The play “A Streetcar Named Desire” written by Tennessee Williams portrays the character of
Blanche Dubois following her from her hometown of Laurel, Mississippi to New Orleans where she is to stay with her sister Stella Kowalski and her sister’s husband Stanley Kowalski, beginning Blanche's dependence on men, as she is still ultimately depending on her sister's husband (Stanley) for her mental and economic recovery.Feminists believe that patriarchy not only suppresses women in such aspects as politics, economy, society, culture, education and so on, but also mistakenly defines women's psychology as being unsound, irrational, illogical and impulsive. Under this kind of bias and discrimination, women's psychology is easily distorted, and cannot
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Domestic Violence is different to each character in this play. This is because each character has a different experience with it, and the consequences of violence in their lives have been so diverse that each has made up their own conclusion on what it is to be violent or to be a victim of it.
Stanley, for example, is by nature a violent man. He has created a stereotypical view of women in his mind, and his wife should be the embodiment of subservience and submission. When he drinks, these ideals become more powerful and make him even more violent. When his wife does not do as he says he hits her, they fight, and then there is the post-fighting lovemaking which intends to patch all mistakes. Yet, this is to him a form of aphrodisiac and violence is a way to channel his pathological views of life. Blanche becomes a victim of his violence, particularly during the rape scene.
Stella is at the receiving end of Stanley. She is the one getting the hits, surviving the fights, and then getting with him for sex after fighting. However, this to Stella is another curious form of
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The 1940's were different, life for women was expanding, the men were at war and so the women had to step up and take the men's place. Not only men were going to war either, the war was so big that in 1942, “The Women's Army Corps” and “Women Accepted for Volunteer Emergency
Services” were established. After these organizations were accepted congress authorized women to serve in the U.S. Navy. Back in the USA, women worked factory, and labour intensive jobs.
Throughout the 1940's the amount of women in the workforce increased by 25-35%. This was a prosperous time in women's history. Blanche, however, was removed from her job as a teacher, as she had sexual relations with a 17 year old boy. This is another scene in which we see Blanche as a victim, who has been ostracised due to her promiscuity.
“A Streetcar Named Desire” as a whole is connected to misogyny in the sense that it criticizes the way that women in the 20th century heavily depended upon men. The women in the play (Blanche and Stella) choose to fall back on men and depend on them to help them not only economically, but also emotionally and sexually. When Blanche felt insecure, she turned to younger men in an
The Desire for Equality Between the Sexes Men have long been afforded more rights and privileges than women both enforced by legislation but also societal norms and expectations. A Streetcar Named Desire by Tennessee Williams tracks the life of a troubled Blanche Dubois as she lives with her sister Stella Dubois and her sister's husband Stanley Kowalski. Stanley and Stella have, from an outsider's perspective, a peculiar relationship. Stanley on numerous occasions is portrayed as a physical brute who lashes out angrily. Despite this, Stella remains with him and seems perfectly content with her situation much to the dismay of Blanche Dubois.
It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself
This is best expressed in scene five, where Steve and Eunice fight and then quickly reconcile. This demonstrates that Stella and Stanley’s violent love is the norm in New Orleans. Eunice and Steve’s sexual attachment is much healthier than Blanche’s attraction for the newspaper boy. Blanche acts in this destructive manner due to her background. She is one of the “epic fornicators” of her family, who indulged in forbidden acts because they could not find a healthy outlet for their desires.
In Tennessee William’s play, A street Car Named Desire, the author introduces a character named Blanche Dubois who is described as a southern bell. She is revealed to the readers as a complex person. Desperate need of attention, Blanche who is Stella’s older sister, arrives to visit Stella and her husband, Stanley, in New Orleans. As Stanley and Blanche are introduced, he acquires a dislike for Blanche. Through a careful analysis of Blanche in Tennessee William’s A Streetcar
Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.
When he is questioned by Blanche in front of his friends he throws a fit, in a way that could be interpreted into showing off for his friends. He takes his anger out on Stella and hits her. After Stella leaves with Blanche, he calls for her nonstop until she finally comes back to him. He needs Stella just as much as she needs
In the play A Streetcar Named Desire written by Tennessee Williams, the main character, Blanche DuBois, travels to New Orleans to stay with her sister, Stella, and Stella’s husband, Stanley Kowalski. Throughout the play, sexulaity is seen as a strong motivator for many of the characters actions. Early in the play, Stanley is introduced as a particularly sexual character, “ Since earliest manhood the center of his life has been pleasure with women, the giving and taking of it, not with weak indulgence... He sizes women up with a glance, with sexual classifications…” (Williams 25).
It also highlights Stella’s submissive nature, and how she conforms to the sexist societal expectations of a helpless and fragile woman. Although the surrounding male characters disregard Stanley’s abuse, the audience is repulsed by it and identifies it as morally wrong. This shows how Williams is criticising the acceptance of this abusive behaviour in society, using Stella’s dilemma as a victim to plea for a change. Stanley is even abusive when displaying his
In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with
To Blanche, Stanley originally comes off as appealing however once he rapes her, he becomes monstrous in her eyes. On the contrary, Blanche is not exactly humane as well. Blanche is the extreme version of how a female was represented in the mid-1900s, but takes crazy too far. As opposed to helping Blanche deal with the world, her fantasizing is more destructive then helpful. Stanley’s violent rape of Blanche is a wake up call from her fantasy life, the final straw in her mental decline, leading to her
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
Not only has Tennesse Williams portrayed Stella and Blanche to be seen as delicate and dependent, our own society has created this image but this not only affects how individuals see themselves but affects relationships immensely. Tennessee Williams reinforces the stereotype in which women are often the victims of unfortunate fate within the usage of the character Blanche. Throughout the whole play, we have witnessed Blanche being on the bitter end of life's miseries as she has encountered the tough loss of Belle Reve, dealing with her ex-husband's suicide and the loss of her relationship with Mitch. Arguably, the expectations and beliefs of women were either to be a housewife or a mother, whereas Blanche shows neither, as a result of automatically feeling out of place possibly leading to her downfall. Blanche was constantly fantasizing about the traditional values of a southern gentlemen, proving her dependence on this sex.
“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.
A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.
The 1947 play “A Streetcar Named Desire” by Tennessee Williams tells the story of the sweet, polite, but willfully oblivious Blanche DuBois’ difficult relationship with her rough & tough brother-in-law, Stanley Kowalski. When Blanche loses the family plantation, she travels to the French Quarter of New Orleans, Louisiana, to visit and temporarily live with her sister, Stella. Blanche is in her thirties and, with no money, she has nowhere else to go. Problems arise between Stanley and Blanche when Blanche begins a series of lies and half-truths, and belittles Stanley, labeling him as “common” and “barbaric”. Things escalate between the two because of Stanley’s drunken rage taken out on Stella, but also because Stanley begins to become suspicious and aware of Blanche’s many lies and cover-ups.