The name of this work is “Akhenaten and His Family.” The sculptor of this work is unknown. But the piece was originally made around 1353-1336 BCE. Provenance (Where was it made? For whom?)—It was made in Ancient Egypt for Akhenaten and his family, in honor and praise of the kings prosporous and happy family life. Location (Where is it now?)—The piece is currently located in Agyptisches Museum. Medium and Technique—The artist sculpted this relief in painted limestone, 12.25 ft long by 15.75 feet wide.============== In terms of subject, what the relief shows is a detailed image of Akhenaten and his family, sitting under the Sun God, Aten, who blesses the family. The family’s three children are held by their parents, each sitting on thrones.
The statue is more than half the size of Yuny back in real life. The statue which is carved out of Limestone was found in the tomb of Yuny’s father, Amenhotep. There was at least two generations found within the single tomb. The height of the statue is 84.5 centimeters and it was consisted in the nineteenth dynasty. The statue represents Yuny seated next to his wife Renenutet.
The work is similar to the egyptian stylistic because it is very similar to the Innermost Coffin of Tutankhamen which was done in the Egyptian stylistic period. The of the subject, style, and function of Amen-Nestawy-Nakht are similar to the Coffin of Tutankhamen. The work is about a coffin for Amen-Nestawy-Nakht, who was a priest of Amun in the city of Thebes. The coffin is shows with Horus and Thoth, both gods.
The relief demonstrates a trading expedition to the far land of punt. The voyage was made in Hatshepsut’s 9th year of her reign and took five ships filled to the brim with tradable goods such as wine, beer barley, cloth, daggers, axes, swords and etc. This was Hatshepsut’s most recognisable expedition that have been clearly depicted on many temples (karnake) in order to demonstrate to the people her success that can be seen doing Amuns will and being profitable to Egypt. Most of these reliefs seem one sided by the Egyptians seem to be the only ones with tradable goods while the natives are in conical house. This could suggest possible propaganda to broadly demonstrates Egypt’s prosperity due to Hatshepsut.
This was one of Akhenaten’s “most important act [moving] the imperial capital” (Richard Fazzini, 1973), and was found by Sir Flinders Petri who is the founder of Modern Egyptology. When Petri discovered the “lost town” (Tim Maynor, 2011) he discovered on the various stones that there were no scenes of offerings to the gods. After his father had passed, Akhenaten destroyed the remnants of the Supreme God Amun-Rah from the temple walls. Seeing that the town of Thebes was still under a great deal of influence from Amun-Rah and that he wanted to “outdo Karnak and outdo his father” (Tim Maynor, 2011) and therefore created a town “400km North of Thebes [around] 1348 BC” (Tim Maynor,2011) in which he called a “Sacred territory called the “Horizon of the Sun’s Disks”” (Heather Pringle, 2014). Akhenaten promised the people that they would be protected by the Sun God Aten and not Amun-Rah.
The 30-40 priests stood silently watching the boy-king as he read the decree. In one swift day, the corrupt religion of the Aten was swept away. The old gods would reign again. Akhenaten’s son would be the one responsible for destroying his own father’s religion.
This sculpture reminds me of a sculpture found in early first century BCE. Aule Metele is an Etruscan sculpture that uses roman styles. The statue of Elijah Peirce and of Aule Metele both show the figures as older men with sad looks on their face. Though the medium of this statue is bronze instead of brass they are comparable visually based on the details. In conclusion, Weitzman’s use of personal information he gathered about Elijah Peirce was what made the sculpture along with his attention to
The subject of the painting is a depiction of a mountain landscape. Near the bottom of the picture plane in the foreground there’s a canal through the mountain side. If you look closely you can see someone in the water climbing up the rock. The overall theme of the piece seems to be very peaceful and exciting. Hassam uses a few visual elements of form to support his painting.
Even though the ivory relief has a religious overtone, both are clearly done in the Old and New Rome classical esthetic. “Cast in glittering bronze, like the Equestrian Statue of Marcus Aurelius set up nearly 500 years earlier, it attests to the continuity between the art Old and New Rome, where pompous imperial images were commonly displayed at the apex of free standing columns” (Kleiner 258). Both art pieces are a classic example of power, prestige and clemency during their time of
I didn’t know details about history of king’s life, but King Amenmesse’s statue has mystery and cunning smile. All his look is saying: “I know what I want and I will get it”. His headdress is decorated with the snake to highlight his power. The body of statue is in its original place in great Hypostyle Hall of the Temple of Amun at
Constructors of the temple not only made a practical choice that the ceremonial behavior could be illustrated through architectural choices on a general picture of the whole temple, but also used a detailed art piece at the temple to clarify a particular story of human sacrifice to god. On the bottom of the Huizilopotchli’s side of the temple lies a volcanic stone monolith named the Coyolxauhqui Stone that demonstrates the story how the death of Huizilopotchli’s sister, Coyolxauhqui offered peace the god himself. The scalloping shaped details at the joint of her neck, shoulders and hips, along with the bones and skull that filled up the whole composition showed that she has been decapitated to death. The artists used high-relief carving to portray the dismantled body of
Both pieces are sculptures in the round, meaning they are not carved into a wall; they are freestanding. Both of the kings
Who is Nefertiti? Some might say she is the loving wife of Akhenaten, some might say she was the most power hungry and ambitious person. The novel, Akhenaten: Dweller in Truth by Naguib Mahfouz, takes place in ancient Egypt when Akhenaten holds the throne. Throughout the novel, there are many discrepancies regarding the personality of Nefertiti. Evidence is presented showing how she deceivingly married Akhenaten in order to rise into power.
Name of this Assyrian king, Sargon, means “legitimate king,” and indicates that he may have been a usurper who used such a title to make people think he deserved the throne. Though Sargon II had his share of military successes, he was continually pressed on all fronts by those nations who coveted Assyria’s territory and her tribute-paying vassal states. Sargon had developed a new capital city for himself at a place he called Dur-Sharrukin (“Sargon’s Fortress”). The palace was completed a year before Sargon died in battle, but later kings preferred to rule from Nineveh, so it was never used thereafter as a royal
Akhenaten is regarded as one of the most unusual and the least known pharaohs of Ancient Egypt. One of the main reasons that Akhenaten is regarded as the most unusual was his introduction of monotheism and the god Aten. Scholars, historians, archaeologists, and most of the general public doesn't know a whole lot about Akhenaten because most references of his rule were destroyed at the end of his reign. However there is at least enough information regarding his rule that we are able to decipher some of his accomplishments and his twist of religion. Akhenaten, born Amenhotep IV, was a pharaoh of the Eighteenth dynasty of Egypt who ruled for seventeen years and died some where between 1336 BC or 1334 BC.
The stele is made out of pink sandstone, Hatshepsut’s statue was made with red granite, and Khafre’s statue was made with diorite. The material with what these pieces were made was chosen by the ruler for reasons like durability and expression of his or her wealth. The purpose of the piece ‘Victory Stele of Naram-Sin’ was made do illustrate Kind Naram-Sin’s victory and conquer of the mountain, ‘Hatshepsut with Offering Jars’ was made to honor the gods, and finally, ‘Khafre Enthroned’ which was made to just simply depict him as an enthroned divine ruler. Thanks to the many portraitures found from the ancient times, such as these three, we are allowed in this point of time to familiarize with what our ancestors believed and how it all evolved over