Sacrifices in the Name of Love The French Revolution was a time of great chaos, violence, and trouble during the late 1700s. Charles Dickens’ A Tale of Two Cities is organized around the events of the French Revolution. The story demonstrates how a sacrifice, no matter how big or how small, can make an impact on someone’s life. During this time, many people made sacrifices out of loyalty, morality, and love. Throughout the novel, the characters Miss Pross, Doctor Alexandré Manette, and Sydney Carton help to develop the theme of sacrifice in the name of love. Out of admiration and love for Lucie, Miss Pross makes everyday sacrifices, including her safety in a battle with Madame Defarge. Mr. Lorry demonstrates Miss Pross’ dedication to Lucie …show more content…
When Charles Darnay confessed his love for Lucie to Doctor Manette, he made a promise to tell his family name to Doctor Manette on the day of Lucie and Darnay’s wedding. While talking to Darnay, Doctor Manette states, “any fancies, any reasons, any apprehensions, anything whatsoever, new or old, against the man she really loved – the direct responsibility thereof not lying on his head – they shall all be obliterated for her sake. She is everything to me; more to me than suffering, more to me than wrong, more to me” (104). In other words, Doctor Manette’s feelings towards anything said against him would not change his view on allowing Lucie to marry him. In addition, although he has years of anger and revenge built up in him from being imprisoned, he would set aside his feeling about it for Lucie to make up for the years that he had not been a part of her life. She is of his utmost importance and he does not want anything to compromise their relationship. The morning before Lucie’s wedding, Charles Darnay, her soon-to-be husband, discloses some interesting news to Doctor Manette, Lucie’s father. While describing the scene, Dickens says, “The door of the Doctor’s room opened, and he came out with Charles Darnay. He was so deadly pale – which had not been the case when they went in together – that no vestige of colour was to be seen in his face” (149). As promised, Darnay tells Doctor Manette his family name, which is Evrémonde, the same name of the man who had imprisoned him for years, yet without a trial. As Lucie and Charles Darnay go on their honeymoon, Doctor Manette relapses into a state of mental illness and begins to make shoes again. Even though he still allows Darnay to marry Lucie, Doctor Manette often reverts to this insanity caused from his imprisonment and terrible past; however, he believes that it is worth the sacrifice
“‘As a wife and mother,’ cried Lucie, most earnestly, ‘I implore you to have pity on me and not to exercise any power that you possess, against my innocent husband, but do use it in his behalf. O sister-woman, think of me as a wife and a mother!’ Madame Defarge looked, coldly as ever, at the suppliant, and said, turning to her friend The Vengeance: ‘The wives and mothers we have been used to see, since we were as little as this child, and much less, have not been greatly considered? We have known their husbands and fathers laid in prison and kept from them, often enough? All of our lives, we have seen our sister-women suffer, in themselves and in their children, poverty, nakedness, hunger, thirst, sickness, misery, oppression, and neglect of all kinds?”
However, when Lizabeth demolished the flowers, she simultaneously destroyed a symbol of hope in Miss Lottie’s life. At the end of the story, Lizabeth releases the symbol of hope and determination the flowers portrayed. She now understands and relates to Miss Lottie at a deeper level. “Now at the end of her life she had nothing except a falling down hut, a wrecked body, and John Burke, the mindless son of her passion” (Collier 5).
“A Tale of Two Cities” prove this point. We must forgive our enemies and right our past wrongdoings just like Dr. Manette and Charles Darnay did. “A Tale of Two Cities” by Charles Dickens tells a tale about the French Revolution through the lives of everyday citizens. The narrative takes place in London and Paris, as characters journey to fulfill their callings. Charles Darnay, a French nobleman, was arrested due to his aristocratic family’s crimes.
As W.H. Auden said “Those to whom evil is done/ Do evil in return” (Auden “September” 21-22). Similarly to Auden’s work on the effects of dictators, Charles Dickens’ Tale of Two Cities, shows the effects of one class having excessive wealth or power above another. Throughout the novel, Dickens demonstrates that when one estate has the excess power, they feel obligated to treat others inhumanely, as if they are irrelevant. However, when treated with the utmost disrespect, people will feel obliged not to change the system justly, but to change it in benefit for their personal revenge. Dickens shows his concern in any government in which one body has excessive power over another by sympathizing with the victims of the oppression.
She strongly feels that they took her family, so she will take theirs. Even after Madame Defarge finds out Charles is an Evermonde and is married to Lucie, she is eager to kill him, his wife and their child. It didn’t matter that her husband was close to Dr. Manette, she was determined to get her way. Even if it meant going behind her husbands back. Nothing could stop her.
