Allusion In Othello

Act 3, Scene 3 of Shakespeare’s Othello embodies a pivotal point in the play, as it is a transition act that grounds the foundation of Iago’s development as an antagonist and the play’s development as a tragedy. In fact, Othello is written by William Shakespeare in the early 17th century. In Act 3 Scene 3, Iago begins his insinuations of an affair between Cassio and Desdemona, which petition Othello to consider the likelihood of Desdemona’s infidelity and Cassio’s disloyalty. In this particular scene, Shakespeare makes meticulous use of linguistic and dramatic techniques to characterise Iago as an scheming, deceptive and hypocritical antagonist.

Essay that I did not finish….”I promise I knew this beforehand”!!! Just didn't have enough time to type it. I guess I just took too long on the quotes.. :(

The play of Othello is a tragedy that exposes the characters in several ways, causing conflict and envy, eventually leading to a tragic end. To achieve this tragic end, Iago uses manipulation in order to change the views of, and bring out multiple personalities in the characters.

The following passage is significant to the play ‘Othello’ in retrospect to the plot progression, as it reiterates themes and introduces important facets to the plot development. Through Iago’s cunning manipulation and Shakespeare’s crafting of language, this passage is constructed as a pivotal point of the play, marking the transition of Othello’s personality and revealing his deepest insecurities that eventually lead to his downfall and tragic ending.

The tragedy of Othello written by William Shakespeare presents the main character Othello as a respectable, honorable, and dignified man. However, because of his insecurities and good nature he is easily taken advantage of and manipulated by his alleged friends. Shakespeare is known for his exceptional ability to compose plays full of deceit, revenge, and jealousy. Jealousy is an underlying theme throughout the tragedy and has been represented by many of the main characters, such as Iago, Roderigo, and Othello. The topic of jealousy will ultimately lead to the demise of many characters throughout the tragedy.

O devil!”(4.1.42) His sentences lose their former completeness and he starts talking with more word association, as are the words “Handkerchief!”, and “devil!”. Othello’s new manner of expressing his thought is mainly a reflexion of his constant thinking of Desdemona, the handkerchief, as well as the sense of pure evil. These lines of his sounds really hard but at least they show the reader what really is on Othello’s mind. No clear and complete sentences are displayed but more like a torrent of true feelings.

The Power of Words is important in the play Othello. Words are used to show power in Othello, words are also used to show what the personality of the characters are and that is used to show the reader what the characters are like and lastly, words are used to have a conversation with the audience. Through the words in the play the audience can understand the play and also the audience knows most of the time what is going to happen before the characters know what is happening.

The Effect of Illusions The impact and influence of illusions may depend on how an individual sees themselves. Either way, they appear in the lives of others which can be developed through their ambitions and feelings. In this case, influence and illusions work together, to serve either for themselves or against the viewpoint of another. Since reality can be complex, they are often determined by the factors of emotions, reason, and experiences.

Shakespeare cheapens Othello by lowering his standard with impertinent language. Othello ruined himself with jealousy because of the doubt that Desdemona has

Othello’s This rage at Desdemona’s infidelity signals destmetion of his identity as a successful and loving man. It shows that he now completely loses control of himself, he no longer is that gentle man. He has become so poisoned by the manipulation of Iago, he no longer hears out for his “fair

The common aim of playwrights of any time or location is to capture and hold the attention of their audience; this is what Shakespeare has clearly done. The tragedy of Othello, the Moor of Venice, is one of Shakespeare 's most renowned plays. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience; despite being over four centuries old. It possesses so many conditions that can be accentuated to hit nerves with both a Shakespearean and modern audience. The entire plot of Othello is very much like the attitudes and methods of our modern day society.

These two villains slander Othello to the point of eradicating any pity the audience could have developed towards Othello. The Venetians also have a hidden fascination for Othello and his foreign qualities but, they mask feelings with negative slurs. The audience also affected by the portrayal of Othello, and are persuaded to feel pity for him because of his circumstances; being betrayed by his ensign and being looked down upon because of his Moorish descent. Shakespeare also uses racism as a creative apparatus to generate a metaphor between Desdemona and Othello.

The sympathy felt for a character often remains through character revelation. In spite of the change in personality and morals the first impression of the character is not forgotten. Othello who commits violent acts throughout the play ends his life with honour, reminding us he was originally introduced as a respected man of high position. A person can be manipulated by others to act outside of their character, and their emotions can blind them from making good decisions. In the end a person’s true character is reflected upon the way they react to the results of their wrong doing.

When the play begins, the reader discovers that Othello and Desdemona have eloped. Desdemona’s father, Brabantio, does not approve of her marriage to Othello. Learning about the secret and unapproved marriage, he angrily declares that Desdemona “is abused, stol’n from me, and corrupted by spells…” In this outburst of passion, Shakespeare uses diction to subtly comment on the sorcerous power of love. Brabantio’s claim evokes negative connotations associated with witchcraft and black magic. Indeed it is commonplace to describe lovers as under one another’s spell. Under the influence of a spell, a lover loses all control over his or her behavior. Shakespeare observes that this characteristic of love exposes the lover to “corruption,” foreshadowing

Lastly, devil and hell imagery are used, revealing Iago’s evil nature, hoping for the destruction of others for his own self-interest. Iago calls on the devil and talks about monsters several times throughout the play. One instance being after he had concocted a plan to make Othello jealous with Cassio, saying “... Hell and night / Must bring this monstrous birth to the world’s light” (1.3.340–41). Iago calls upon the forces of evil, being Hell and night, to help him carry out his plan.