Once she expresses to her parents that she does not want to marry Paris so quickly, they call her names such as a whore, ungrateful, a curse, and fat. However, after she concedes and admits she was set straight and ready for marriage, they acted as if nothing wrong ever happened. This unstable aurora that exists within the family is enforced by Lady Capulet. In the beginning, it is Lady Capulet who ruins the father's plan of getting Juliet to fall in love with Paris. Also, she inflicts the beating of Juliet when she brings Lord Capulet into the room so Juliet can explain why she does not want to marry Paris.
O’Connor also carefully draws out her characters. O’Connor made the Grandmother a women so that any reader felt lower than and feel below in authority. The grandmother is shown as a pushy woman with characteristics of selfishness. These characteristics show when she insisted on going to the old house. When she realized that Bailey was not too keen on the idea, she made up a story about treasure to get the kid’s to help beg their dad.
Pavla Chudějová in “Exploring the women’s experience” states that since Cordelia cannot compare to her attractive and talented older sisters, she makes great effort to keep up appearances in fear of being considered “disappointing” (Cat’s Eye 73). As Cordelia cannot adjust to the social expectations required in her family and in attempt to liberate herself from the constant surveillance performed over her, she refocuses her gaze to Elaine. Elaine presents an easy outlet for Cordelia’s frustrations because she is completely unaware of gender restrictions (43-44). As noted earlier, two events demonstrate Cordelia’s cruel treatment of Elaine. The first incident occurs when she digs a hole in her backyard and the three girls bury Elaine alive in it.
Therefore, Mama Elena knows to keep the two apart and threatens Tita if she ever does anything she is not supposed to. Tita is a strong female character who undergoes many challenges such as, losing the love of her life, being mistreated by her mother, and trying to not hurt her sister’s feelings. When Tita announced that Pedro would like to speak to Mama Elena about marrying her, she was lectured about their family’s tradition and in response Tita just “lowered her head, and the realization
/ Is Romeo slaughtered and is Tybalt dead?”(3.2.70-71). This quote at the middle of the story shows that Juliet tells her family and the nurse what they want to hear from her, meaning Juliet doesn’t have her own opinion, so her family takes this as an advantage so they could persuade Juliet that the Montagues are evil people. So, Juliet expresses that she’s angry about Tybalt’s death, and wants to avenge her family member (Tybalt). In relation to this, this expresses that she’s loyal to her family’s interests and doesn’t have her own opinion based on her experiences. Towards the end of the story, when Juliet asks Friar Lawrence for assistance concerning the marriage, Friar Lawrence expressed to Juliet, “O Juliet, I already know
Go home and rest. "(p.3) This is a way for the midwife to maintain in control by sending the woman home, thus ending the meeting. The midwife also tells her that she "…read too much…" in a condescending way, meaning that her knowledge in literature does not have any impact nor effect perhaps because of her cultural status being lower than the midwifes’. The need for the midwife to tell the woman that "…pregnancy is not an ailment…" is humiliating as well as a way to diminish the pregnant woman’s suffering. In this encounter the midwife’s behaviour can be interpret as her being superior and the woman being beneath her, due to prejudice about where she is originally
From the very beginning irony is used. Jenifer Hicks brings out the point of irony when she quotes that Mrs. Mallard “would have no one follow her to her room”. Mrs. Mallard might have also meant that she would have no one interfere with how she lives her life again (Hicks). Another source of Irony is at the beginning when Mrs. Mallard’s sister thinks she is deeply saddened by Mr. Mallard’s death. “Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission.
She firmly tells her parents that she will not marry him and for that Lord Capulet says he will disown her if she dares to make such a decision. Juliet shows very less respect toward her parents and thinks that the time is in her favor. Juliet, in the beginning, would have showed much more respect that the Juliet at the end, and her change caused by her love. In conclusion, Juliet definitely changed a lot from how she was in the beginning of the book to how she acted towards the end of the book. She made decisions like committing suicide, fighting with her parents, and considering all the factors when making a decision.
She simultaneously loves and resents her children because, while she is their mother, she feels that they have taken away her freedom and self-purpose. As Edna journeys in her awakening, she strives to find meaning for herself as Edna, not her children's mother. To prove she is more than just a mother, she distances herself from normal motherly responsibilities. “He reproached his wife with her inattention, her habitual neglect of the children. If it was not a mother's place to look after children, whose on earth was it?”(Chopin, 15) Edna's neglect of her children stems from others expectations for her to submit to and look after her
The Marquesa’s increased affections and passion for her child have exactly the opposite effect, as Dona Clara grows to be even more like her father. In her desperation to escape her mother’s suffocating affection, she deliberately chooses a marriage proposal that requires her removal to Spain, permanently distancing herself from her mother. The Marquesa takes up frequent letter writing in response, showering her daughter with her ever-increasing love through words on paper. Her daughter rarely replies, and the two become even more distant over miscommunications. The Marquesa does not understand her daughter’s coldness and cannot comprehend why her love is not returned, though she does realize that she loves her daughter out of selfishness.
As we learn from Hood’s story, the good intentions of the grandmother to spare her granddaughter from repeating the same mistakes, that she and the girl’s mother made, were inhibited by the grandmother’s poor communications, which only drove the girl away and steered the girl in the direction of the same sorts of situations and experiences that would result in the same types of heartaches as two generations of women before her. Knowledge and insight into the nature of things must be shared openly and in clear terms, if it is to result in true wisdom and is the best way to know that even if poor choices are made, we know that the next generation was clearly informed, so the outcome they have is the outcome they created and not the result of a lack of information and that if you want something to be clearly seen, then you should endeavor to generate more light, than