The U.S. has been influenced by different cultures, trends, and movements. For instance, protest movements and hip hop have been used by African Americans as an avenue to tackle social injustices and other issues. South central L.A. chief rapper of the group N.W.A (Nig*** with Attitude), Ice Cube, seems to have firsthand experience about the hardships of the ghettos. According to the rapper, if one sits calmly at night, he or she is more likely to hear nothing but gunfire, which he has heard so much in his neighborhood (1). At night helicopters are always flying with their spotlight on, looking for someone. If one hears a vehicle with a beatbox and heavy sound at night, of course they are looking for someone. This is what has become of the …show more content…
Rather, they (Dr. Dre, Ice Cube and Eazy-E) decided that they would wear black, as many of the Compton crew, Calif, were fans of the L.A. Raiders, which meant wearing much of Raiders gear. For several years, Raiders apparel was synonymous with N.W.A. and even gangsta rap. O’Shea Jackson, aka Ice Cube, has created a documentary, “Straight Outta L.A.,” about his former group’s connection to Raiders, a pun intended on N.W.A’s 1988 debut album dubbed “Straight Outta Campton.” Cube felt like his uncles played for the Raiders (Cube …show more content…
rapper Toddy Tee launched the alleged West Coast hip-hop’s opening salvo criticizing police for their brutality in black-dominated neighborhoods. Apparently, the electro-grooved “Batterram,” inspired by the battering ram then-LAPD Chief Daryl Gates could ambush homes of suspected gangster drug dealers, became a hit on KDAY-AM, a local radio station. This is just an example of how the Los Angeles has been affected by the elements of hip-hop and gangster-related music of African-American origin. The track became a protect anthem in the black-dominated neighborhoods around the city of L.A., where many homes were suspected of harboring drugs. The 1992 L.A. riots came and found the soundtrack already in place. West Coast rappers were documenting racial tensions, a grim job market, sanctioned police brutality, a decimated school system, gang life, and the toll of crack cocaine on poor neighborhoods long before the beating of Rodney king by the LAPD officers was documented on tape (Cooper
• African Americans – The cultural transition from the 1970-1960 promoting African Americans literature, was also a musical and vocal movement for a culture coming of age after the liberation of slavery. The fierce anxiety of post-Civil War racism created a “voice” through artistic creativity, making a deliberate statement of the status of America through African American eyes. The timelines show artist telling a story of character and circumstance. • Asian Americans – The timelines showed advancement in music, literature and theatrical fields. They also showed more popularity of this sub-culture during the last fifty years.
When the justice for Mr King was not given rightfully, the people from the streets who went through alike problems hear about it, they immediately want change. From gang members who initiated the truce that helped decrease street violence, to the average high school student being active in protest around the city, the riots were portrayed heavily by the people affected by the beating. At these times, around the clock news and live television coverage followed but also in Ice Cube’s “The Predator” and Rodney King 's speech to the city of Los Angeles. Rodney King, intoxicated, speeding down the interstate had ignored all police sirens and warnings. He led the California Highway Patrol on a eight mile chase down freeways and city streets.
Peterson Dorelus Enc1101 9:30 Tupac Shakur Tupac Amaru shaker was born in New York 1971; known by his stage name 2pac was an American rapper. ‘’Shakur received an education in radical politics from his mother, but he also saw some of life's hardships through her struggles with substance abuse’ ‘Tupac was like an Elvis to hip hop in my eyes. Tupac was known for his rapping, his many talents like acting, Also his beef between the East coast and the West coast. To begin, ’‘I hear Brenda's got a baby
As detailed in Can’t Stop Won’t Stop, hip-hop was born through the explosion of creativity within America’s forgotten youth. The music spoke to the individuals in these forgotten communities. The music had a purpose and illuminated the political issues of the time. Sadly, over time, the increasing commodification of hip-hop as an art has gradually altered the audience of the music. As the audience has slowly changed, the meaning of some of the music has also changed.
