Ai Wei-Wei is an Chinese artists whose artwork attracted more the than just the public. Ai Wei-Wei is an chinese artist and activist who got the attention of government officials. He question authority and creates art that surprises and shows what he believes in. Ai Wei-Wei is rebelling against his culture through his public statements and artwork. Ai Wei-Wei is rebelling against his culture through his public statements in the articles. Ai Wei-Wei has always seems to reject and deny what the chinese government has given society. He states “This is a society that sacrifices human rights to make a profit”, which proves Ai Wei-Wei is rebelling against his culture. He does not agree with the way is government runs, even though is has run this way in his culture for generations. Yet, he believes that the government needs to change, even though the government has been running this way in his culture. Ai Wei-wei is rebelling against his culture through his public statements and also within his art. Ai Wei-Wei is rebelling against his culture through his artwork. He is an artist whom use artwork to communicate how he feels and what changes need to occur. His piece “Han jar overpainted with Coca-Cola logo”, created in 1995, shows a picture of a million dollar Han …show more content…
He is saying that with the corrupt government that nothing will get better. He also shows that he is rebelling through his piece “Dropping of a Han Dynasty Urn”, created in 1995. In this piece it shows 3 picture of a Han dynasty vase being dropped.In this piece he is dishonoring his culture by destroying a historical piece of their history. Wei-Wei’s message in “Dropping of a Han Dynasty Vase” is that we should forget and shatter our past and move forward. The Chinese government is denying many basic rights because of its widely corrupt
“The Laughing Sutra” by Mark Salzman takes place in a historically tense time of world relations. While this book tells an enlightening adventure story, it gives insight on world history and scary realities. “How to Read Literature Like a Professor” by Thomas C. Foster gives insight on both reading and writing reputable literature. Foster provides concrete instances and ideas that appear throughout the world of writing. Foster has many points in his book that proves to be present in “The Laughing Sutra”, but the two most prominent are the impacts geography and politics have in writing.
Jing-Mei has this mother who lost her husband and twins back in China and is now trying very hard to get a fresh and better start on her new life with her child. Now this could mean many different things to different people, but
Lee Chew lived in a unique time period for chinese immigrants in America, preceding the Chinese Exclusion Act of 1882 and living in America after it passed. He was then confronted whether to live in America with the hope of wealth but no hope of being with his family or move back to China. This time period is recorded in a first person biography about Chew’s life, titled Life of a Chinese Immigrant. This primary source was published in a journal, The Independent in 1903. Chew had a very significant encounter with American wealth when a villager brought back huge wealth to the village after going to America.
“The grass is always greener on the other side”, is a commonly used metaphor. People are never satisfied with their own situations and think that others have it better. From childhood, stories and fables illustrate that this is never true. Characters always yearn for the better side of things but later realize they were on the best side all along. Throughout American Born Chinese, the main character, Jin, has problems finding his place growing up and struggles with his Asian identity.
Throughout the book, multiple ethical questions are asked such as “am I willing to risk people disapproving of me? Willing to risk my job? My popularity? Maybe someday my freedom? Or someday my life?”
All this leads to is “major losses to public assets and to the interests of the states and people,” (Buckley). In a Chinese Former Official Faces Corruption Trial by Chris Buckley presents a leader named Zhou Yougkang who is very corrupt. He took advantage of others to gain power which hurts the government. Hurting the government affects the people in their everyday lives. That is why the people of that Society had put them on trial for ruining their government.
You take one last glance, and you walk away. Born in 1974, Chiho Aoshima was destined to be a great pop artist in Japan, a part of the Contemporary Japanese movement (which is characterized from the breaking away of traditional art and opening up to Western ideas
Elections in China are based on a hierarchical electoral system, meaning the leader is directly elected from a group of representatives, who are elected by the voters of the locals in that area; much similar like how Australians can vote in electorate. The difference is that the Chinese government is a single party state, creating a single centralized focus of power within the country. This power is granted to the Paramount Leader, who is the highest leader of the party and the state. Due to so much power concentrated in a small group of people, there are often reports of corrupt high officials from within the party. The Transparency International had ranked Australia in the top 10 countries with low levels of corruption and China 80th
Wei-Chen opposes Jin in the first half of the story by embracing his heritage and not running from it like Jin. However, Jin realizes that Wei-Chen doesn’t care about what others think of his heritage or fitting in and that only fuels Jin’s desire to fit in even more because he doesn’t want to become like Wei-Chen. In other words, Wei-Chen brings out Jin’s fear that he could one day accept his heritage and Jin doesn’t ever want that to happen. Therefore, with every action that Jin takes he is trying to run farther away from his heritage. In the second half of the story, Wei-Chen opposes Jin by asking him why he kissed Suzy and this brings out Jin’s anger and belief that he is
Ha Jin’s short story “Saboteur” is about a newly married man Chiu Maguang and his unjustified arrest. It ends with Chiu trying to take revenge on the police by trying to infect them with acute hepatitis, but he infects many citizens of the city. The setting of the story is a city in China after Mao’s Cultural Revolution, and the setting plays a key reason for the events that unfold throughout the story. When Marxist critic, Milkhail Bakhtin ideas are applied to “Saboteur”, the idea that the story is dialogic will become logical to the reader.
With Wei Chen’s new opinion on humans it was a quick decision to quit being an emissary. He was inheriting this job, preparing for it since birth and at this point it seems as if he had thrown it all away. Wei Chen was blown away by the actions of Jin and how this hurt him, this influenced him to a make decision that would change his life
When Jing Mei realizes her mother only wants a famous child to be able to brag, she decides to only be who she wants to be, and not follow her mother’s orders. During this time, Jing Mei is very sad, because she is being forced into being something by her parents. This negative effect can really make a child feel useless as who they
Does Ai Weiwei’s “Sunflower Seeds” reflect the social, political and economic status of China? Justin Boon ARTH-271 Professor Farris Fall 2014 Does Ai Weiwei’s “Sunflower Seeds” reflect the social, political and economic status of China? In order to understand his work, we must first understand Ai Weiwei as an artist, his other works, as well as the inspiration and motivation behind them. We must also understand China as a country and its political climate in order to ascertain a degree of truth.
Famed Chinese artist Ai Weiwei 's former assistant is making a name of his own. The thirty-something year old artist has created a number of videos and sculptures that reflect on his experiences as an artist in China. His ongoing series entitled Happenings is found on the internet mostly in the form of video stills of Zhao 's being bloodied by someone on the street. The title recalls the whimsical Happenings produced by Allan Kaprow in the 1960s. However it is Zhao 's broken officer sculpture that gained him wider notoriety as an artist in his own right.
Contrary to the finding that “income inequality increases socio-political instability” (Alesina and Perotti, 1993, p. 18) current levels of inequality in China seems to have little impact on the societal status quo. Although China has experienced massive number of social protests, about 180,000 to 230,000 in 2010 alone (Gӧbel and Ong, 2012, p. 8), these protests are motivated by “abuses of power and other procedural justice issues, rather than being fueled by feelings of distributive injustice and anger at the rich” (Whyte, 2012, p. 6). According to a research paper funded by the European Union (Gӧbel and Ong, 2012, p. 36), income inequality is not among the top five motivations for social protests which include land disputes and environmental degradation. This data is evidently incompatible with a survey finding that income inequality is too great for 95% of Chinese as opposed to only 65% of Americans. Barring survey inaccuracy, high levels of inequality in China so far does not translate to dissatisfaction that leads to outright mass protests and instability.