1) Describe your experience watching All that Heaven Allows. Why did you choose to watch a melodrama (rather than The Searchers)? What about the film stood out to you? What did you find interesting, important, surprising and/or confusing? I chose All That Heaven Allows over The Searchers based on genre preference. I am not a fan of Westerns. I love old movies especially Melodramas one of my favorite film genres. What female doesn’t enjoy a love story especially one laden with controversy and social stigmas and not to mention, Rock Hudson the very handsome leading man. I found it interesting and loved the setup of the plot. The newly widowed older woman begins dating. She has her eye on the young handsome gardener working in her yard. Douglas Sirk does a great job at setting up the plot with all the social stigmas associated with Carrie and Ron …show more content…
One is the use of frame-within-frame stylistic shots. Sirk uses this affect multiple times throughout the film. When Cary is looking out the window at Ron’s country home with the beauty of the snow falling. She is later shown at Christmas after she had broken up with Ron in a similar view of her looking out the window pane with the snow falling. Conversely, this time she is lonely and in despair as her children did not show up for the holidays. This shows a different point of view of the character’s state of mind. At the end of the film, the same window pane shot is used again. Ron is lying on the couch recovering from his fall. Cary looks out the window and the snow is falling and a deer comes to feed near the window. She looks and sees the beauty and serenity of his home as Ron awakens. Another scene was the one where Cary gets a television set for Christmas. It was implied in the film that watching TV keeps lonely women company. There is a shot of Cary seeing her reflection in the TV screen implying her emotional state that she now is a lonely old
Mama feels like the plant is all she has close to the garden she wants. “Lord, if this little old plant don’t get more sun than it’s been getting it aint never going to see spring again” (Hansberry, 16). The plant and sunlight represents Mamas happiness in the dark dreary apartment. “Well, I always wanted me a garden like I used to see sometimes at the back of the houses down home. This plant is close as I ever got to having one” (Hansberry, 26).
Stephen Chbosky uses many different rhetorical devices to foreshadow tramas that occured in Charlie’s early childhood. The director, Stephen Chbosky, makes the viewer really grasp the depressing and gloomy mood and emotion of Charlie, as he goes through his frightening first year of high school. To transition from the book to the movie, Chbosky uses different types of cinematic techniques. In the book, Stephen Chbosky, makes the reader feel involved in Charlie 's life by using description, imagery, and -------. In the movie, Stephen Chbosky uses dutch-angle, flashback, and tracking-shot to show the mood of the scene.
The bird’s eye view shots in North by Northwest created true “cliffhanging” suspense, like the Mt. Rushmore chase scene. The use of wide-angle shots gave the audience a feeling of helplessness that feeds into the suspense. Also, the camera would cut quickly between actors to give a sense of urgency and fear. By comparison, Rear Window’s cinematography seems less rushed and urgent, but that does not mean it is any less suspenseful. The film was shot mainly from Jeff’s perspective, in his apartment looking across the courtyard into his neighbors’ windows.
Alice Walker uses imagery and diction throughout her short story to tell the reader the meaning of “The Flowers”. The meaning of innocence lost and people growing up being changed by the harshness of reality. The author is able to use the imagery to show the difference between innocence and the loss of it. The setting is also used to show this as well.
An important technique from this scene are the camera shots. The camera shots applied in this scene are simple. These conveyed the raw emotion
For instance, Hitchcock purposefully used specific shots to captivate the acting and emotions of each character. In The 39 Steps, Hannay and Pamela (Madeleine Carroll) estranged and juxtaposition relationship, is what saves this film from being more than just suspense but helps add a romance touch to the film. When Hitchcock used wide shots, he captures the Hannay and Pamela’s emotional discomfort. The primary shots that Hitchcock uses in The 39 Steps, are close-ups instead of wide shots. Hitchcock uses close-ups to create suspicion in characters’ faces.