Nearing the end of Stage Four when Mirabella must leave St.Lucy’s for her behavior at the ball, Claudette packed a “tin lunch bail for [Mirabella]: two jelly sandwiches on saltine crackers, a chloroformed squirrel, a gilt-edged placard of St.Bolio” and left it with a little note (Russell 245). This discernable care for Mirabella and ability to make a lunch and most importantly, write a note shows Claudette’s amnetity with her newly attainable
This means both Sir Henry and Laura Lyons have been lied to. Sir Henry was falling in love with “Stapleton's sister”, but it was actually his wife. Laura Lyons thought that Stapleton was single, but after they proved to Laura Lyons that he was not, she had a different take on him. This means they both had fallen in love with already married people, but they did not know because Stapleton was lying about his wife being his sister.
Pross. Before we begin, Mrs. Pross is a maid that works for Lucie and Doctor Manette and a minor character that keeps a strong identify to Lucie. Another example, is when Dickens wrote Mrs. Pross is “very much put out about my Ladybird” and proceeded to labor at their resident, meanwhile Lucie took care of her father. To give you some background information, “Ladybird” responds to Lucie Manette and showcases her loyalty. To comprehend this quote, it inclines that Mrs. Pross is only seen as a ardent and canny servant to Lucie as she is willing to do what she think is best for her, like mentioning her brother as the best future suitor to Lucie Manette.
I think this was her breaking point. Page three hundred and ten, Lucie is thinking about what Boots told her, “I could fall in love with you easy baby, he said and the first night he met her and also that “the only thing I'm interested is in you”, but when he drove her home last night he had scarcely spoken to her you made no effort to touch her.” Page four hundred and twenty-six through four hundred and twenty-seven, Junto is rich as hell Boots told Lutie. Boots was standing close to her, she smelled faintly sweet and he pulled her closer. She tried to back away from him, but he forced her closer to him and held her hands behind her back pulling her even closer and closer, as he kissed her, he felt the excitement well up in him which made him forget all the logical things he meant to say to her.
Lucie and Madame Defarge differ in their character traits, but are similar in their devotion to their goals. Lucie is a very loving, caring and gentle person. In the year 1775, Jarvis Lorry, an English businessman and an old acquaintance of Alexander Manette, informs Lucie Manette that her father is still alive and was released from prison. She is absolutely shocked when she hears the news because she thought her father was dead her whole life. They then go to France together to go bring back her father.
Lizabeth’s adult perspective in the story reveals that she learned about showing compassion. Lizabeth is showing sympathy for a person who is suffering or distressed in someway. The decision that displays the theme of the story is when Lizabeth decides to led a malicious at Miss Lottie’s marigolds. Lizabeth through
Throughout A Tale of Two Cities, Dickens utilized his expressive descriptions of the mobs of Britain and France to create distinct similarities and differences between the two countries. One major similarity of the two mobs is their desire for revenge. In England, the mob is driven to revenge after they find out that in the hearse was a spy against the crown. Instead of mourning the death, they instead use it to act against traitors of the country: “The crowd approached; they were bawling and hissing round a dingy hearse and dingy mourning coach, in which mourning coach there was only one mourner, dressed in the dingy trappings that were considered essential to the dignity of the position” (Dickens 14). This quote shows that the crowd was not there to grieve for the lost, but instead to take action for what the deceased had done before.
AS ANOTHER YEAR PASSES BY, ANOTHER OF CAPULET’S FAMILY FEASTS DRAWS TO A CLOSE AND SOME BIT OFF MORE THAN THEY COULD CHEW. Capulet’s daughter, Juliet Capulet, had been spotted by an eye witness mingling with Romeo Montague towards the end of the masquerade Sunday evening. It was said that Romeo and Juliet had briefly talked and then exchanging a kiss before Juliet had been swiftly taken away by the Nurse of the house. Many other witnesses we had asked, including the Nurse, come forward and said “Romeo was quite distraught after finding out that Juliet was a Capulet.
“Miss Pross had nothing beautiful about her; years had not tamed the wildness, or softened the grimness, of her appearance; but, she too was a determined woman in her different way, and she measured Madame Defarge with her eyes, every inch.” (Dickens 321). Miss Pross is a static character. Pross loves Lucie and would give her life for her, she treats Lucie like her own daughter, and she would do anything for her which includes committing a sin at the end of the story to protect her. Some people think that the sin was justifiable, some do not.
Throughout the book, Lucie worries about her father, but he always reassures her that he is well. For instance, Lucie worries that her father might not be happy about her marriage to Charles Darnay. Her father comforts her by stating, “My future is far brighter, Lucie, seen through your marriage, than it could have been—nay, than it ever was—without it"(193). Mr. Lorry and Miss Pross also comfort Lucie out of great care and loyalty to her and her family. Before she leaves, Lucie worries about her father once again.