“Their Eyes Were Watching God” is a novel written by Zora Neale Hurston. The novel portrays Janie, a middle aged black woman who tells her friend Pheoby Watson what has happened to her husband Tea Cake and her adventure. The resulting telling of her story portrays most of the novel. Throughout the novel, Zora Neale Hurston presents the theme of love, or being in a relationship versus freedom and independence, that being in a relationship may hinder one’s freedom and independence. Janie loves to be outgoing and to be able to do what she wants, but throughout the book the relationships that she is in with Logan,Jody and Tea Cake, does not allow her to do that. Neale Hurston further supports this theme with symbolism, like Janie's hair rag that held up her
The “Rock Pile” by James Baldwin and “Their Eyes Were Watching God” by Zora Neale Hurston are two stories that examined black male resistance to emasculation. The men in these stories lived in patriarchal societies, and they reaped the benefits of a structure that favored men. In both of these stories, the male characters are dominant figures in their households, and when they felt like their manhood was being attacked, they retaliate viciously.
Desire is a general and popular human sensation. Zora Neale Hurston discusses many instances of desire in Their Eyes Were Watching God. The novel portrays numerous varieties of desire that demonstrate the protagonist, Janie’s alteration from wanting an object to desiring a specific idea throughout the novel. As Janie acquires her own desires and possibly lives a better and more fulfilling life, Hurston indicates that these desires are in fact not structured by Janie’s own thoughts and experiences, but rather implicated by antagonists in the novel and also often making Janie the desired focus. Through the first four chapters of Their Eyes Were Watching God, Hurston allows Janie to experience multiple life altering desires that mold her into
All of this works symbolically as a measure of the characters ' integrity and freedom, which in turn demonstrates a contrast to the image of the carefree, ‘happy darky’ that prevailed in the fiction of many American novelists” ("Zora Neale Hurston. " Notable Black American Women). In the novel, Hurston explores the gender roles of African American women during this time period. It follow the story of a young lady named Janie, who was struggling to fit in the world.
As a result, Hurston creates a situation in which a character in her novel goes against the words of the narrator sending a message that widely accepted notions of how men and women are at the time can be
Self-discovery is essential to a prosperous life. In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie, the main character, discovers who she is through her relationships. Janie learns from each of her experiences, but the most significant are her husbands: Logan, Jody, and Tea Cake. Each of these people attempt to control her thoughts and actions, but Janie rebels against them. Janie stands up for what she believes in, and through these confrontations, she better understands herself.
In the novel Their Eyes Were Watching God, by Zora Hurston, Janie’s story reflects the beliefs of the Harlem Renaissance by showing the theme of pride, and disappointment. In the Harlem Renaissance one of the main themes of the African American’s art was pride, and to fight on gaining progress even though thee African Americans were an oppressed race in America. After Janie's kiss grandma had this to say, “Yeah, Janie, youse got yo’ womanhood on yuh.” This is an example of how grandma wants Janie to grow up and become a respectable black woman with pride. Also, this novel shows the theme of disappointment.
Hurston describes Janie’s quest to finding love and to recovering herself, though
In this book, Hurston uses symbolism to illustrate that contentment is more meaningful than fitting into society. Janie’s hair plays a big role in this book. It brings out her power and unique identity, but Jody takes that away from Janie. Jody sees that Janie’s hair attracts some of the townspeople, so he makes Janie wrap her hair and hide it.”
events like her marriages and her childhood memories. It was while Janie was a young teen she was always working. Going into her first relationship she was always working, her husband made her work like a mule. In her second marriage, she was not adequate to do much. She could not let her hair down, she could not express her mind, and she could not play checkers with her husband or anyone else.
Zora Neale Hurston’s writing in Their Eyes Were Watching God, reflects the Harlem Renaissance through Janie 's individuality, and departs from the Harlem Renaissance with the common recurrence of black woman empowerment. In the novel, Hurston reflects the ideas of the Harlem renaissance with the ways in which Janie rebels and goes against norms for women.
In Their Eyes Were Watching God (1937), Zora Neale Hurston quotes: “She knew now that marriage did not make love. Janie’s first dream was dead, so she became a woman” (Hurston 104). Literature, in Hurston’s view, serves as a form of didacticism that helps readers learn life lessons. Furthermore, Hurston expresses her views of literature in her manifesto “The Characteristics of Negro Expression,” which primarily expresses her views on the function of literature. In “The Characteristics of Negro Expression,” Hurston emphasizes reasons for African-American writing.
Although some readers might argue that the characters do not contribute to Janie’s voice, it is clear through the details that Hurston places in the novel that they very much do help create Janie’s voice. They play an important part in Hurston’s novel because they are Janie’s story. The characters in the novel make up who Janie becomes and contribute to making her the way she is and therefore contribute to her voice. Through telling the story to Phoeby, Janie finds her voice with the help of the others in the story, which make up the frame
In Zora Neale Hurston’s Their Eyes Were Watching God, Janie is a young woman who struggles to find her identity. Janie Separates her exterior life from her interior life by keeping certain thoughts and emotions inside her head, and she reconciles this by while presenting the proper woman society expects her to be. Janie also silently protests to those expectations by acting against what people require of her, both emotionally and physically. When Janie’s rude and abusive husband, Joe, dies, Janie is glad because she is finally free from him.
Janie tells “ talkin’ don’t amount tug uh hill uh beans when yuh can’t do nothin’else”. In contrast to Joe start, who seeks to be a big voice only to have his wish become true when Janie informs him that he “big-bellies round here and put out à lot of brag, but ‘tain’t nothin’ to it but yo’ big voice”. Janie seeks for a voice which can picture, which can make you see. The ability to find this voice is important in a world where , as Nanny says “We don’t know nothin’ but what we see. The heavy use of imagery shows that Hurston knows