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Aesthetic Elements Of The Forbidden City

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All roofs have flowing lines and elegant cornices, each corner of the roof has a number of statues, depending on how many people live there or, depending on the destination, only the number 9 is not touch, as is the number of the Emperor but the main problem figurines represent the evolution of the nails or something similar to the stability of the cornice in windy weather. The architect came up with a universal form, on the one hand to create a mythical atmosphere, on the other practicality and functionality, it is their practical role in ancient Chinese architecture.( Beijing Attraction – Forbidden City – Beijing Palace Museum. Tai Yan Zhang .2012) Now let 's look at the structure and aesthetic qualities of forms of the Forbidden City,individually. The hall of Supreme Harmony This is one of the most exciting and magnificent buildings of the Forbidden City, as well the tallest building in Beiching (at that time). Main hall is similar to the country 's parliament, where the emperor receives foreign guests and decides to state affairs, weddings and etc, so the scale and form correspond to the value of the building. Another aesthetic rule of the palace is the prohibition of the trees. Throughout the territory you will not find any trees. As the purpose of security and feng shui principles , was that tree bringeth bad and could have been used as a shelter for the killers. 3 match of marble staircase lead to the throne of Emperor, Throne located in

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