconditional love they show for their children. Evidence of this comes out when Ali takes a

“My Papa's Waltz”, by Theodore Roethke, and “Those Winter Sundays”, by Robert Hayden are the two poems that are somewhat similar and both of these poems are about beloved fathers. Father is the man who is spends time with you and takes care of you. While doing so much for the family he gains the respect and love from the family. In these two poems Roethke and Hayden take a flashback at the actions of their fathers. Even though both of these poems propose that their fathers were not perfect, they still love them.

Maybe then things could return to how they used to be between [Amir and Hassan]” (Hosseini 92). Amir doesn’t know how to approach him or to appease him in any sympathetic way, so he just uses his attempt as an excuse to be the same way to him that he has always been. He believes that if he gets a small punishment of getting fruit thrown at him, as if taking a few pomegranate shots from Hassan would make amends between them, he will be free from the chains of his culpability. He sees the “punishment [he craves]” as lifting a large weight off of his chest, rather than something to do out of the genuine integrity he should have. It seems as though he does not care as much about Hassan’s benefit as he does about getting himself off the hook from his guilt.