Alfred Stieglitz: American Photographer
Jennie Ivey
Professor Miller
ART 3010
17 Aug 2016 Final Project Essay Week 2
Topic:
Alfred Stieglitz (American Photographer) He operated three galleries in New York City between 1905 and 1946. He helped unleash the creative energies that would drive American art for much of the 20th Century. Stieglitz edited the associations luxurious publication Camera Work from 1902 to 1917. (AI, Abstraction) Stieglitz was a committed idealist who marched to his own beat, he built a bridge between European art styles and American culture in the early 20th Century. Later, he became a steadfast advocate for a group of American artists who possessed singular outlooks. Stieglitz had with traditional notions of aesthetics, at first wanting to use photography to
…show more content…
Alfred Stieglitz believed that there was much more to a portrait than the face. He explored this type of work by photographing various body parts of his wife Georgia O’Keefe. In this photo titled, Neck, the sharp lines of the jaw and the positon of the neck draw you into this photo. The glimpse of the fingers balances the photo to draw emphasis to the elements of the lines. It is a modern approach to the style that Stieglitz was well-known for in his work. http://images.metmuseum.org/CRDImages/ph/web-large/DP232992.jpg Alfred Stieglitz. Reflections: Night, New York, print, 1897 Alfred Stieglitz was always interested in photography as an art form. He was also interested in the technical boundaries of photography. In Reflections: Night, the naturally occurring atmosphere was used to create a mood, situating his pictures squarely in the realm of the art world. The weather provided the atmosphere, the fuzzy, soft-focus effects that could double as brushstrokes in a fine art painting. http://www.luminous-lint.com/imagevault/html_14001_14500/14156_std.jpg Primary Resources:
Met
Famous Great Depression Photograph Essay
398 Words | 2 PagesEstefany, Democracy is when the people vote for elected officials and new policies to represent them in government; this is usually decided by the majority. Freedom is the ability to think or speak as one desires, without restriction. As it pertains to the United States, freedom is the ability to think or speak as one desires, so long as it does not infringe on the freedom of another or violate any laws. She should have received compensation. In the course book on page 817, it mentions how many needy American like Florence and her children were left with little aid.
Fortieth Parallel Project
1609 Words | 7 PagesHe discussed how throughout the project where he made sure to use particular methods like using an 8x10 camera. While this is an older technology, he still used new technology such as photo-shop and digital scanning. When having a detailed discussion with Myren, he stated that he uses different technologies because, “it renders the world in a way that helps me see it”(Myren, lecture). This quote means he wanted to portray every picture as he personally saw it, to show that beauty is everywhere. These methods also allowed him to alter the photos so that he could emphasis on certain points to illustrate the idea of beauty.
Georgia O Keeeffe Biography
1692 Words | 7 PagesIn the summer of 1915 Georgia slowly started coming back into painting world. After O’Keeffe’s moved back to Texas she began to draw some charcoal work. She sent those drawings to a friend in New York. The friend took those drawings and showed them to a man name Alfred Stieglitz. Stieglitz was a photographer who owned his own gallery.
Annie Leibovitz Research Paper
962 Words | 4 PagesWhen closely examining one of her famous portrait photography with Demi Moore, the image she took was sharp and it showed the details of the person’s face. Her portraits she took almost all of them had a dark contrast background along with her subjects having enough light reflected on them to make the picture clear and crisp. The contrast she chosen makes the photos of Demi Moore look more elegant. Her style of photography also makes the subject look natural and not forced; the subjects are showing their real emotion. Annie Leibovitz affects the photography as a whole because her style of photography teaches other photographers, including myself, that we can take good portraits without using a studio and that the best portraits
President Franklin Delano Roosevelt's New Deal, New Design
1079 Words | 5 PagesStylistically speaking, the modern movement did not have much success in America, at least not at first. American graphic design was dominated by more traditional illustration up through the 1920s and 1930s, but modernist European design slowly began gaining influence thereafter (Meggs and Pervis 350). One artist who helped to transform the nature of American graphic design was Lester Beall. In a time dominated by economic depression and financial disparity, Beall drew from the Dada movement and attempted to develop bold and exciting forms that were both “randomly organized” and “intuitively placed” (Meggs and Pervis 351). In his posters for the Rural Electrification Administration, Beall often creates movement through simple images of arrows and combines photography with simple flat planes of color.