In a simile, she compares gardening to “boxing… The wins versus the losses” (Hudes 16). Through this comparison, Hudes conveys Ginny’s deep desire for a sense of control and success in her life. This desire is fed by the memory of her father, who was only bearable when he was gardening. Specifically, the assertion of this desire for control is evident as she recalls that her father “was a mean bastard…” but “became a saint if you put a flower in his hand” (Hudes 15). From those experiences of dealing with her father, a psychological analogy between nature and peace was instilled in Ginny’s mind at a young age, and is what she relies on as an adult to handle her emotional trauma.
For instance, in the film “Beetlejuice,” Burton uses high-key lighting in the interior of the Maitlan’s house to give it a comfortable, cozy feel that reflects the personality of the family; however, after that family dies in a traffic accident and the Deetz's move in and “renovate” the home, the lighting becomes much darker. This contrast makes the house seem cold and unsettling, matching the personality of the new family. This technique is exemplified by the scene in which the Deetzes host a dinner party for out-of-town guests. The action alternates between the brightly lit attic where the ghosts of the Maitlans reside in safety to the gloomy dining room of the main house where the nasty, selfish Deetzes live out their cold, heartless lives.
The background and everything in frame was focused in the screen shot. This technique is combined with lighting and camera lenses to produce this effect on scene. The scene starts out the movie by showing Charlie playing in the snow outside while Thatcher meets with Charles’s mom to sign guardianship to him inside the house. The mise -en- scene is able to utilize the whole focus of scene and explain the story. An innovation that cinematic technique was developed was the wipe which allows the one image to be moved off screen to another.
Snow serves as a symbol of the love the couple once shared together. The narrator explains the night of the “big snow”, “Remember the night, out on the lawn, knee-deep in snow, chins pointed to the sky as the wind whirled down all that whiteness?” (108) which is a symbol of the climax of the love and happiness shared between the two lovers. However, the narrator uses the idea of snow once again, “just a few dots of white, no field of snow” (109) to contrast the previous image. The few dots of white symbolize the absence or dwindling of love and affection that was once shared in the house the narrator passes by.
I find an old classic movie to be very entertaining. The film work was very old fashioned and fascinating to watch. Part B: 1. The main journalists are Walter Burns and his ex-wife Hildy Johnson. Walter is a hard-boiled editor for The Morning Post who learns his ex-wife and former star reporter, Hildegard "Hildy" Johnson, is about to marry bland insurance man Bruce Baldwin and settle down to a quiet life as a wife and mother in Albany, New York.
The most apparent themes in this film are loneliness and isolation. Based on the cinematography, it is evident that wide shots of the characters occupy a small space alone or an extremely large space with many people who are completely unaware of their existence. Both of these things work to portray the idea that Murray's character, Bob, and Johansson's character, Charlotte, are lonely, isolated, and missing something. The director also uses the concept of balance to pass the message on the emotional state of the characters.
These aspects include gloomy, dark atmosphere, or a sense of horror and dread. In this scene, Coraline’s Other Father shows off the garden to her, which is revealed to be in the shape of her face. This scene uses all the movie techniques in collaboration to allow for the scene to have a peaceful affect on the audience. The camera techniques that are used in the scene are called a long shot, overshot and the camera pans horizontally to the right.
The final scene uses a lot of close up shots to capture the emotions of Romeo and Juliet, we see a lot of anguish and hopelessness in Romeo’s face when he sees Juliet dead, and we see joy in her face when she first opens her eyes and sees Romeo, but that quickly morphs into shock and heartbreak when she sees him dying. The use of close up shots was very effective because it allowed the audience to really feel the emotions portrayed in the scene. A long shot was used in the inside of the church to capture all the interior details of the church. After they are both dead, an overhead shot is used to show them lying next to each other to symbolise their eternal love and peace in each other. In the Great Gatsby, we see a long panning shot of his house, and the lake to show how abandoned it looks.
Wes Anderson usually has the same Robert Yeoman and their styles mashed together can be seen throughout this film. Yeoman likes use the same shots and camera movements repeated in Andersons films. The first is the symmetrical item and actor placement that I had already discussed in the previous paragraph. The pan movement is used thought the film. The camera will often be focused on one person then swiftly pan over to another area or character to show different perspectives of the room.