A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named
The Fight for Dominance In today’s society, gender norms convince men that unless they are able to control women, they are weak. Considered the inferior gender, women must find new ways to prove their own strength, whether it be through manipulation or their sexuality. The battle between the two continues as men strive to remain dominant, often by immoral means, and women attempt to gain the upper hand. In the screenplay, “A Streetcar Named Desire” by Tennessee Williams, the sexual tension and struggle for dominion between Blanche and Stanley is evident, and as the play continues, Blanche's promiscuity and Stanley's predatory nature foreshadow an inevitable confrontation.
Examining Marriage in Tennessee William’s A Streetcar Named Desire Tennessee William’s 1947 play A Streetcar Named Desire takes place in Elysian Fields, New Orleans, and portrays the marital situation of this time. This play illustrates conflict over the marriage of Stella and Stanley. This marriage can be seen as strict, and controlling but also full of lust.
Past and Present Intertwine Through Symbolism Tennessee Williams is a world famous playwright. He has won many prestigious awards. In 1947, Williams penned one of his most famous plays, A Streetcar Named Desire, winning him the Pulitzer Prize. William’s background greatly influenced his writing, and because of this, alcoholism and mental illness are issues strongly reflected in his works (Williams 1817). A Streetcar Named Desire is a story about a women with mental health issues, named Blanche Dubois.
The play “A Streetcar Named Desire” is about an emotionally unstable lady named Blanche. She moves in with her youngest sister and her husband because the landlord took the land away from Blanche because they could not pay for it anymore. After being their for a while Blanche starts remembering her horrible past which is something she was trying to do in the first place. The husband of Stella, Stanley Kowalski was also someone that made Blanche’s life miserable for complicating everything and harassing her in every possible way.
A Street Car Named Desire is a play written by Tennessee Williams, which slowly uncovers Blanche’s prior life. Her troubled past causes her a lot of trouble when she tries to start over. She used to work as a teacher in Mississippi, however, she was forced to leave after she was caught having an affair with one of the students. This was typical behavior for Blanche since she had previously taken many lovers. Since she had such a hard time in Mississippi, she decides to move to New Orleans to live with her sister, Stella, and her husband, Stanley, in hopes of escaping her past. Stella accepts her willingly, however, Stanley begins to hear rumors. Blanche starts to date one of Stanley’s friends, Mitch, but when Stanley informs him about her past, Mitch basically tells her
In A streetcar named Desire, Stella is associated to this stereotypic role, she is an innocent woman and housewife who takes care of her husband by loving him in an outrageous way. Even if Stanley is hitting her, she still loves him. Whereas Blanche acts like a seductress, at first sight she seems to be pure by wearing a “daintily dressed in a white suit with a fluffy bodice” (Williams 3). In reality the authors gives a false impression of her in order to affirm that stereotypes or first impression are not always true. Indeed, after several scenes Blanche uses her power of seduction in order to manipulate men and reach her objectives.
Stella is demonstrated to live her life consumed with illusion until the final scene of the play where, as Blanche is taken away and loses her mental stability, Stella realises the problems that she may have caused by not defending Blanche from Stanley, as she is blinded by her own illusions of her relationship Stanley. Stella lives in denial of her abusive relationship with Stanley by creating excuses and illusions that everything is fine. This is evidenced when Stella says “You’re making too much fuss”, therefore it is obvious that Stella is used to the abuse she receives from Stanley and shows to Blanche that it is a regular thing that would happen to women in New Orleans, however she creates the illusion that it is okay or that it does not happen, as she dismisses giving any information on it. This could be a portrayal of her Southern Belle
William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction.
She refused to leave him when Blanche insisted and didn’t believe Blanche when it came to her being raped. Blanche, Stella, and Stanley all have the same want to be desired. The ways they act and treat each other back that up. Blanche feels the need to be desired by everyone around her, Stanley by Stella and others, and Stella by Stanley. Their lives revolve around desire.
Society looks down upon actions such as viewing others’ sexual features while you are already married, which makes the reader appalled by Stanley’s character and makes the reader feel an extreme hatred towards Stanley even before the action of the play has begun. This account of Stanley and his actions establishes him as the villain in the play, but, in any story, there is always a hero to contrast the villain. Typically, this hero is the exact opposite of the villain, and, in this play, although it may not be clearly defined, Blanche is set up by Williams in the beginning to be the hero. Williams does this by depicting her as the opposite of Stanley with her sense of propriety and class that is juxtaposed with the harsh environment of Stanley’s world (Williams 1119). Although the reader becomes aware that Blanche is not quite the hero that she was expected to be as they play progresses, the reader is always compelled to take Blanche’s side when injustices are brought upon her by Stanley due to Williams’ careful construction of Blanche and Stanley’s characters in the very beginning.
Stella lived her life depending on him whereas Blanche was currently on her own after her marriage and had no one to depend on but herself. Unfortunately there was a commotion that occured in scene 4 between Stanley and Stella. Blanche went to check up on Stella and was brutally convincing her to leave Stanley. The way that Stella responded to her made her look naive over the fact that Stanley was the issue. When Blanche and Stella were talking, Stella goes, “Stanley doesn’t give me a regular allowance, he likes to pay bills himself but this morning he gave me ten dollars to smooth things over (Williams, 78).
In other words, Stella is very aware that her sexual relationship with Stanley can help her sort out any problems between them. Also, shortly before Stanley rapes Blanche, Williams says in the stage directions that there were “inhuman voices like cries in the jungle” (399; sc. 10). Blanche, which means white wood, is out of her element in this jungle of Stanley’s and it is she, who once called Stanley “bestial” (322; sc. 4) and “sub-human” (323; sc. 4), who has now found herself being stalked and charged like prey being hunted by an animal. With his sister-in-law present, Stanley has been unable to fulfill his sexual desires and so he releases them out on Blanche.
The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play. Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society.
Quote and Explain, In contrast, Stella has both a husband and a child, she has something to work for, leading her to be accepted into society. Although Stella exemplifies these common traits, she falls under the same category as her sister, Blanche. While being depicted as less in comparison to the opposite sex. The intense description of the stage directions in scene three, depicts Stella as the prey and Stanley as the predator as he vigorously abused