Alice Neel was a painter in the early twentieth century, who was a trendsetter among women at the time. Neel worked primarily in the form of portraits, landscapes, and still-lifes but most notably portraits. There are two theories to Alice Neel’s paintings that critics alike seem to always mention or try to push as the main concept. These concepts are called the Male Gaze, and Honest Alice. The Male Gaze derives from the idea that all content that is created for women is meant to satisfy the sexual desire or even just appeal to men more sensually about women in the world.According to Oxford Dictionary, the definition of the male gaze goes as following: “The perspective of a notionally typical heterosexual man considered as embodied in the audience or intended audience for …show more content…
The painting I chose is entitled “Two Girls, Spanish Harlem”. This piece is an asymmetrical piece with two young girls posing. The color palette includes warm tones with mostly reds and oranges but also has some blues. There is little to no contrast outside of the black outline that flattens the image slightly. The two girls posing are posing as if they are waiting for someone, possibly for Alice Neel to finish the painting. Visually, their clothes are the only points of contrast between the complete image with the small white that pops out along with the grey dress. The only reason why the two in the image actually pop out from the background is because of the way the artists uses the paintbrush stroke and the direction it goes
2), it has been created with the same materials as the previous work of art in which I discussed however it measures 244 x 244 cm. In this work of art, we are able to see two females standing still and facing towards the sunset as two older men are on opposite sides of them facing towards us. It seems as though this image depicts individuals who have just finished their workday based on the way in which they are dressed. It is evident that he puts forth some of the same techniques used in Iceberg Blues (Fig. 1) such as the images containing city people and the sunset landscape. Also, the individuals in this painting are not communicating with each other or making any eye contact perhaps because they also have different beliefs and cannot relate to one another.
For all artists, the “way life was seen” played a significant role in how the artists constructed and portrayed their artwork. In postwar Australian society, women played a significant role for the country’s growth. While men were at war, the women had to fill in the jobs, and Australia was basically being run by more women than men. This became more aware throughout the 1980s where feminism became more internationally aware. Margaret Preston’s husband, allowed Margaret to be free to do as she wanted during this time, differing from the stereotyped world where the men would work and the women would stay at home.
The piece of art that I have chosen is “ The last breathe” by Josef Israel. The pictures takes place in a room. The appearance of the room leads me to assume that the family is living in poverty. They are all dressed in rags and they are all barefooted except for one.
In society, there are several stereotypes and gender roles culturally influenced by women today. Cindy Sherman’s Untitled Film Stills series made between (1977-1980) shows different stereotypes of women in different everyday situations. This series consists of the artist posing as those female roles in seventy black and white photographs. In my opinion, by doing this series she challenges the way we view women regularly in pictures, by giving a different perspective. In this paper, I examine Cindy Sherman’s work and how my work is inspired by or relates to her work.
The whole painting is in black and white which gives it a lugubrious tone. The angle of the portrait allows the audience to see the facial expression of each person in the painting. Both African American males have a sort of grin on their face, which shows that the painting is in favor of them. The communist, KKK member is depicted as a skeleton that is weak and being destroyed. The man that is stopping the communist member from hanging the little boy has a banner on that says CRC, which is a representation of the civil rights congress standing up for the rights of African Americans during that time.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
There was a focus point which is Saint Francis. Although the painting mainly consist of black and tan colors, the slight bright colors to balance of the black. This help bring out the details, such as the blessing on hands and the kneeling of people. Yet, the details were not too big that it would be too much to handle. This helps get the message across to the audience, like myself.
The painting is oil on canvas and contains an extensive amount of contrast. For example, the bright vermillion blanket against the dull eggshell colored door. The disparity between the colors used is prominent. Additionally, the fusion of ornate patterns and simplistic solids is evident. The tablecloth is a geometric mixture of cream and periwinkle.
This essay discusses transnational feminism in contemporary art and Reilly talks about her experience curating the art exhibit "Global Feminisms: New Directions in Contemporary Art," which presented a selection of young to mid-career women artists from a variety of cultures. The essay examines transformations in feminist theory and contemporary art practice and talks about artists Patricia Piccinini, Dayanita Singh, and Catherine Opie. Reilly really focuses on challenging First World Feminism that assumes "sameness" among women. Instead, the show and essay acknowledge the differences in the woman's lives. " In other words, this all-women exhibition aimed to be inclusively transnational, evading restrictive boundaries as it questioned the continued privileging of masculinist cultural production from Europe and the United States within the art market, cultural institutions, and exhibition practices."
Even the mechanicals only wear various shades of black, gray, and white. The lack of color in the other character’s clothing places an emphasis on the three lovers and allows for an interesting development as the play
Figure 2 and 3 exemplify women presented in a submissive and docile image. In figure 2, there is a direct eye contact to the camera which conveys a personal address to the reader. It allows the audience to be captivated in the seductive qualities of her body. However, the use of black around her eye helps to accentuate salacious look upon her face. Furthermore, white fur and jewelry in her costuming portrays this ideal of wealth and affluence that women should be aspiring for to attract the ‘right man’.
She has been brainwashed by the patriarchal society of her time to worship the man, her husband, and perform her duties and daily rituals as a means to please him. Welter outlines several characteristics that constitute the perfect or true woman; however, the most crucial and detrimental so-called “virtues” exhibited by Gilman`s the narrator are her submissiveness and domesticity. Although the artistic narrator clearly has her own desires to be free and write as she pleases, her desire to satisfy the patriarchal construct of the household by attending
As stated that “the substitution of a fetish object or turning the represented figure itself into a fetish so that it becomes reassuring rather than dangerous” (Mulvey 490), she relates to the fetishistic looking, in which women can be seen as curiously and admirationaly look on; or it is considered as a bust to look fetish/ desired. But Mulvey proved impotent how women can get out of this suffering. She wonders “how to fight the unconscious/ structured like a language, [...] while still caught within the language of patriarchy?” (Mulvey 484).
The artist Dieric Bouts painting is called Virgin and Child. This painting dates back to 1455-1460 and is drawn with oil on a wood panel 81/2 x 61/2 . The time period is Netherlands, Haarlem. The Virgin and child are paint about the Virgin Mary and her love for her son.
During the Rococo period, Jean- Honore Fragonard painted many important and beautiful paintings. Two very interesting pieces were “The Swing” and “The Stolen Kiss” both were painted by Jean-Honore Fragonard. Fragonard was a French painter during the Rococo period, he produces more than 550 paintings. “The Rococo movement was an art movement that emerged in France and spread throughout the world in the late 17th and early 18th century. The word is a derivative of the French term rocaille, which means “rock and shell garden ornamentation””