The author writes with cyclical elements to show that mothers and daughters may be more alike than they may seem The theme of Marriage and Divorce is cyclical because two of the daughters get divorced, and one has great deal of problems in her marriage. In The Joy Luck Club, the daughters start learning how to stand up for themselves to their partners. Rose Hsu Jordan finally tells her soon to be ex-husband that she wants their old house, and she is willing to fight for herself (Tan 196). Lena St. Clair tells her husband Harold that she isn’t happy with their marriage (Tan 164). The daughters don’t think their mothers have substantial advice to give them about their relationship issues, but they realize their mothers are wiser than they thought.
Anne is so accustomed to having to be the perfect daughter and ‘trophy’ wife that she knows no different. Later on in the novel she becomes more aware of her parents disappointment with her spots saying 'You just don 't understand! The first thing Mummy looks at when I come home each term. How can she present a daughter with spots? Four daughters successfully married off and now the last one has to get spots.
The story has a conflict that is related to opposition. The narrator disagrees with what her mother wants her to be, since the narrator felt that her mother was controlling her for years. For instance, the mother in the story suggests that her daughter would become the perfect girl and she would become famous. The traditional daughter relates to the American icon, “Shirley Temple”. Furthermore, the narrator goes through a rough time during the story because her mother feels like she can be good at something and stick to it.
Anne is so accustomed to having to be the perfect daughter and ‘trophy’ wife that she knows no different. Later in the novel, Anne becomes more aware of her parents disappointment saying to her friends 'You just don 't understand! The first thing Mummy looks at when I come home each term. How can she present a daughter with spots? Four daughters successfully married off and now the last one has to get spots.
Put me down easy, Janie, Ah’m a cracked plate” (Hurston 20). Nanny is successfully able to convince her granddaughter through her own traumatic experiences and make her feel “sympathy” as she tells Janie she doesn’t want her life to be spoiled like her own life was. At first, Janie refuses to marry Logan Killicks. Nanny being the older one, defends herself by saying “put me down easy” since she can no longer care for Janie and only her wish is for Janie to get married and be protected from the dangers she and her own daughter faced. By calling herself a “cracked plate” Nanny further elucidates that she went through many hardships in her own life and wants to do the right thing for her granddaughter by
She does not get along with her mom or sister whatsoever. Although Connie’s sister is older than she is and still lives at home, Connie’s parents are constantly wishing she would be more like her sister. If there is one thing Connie and her sister have in common, it is that they both are allowed to go out with their friends without any questions
She is Ms. Johnson’s other daughter who is described as having a less than ideal relationship with her family. Dee is described by her mother as independent and fearless, differing from her sister, Maggie, who is portrayed as awkward and less attractive than her sister. When Dee arrives, she is wearing a flamboyant dress and looks put together. Ms. Johnson displays shock when she sees her daughter, and is even more shocked to hear that Dee has changed
When Dee (Wangero) began taking things that belonged to her mother in order to decorate her new house, the mood changed quickly from bewilderment to acrimony when Dee finally went too far. The sole purpose for Dee’s visit was to procure specific items belonging to her mother. Mom was initially perplexed as to why Dee would want the churn top and dasher and quickly incensed over Dee’s insistence that she was the only one capable of properly caring for the quilts. Wangero is astounded that her mother is going to give Maggie the blankets to be used for everyday use, believes that the quilts need to be preserved, and tells her mother that she doesn’t understand her own culture. Mama becomes enraged that her daughter is so condescending and self-centered.
And how Nea deals with this events. This story is written with the immature and unreliable 12-year old perspective. These two sisters have grown together all through their life’s, creating a strong bound, and the fact that her family and a “old guy” is taking away her sister is something she can’t stand. In the end Nea believes that she is saving Sourdi from Mr.Chhay and her mother. However what Nea does not understand in all her youth and idealism , is that sourdi does not want to be saved: She willfully accepts her fate and her marriage to Mr.Chhay because she finds financial stability and a secure future.
In the story Everyday Use, there is conflict between the two main characters Maggie and Dee. The two sisters are arguing over their Grandma 's quilt. Maggie feels that she deserves the quilt because she will cherish it and make great use out of it, unlike her sister who only wants to frame it in order to remember her heritage. Dee is not used to being told "no" and she has always got everything she has ever asked for, which is why she puts up a fight for the quilt. Dee then goes on to explain to her family on page 172, how she is changing her name to Wangero Leewanika Kemanjo.