Claiming Hip-hop: Race and the Ethics of Underground Hip-hop Participation This article reveals the connection between race, ethics and hip-hop. Harrison exposes the racial boundaries in regards to hip-hop. Within hip-hop debates the one constant idea is the centrality of African American culture and their identity. Harrison goes on to acknowledge the presence of the black race’s influence on hip-hop and rap, through television and media. “Real hip-hop’” is associated with blackness, however white rappers are often perceived to influence “fake hip-hop.”
The historical lineage between the African and Asian diasporas present a reciprocal relationship of influence and experience. Throughout the passage of time, these bodies of people have been both opposing forces and allies; in response to the racial tensions surrounding their respective groups, in their corresponding environments. Interactions between Africans and Asians created a dynamic that whites often felt threatened by but also used to wield power and institute dissension among the groups. By utilizing facets of colorblindness, multiculturalism, primordialism, polyculturalism, and Afro-orientalism, racial formation will examined as it exists within the Afro-Asian dynamic. American meritocracy presents a front that states that individuals may succeed and attain power on a basis of exclusively ability and talent, regardless of other factors such as race and
Police brutality was one of the major issues the N.W.A members rapped about, exposing the police for profiling and killing black males for no reason. Because of this, the N.W.A members began writing protest songs, despite the warnings of the police and their manager Jerry Heller. Their famous song “F**** Tha Police” is one example of how the N.W.A members exposed the police, letting everyone know about the abuse and murders they had to face within their
These perceived astounding numbers coupled with the click bait headline from a local news source stating that, “For ten minutes, it seemed like a shooting was everywhere in the South Chicago neighborhood (CBS News)” led to Chiraq being used to describe the violence problem in Chicago. Despite the clear subjective nature of the statement, this type of languaging with very little to no context allowed irresponsible journalists and pundits outside of Chicago to widely use it also as a form of indirect place branding, which ultimately led to the unfair labeling of Chicago as the murder capital of the United States. This also contributed to an amplified examination and judgment of the Southside, the black residents who lived there and rappers like King Louie, Chief Keef and other emerging artists in the drill music scene whose music and lifestyles were blamed for the assumed increase in violence coupled with pejorative racial and class based ideologies that placed blame over historical analysis and
Being enslaved was not an easy job for African Americans. African Americans survived slavery through their connection with their culture. They then went on to contribute to the economic and social development of the South and America. African Americans survived the institution of slavery and Africanized the American South. They helped free themselves by sticking together as a family, resisting, as well as wanting slavery to change.
Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.
In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.
Firstly, McBride claims that rappers use violent lyrics as a vehicle to bring about awareness and thus promote social change through use of violence. In a section of the essay, he talks about how rappers have made hip-hop go from something you would hear at a party to something you would hear in a local news report because rappers use violent lyrics in order to talk about the issue in their society and how these issues must be acted upon now so that it can
Police brutality at the time made it difficult for them to live in Compton. It was easier to find an AK-47 compared to finding a job. This occurrence led to high crime rates in Compton. Under the watch of then, LAPD chief Daryl Gates crack trade and gangs were on the rise (Hiatt np). Harassment at the hands of police, Los Angeles riots and the beating of Rodney King by law enforcers pushed the N. W. A. to make music.
In the article “Hip-Hop Planet” by James McBride he explains first about the nightmare he has of his daughter coming home with a young reckless rapper guy with tattoos and golden teeth and McBride for a moment is taken back to the past when he was young and it comes to thought that he was in this young wanna be rappers shoes. As he goes on with life he contemplates of how his rap days are over but in time he comes to realize that he himself will still be surrounded with the cool beat sound of one rapper explaining his everyday hard life. James first time hearing hip-hop was at a party, and it escalated when one of James friend slapped a big guy who crashed the party followed by two other friends and what was strange was these guys differed
With them spear heading this era there were other stars like Snoop Dogg, Warren G, Wu- Tang Clan, Public Enemy, Lauryn Hill, A Tribe Called Quest, and many more. Even the entrepreneurs we know now like Jay Z, Puff Daddy, and Dr. Dre all got catapulted into their superstar status as a result of this Era. This era had so much influence on pop culture that it’s impact can still be seen today, in the playlists of kids born too late to experience it.