Georgia O Keeeffe Art Style
967 Words | 4 PagesDove was known as America’s first abstract painter and he used colorful, dynamic forms to show his sensitive side of the physical world which inspired O’Keeffe. Over the years of their friendship, their artistic dialogue yielded a form of modernism grounded in direct, emotional responses to that of nature which helped shape the course of art in America. While Stieglitz was a photographer, he and O’Keeffe’s styles were also similar. He was a photographer that had an eye for abstract art while she had the style of abstract
Summary Of The Never Ending Sherrie Levine
111 Words | 1 PagesIn regards to the never ending Sherrie Levine debate the act of re-photographing the famous images shifted the author, the viewer, and the subject. By inserting herself as the author Levine more than merely reproduces the already reproduced photograph, she complicates the original intent of the image and exposes the power structures inherent in image production. Levine attempt to rewrite history and the narrative behind it. Her approach forces the viewer to question how one creates meaning out of history. Levin’s appropriation of the image from a catalogue image speaks to how artwork is commodotized and extracted of authorship through reproductions and other methods or circulation echoing thoughts of Walter
Punctum In Dorothea Lange's Migrant Mother
754 Words | 4 PagesAs a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
Compare And Contrast John Beard And Ben Quilty
807 Words | 4 Pages“You use a glass mirror to see your face; you use works of art to see your soul”- George Bernard Shaw ("George Bernard Shaw Quotes at BrainyQuote.com", 2016). An artist will change the essence of a portrait to suit the works subject by incorporating the elements and principles of art in different ways. Ben Quilty’s, Margaret Olley and John Beard’s, Janet Laurence are both portraits of inspiring woman that have particular elements and principles within them that change the way the subjects are presented. Ben Quilty’s portrait of Margaret Olley (2011, oil on linen, 170x150cm) shows a change in Quilty’s art style, transitioning from masculine artworks to more feminine ones (artgallery.nswgov.au). John Beard’s portrait of Janet Laurence (2007,
Photography In The 1840s: Dr. Hugh Welch Diamond
199 Words | 1 PagesIn the 1840s, Dr Hugh Welch Diamond was a doctor whom used photography involving the mentally ill for his studies. He studied psychiatry at Bethlem Hospital in London. He combined his medical training with photographic practice and began to photograph the patients at the Surrey County Asylum. He photographed the patients in portrait format with a plain background. The patients were dressed in their clothes that they had to wear in the asylum, thus stripping them of their identity and they appeared uncared for.
How Does Kline Create An Oil Pint?
482 Words | 2 PagesEven if Franz Kline was making innovative oil based paintings, Kline’s work was not considered contemporary. “Although Kline’s work was confrontational and very ambitious, he cannot be considered revolutionary.” There were some artist that came before Kline, like Jackson Pollock, as a result Kline abstract pieces of art work where not seen as
FSA Propaganda
1808 Words | 8 PagesThese photographers and filmmakers are significant for the blending of science and art that criticized culture and ideology. As we shall see later in this book, photos (and media) with a purpose live on and documentarians continue to emulate many of these stylistic techniques practicing the science of ecology of the
The Ontology Of The Photographic Image Analysis
1223 Words | 5 PagesBy the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
Photo Secession Research Paper
1179 Words | 5 PagesOn the spur of the moment he called this show the work of the "Photo-Secessionists" (secession in art means breaking away from accepted ideas). At first Stieglitz was the only secessionist in existence, but he quickly persuaded the other exhibitors to become founder members of the new Photo-Secession group, whose aims were to hold together those Americans devoted to pictorial photography and exhibit the best that has been accomplished by its members. Many of their ideas for advancing photography were similar to The Linked Ring. However, they had a much broader acceptance of style from straight photography to the diffused manipulated gum print processes used at the time by Coburn and
Theoretical Framework Of Photography
7336 Words | 30 PagesA so called “scientific focusing” technique was promoted, which imitated the way the eye perceives a scene: sharply focused on the main subject, with the foreground and the background slightly out of focus. Although as Alex described Emerson later became convinced that photography was not an art form at all but only “a handmaiden to science and art”, his earlier ideas had already influenced a new generation of photographers who no longer felt the need to imitate painting but began to explore photography as an art form of its own
More about Alfred Stieglitz: American Photographer
Famous Great Depression Photograph Essay
398 Words | 2 PagesFortieth Parallel Project
1609 Words | 7 PagesGeorgia O Keeeffe Biography
1692 Words | 7 PagesAnnie Leibovitz Research Paper
962 Words | 4 PagesPresident Franklin Delano Roosevelt's New Deal, New Design
1079 Words | 5 PagesGeorgia O Keeeffe Art Style
967 Words | 4 PagesSummary Of The Never Ending Sherrie Levine
111 Words | 1 PagesPunctum In Dorothea Lange's Migrant Mother
754 Words | 4 PagesCompare And Contrast John Beard And Ben Quilty
807 Words | 4 PagesPhotography In The 1840s: Dr. Hugh Welch Diamond
199 Words | 1 PagesHow Does Kline Create An Oil Pint?
482 Words | 2 PagesFSA Propaganda
1808 Words | 8 PagesThe Ontology Of The Photographic Image Analysis
1223 Words | 5 PagesPhoto Secession Research Paper
1179 Words | 5 PagesTheoretical Framework Of Photography
7336 Words | 30 Pages