She simultaneously loves and resents her children because, while she is their mother, she feels that they have taken away her freedom and self-purpose. As Edna journeys in her awakening, she strives to find meaning for herself as Edna, not her children's mother. To prove she is more than just a mother, she distances herself from normal motherly responsibilities. “He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?”(Chopin, 15) Edna's neglect of her children stems from others expectations for her to submit to and look after her
A girl was not, as I had supposed, simply what I was; it was what I had to become. It was a definition, always touched with emphasis, with reproach and disappointment. Also it was a joke on me(142)”. The main character does not take into account how her mother might want someone to bond with until she is older. Because of her immaturity she has a bad relationship with her parents and her brother even though her thoughts are justifiable.
For example, the narrator in “The Word Love” lives a hideous life. She is not proud of her life in America because she is forced to do things that her mother warned her against. She lives with a man with whom they are not married, and she hates it that the practice goes against the values that her mother taught her. On the other hand, in the story “Silver Pavements and Golden Roofs” a girl from
While Dee arrives with a higher education, she lacks the cultural experience that her mother and sister and acquired throughout their lives. This causes Mama’s admiration for her and disapproval of Maggie to essentially flip as Dee has now caused an obstruction in the relationship with her
She was treated as if she had a lower social class than the rest of her family. Her step-mother “could not bear the good qualities of this pretty girl, and the less because they made her own daughters appear the more odious.” This jealousy led to taking power over her, overloading her with chores in the house and treating her as an object rather than human. They were so cruel to her, as they even mocked her, with her name originally being “Cinderwench.” She couldn’t tell her father about the cruelties that she dealt with, since if she did, her father “would have rattled her off; for his wife governed him entirely.” When the King’s son invited everyone to his ball, although Cinderella yearned to go, she was not allowed. Instead, she had to help her sisters prepare to attend the ball, When her sisters mentioned Cinderella attending the ball, they shook the topic off by stating “‘it would make the people laugh to see a Cinderwench at a ball.’” They ridiculed the person that helped them to prepare for the event and stayed ignorant to Cinderella’s feelings or wants towards the
There is a social norm to respect one’s elders that is universal throughout the world. Lucy refuses to follow this belief in the way that she completely resents her mother. Much like those who have ‘daddy issues’, Lucy is haunted by her failing relationships with her mother.
Laura is characterized as shy, nervous, and socially awkward. Amanda, Laura’s mother, works tirelessly to find a partner for Laura and to get her to come out of her shell. It takes the entire story and an unlikely scenario for Laura to feel normal. Laura is the most tragic and central character in the play due to the fact that her dependence on her family causes her mother and brother to have the sole purpose of supporting her. Over the course of her entire life, Laura Wingfield feels isolated from the world.
Upon being left by her husband during a decade-long journey, Penelope’s depressed character, like Hecuba’s character, accentuates the misery of women during that time. Once stripped of the only source of power and happiness they had—men in society—women were deemed miserable, useless, and awful in society. Penelope spent years waiting for Odysseus, and the audience watches as a beautiful, popular woman, weeps over her missing husband and lives a long, melancholy life. Penelope grows impatient and stagnantly miserable; she begins to wish for death, for life was not worth living without her husband in her life. She begs, “How I wish chaste Artemis would give me a death so soft and now I would not go on in my heart, grieving all my life and longing for love of a husband excellent in every virtue.”(Homer.
However, when it comes to family he acts so inhuman that he doesn 't listen to his own son and even thinks about ruthlessly punishing his nieces Antigone and Ismene. On the side of Antigone, she is very dedicated to family and it is her greatest priority. She takes it so important for her slain brother to get a decent burial that it brings her to face the wrath of Creon and she eventually dies for it. In the world today, such care that Antigone portrays for the family is almost
She considers herself a doer, and not a watcher. Her enthusiasm is not shared at first towards her husband or mother. Both characters want something different. Paul is worried for Cories mother as they went out. Paul knowingly says something about it to her, "What a rotten thing to do...To your own mother."......
Mama describes herself as a big-boned woman with hands that are rough from years of physical labor.She wears overalls and has been both mother and father to her two daughters. Poor and uneducated, she was not given the opportunity to break out of her rural life. She doesn’t understand Dee’s life, and this failure to understand leads her to distrust Dee. Mama sees Dee’s life as a rejection of her family and her origins. No doubt when Dee sees [the house] she will want to tear it down” (155).
The most painful of these words arrives at the end when her son proclaims that the child she raised is not the same anymore. This marks his transition from boyhood to manhood: a transition in which the male perception of female inferiority grows stronger. A mother loves her son, and in modern times there are family disputes; however, they are mostly out of spite for parents in general, not out of misogynistic