Allusions To Paradise Lost In Mary Shelley's Frankenstein

Victor portrayals Satan because he has attempted to assume God’s role. In this novel Victor’s actions do not contribute to any good outcomes, instead they destroy his family, and hurt several people along the way. One of the repeated themes in Frankenstein is the feeling recalled when Victor or the creature think of their fathers. Victor’s father, who is Alphonse Frankenstein, and the monsters father, which is Victor.

However, like Adam, he feels shunned by his creator, although he strives to be good. The reader can notice how Frankenstein displays many emotions: vengeance, love, compassion, and rejection, which a monster or animal could never have the capacity to feel or recognize. The creature can identify what pain is, by observing the cottagers, “They were not entirely happy. The young man and his companion often went apart and appeared to weep.

The creature tries to encourage Frankenstein to make a wife for him, but Frankenstein has a good fact in saying that if he does create a wife, the creature will kill more people with the help of his mate. Since Frankenstein turns this idea down, the creature becomes even more furious and kills more and more people. This shows that Frankenstein has no control over the creature and does not know how to take responsibility for his

In Mary Shelley’s Frankenstein, Victor Frankenstein becomes obsessed with the need for revenge on his monster. The demon that Victor creates kills Elizabeth, one of his many victims that are close to Victor’s heart, and this sets Victor over the psychological edge. Victor gets consumed with a burning sensation and hatred for the monster: “I was possessed by a maddened rage when I thought of him, and desired and ardently prayed that I might have him within my grasp to wreak a great and signal revenge on his cursed head” (Shelley 147). This heated quote shows the intense hatred Victor has for his creation. He actually prays for the opportunity to get his hands on the monster so he can kill him himself.

The Monster tried to do everything he could possibly do with other humans right, but they just didn’t accept him. The Monster new no one would accept him until the day he died so he just wanted Frankenstein to make him a wife so he would have someone just like him. So The Monster snapped and said to Clerval “He made me too well. I’m disgusting to look at”. When the Monster said this anyone would have sympathy for him and the way Pullman wrote this he made sure it did because when the Monster said that it sounded like he had a bad image of himself because he had gotten that off other people.

The monster is also capable of wanton destruction when he burns down the DeLaceys’ house and dances “with fury around the devoted cottage”(123) like a savage. Finally, the monster seems to enjoy the pain he causes Frankenstein: “your sufferings will satisfy my everlasting hatred” (181) he writes to Victor. Were these pieces of evidence taken out of context, the reader would surely side with Frankenstein. But Shelley prevents such one-sidedness by letting the monster tell his version of the story. The monster’s first-person narrative draws the reader in and one learns that the creature is not abomination

Passion and Destruction As W. Somerset Maugham once said, “Passion doesn’t count the cost... Passion is destructive.” In Mary Shelley’s Frankenstein, Victor Frankenstein leaves Geneva, his home town in the pursuit of knowledge, ding so he created a creature. Frankenstein gets frightened after the created the creature, so he leaves the creature in fear, only when he returns the creature is no longer there.

The monster depicts his otherness when he wonders: “Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned” (Shelley 85). The monster evidently remains in isolation and is dehumanized. The monster attempts to get integrated into his society but his appearance and lack of social skills hinder his success. The monster strives to be accepted but is incapable of acceptance. The monster reiterates this feeling of isolation as he says: “I felt as if I were placed under a ban- as if I had no right to claim their sympathies – as if never more might I enjoy companionship with them” (Shelley 108).

For instance, the monster who was initially an innocent creature, transformed into a terrifying murderer due to the development of a strong sensation of hatred for Victor Frankenstein. Although the monster had initial feelings of awe for his creator, these quickly disappeared when he understood that Victor had completely abandoned him in a world in which creatures of his appearance are feared. This rejection prompted the monster to vow “everlasting war against the [human] species, and more than all, against him who created [it].” (Shelley, 116). Likewise, in Ramones’ “Poison Heart”, the artist vows to “Lock you in a dream, never let you go/ Never let you laugh or smile, not you.”

Frankenstein losing his innocence resulted in a monster, whom lost his innocence due to constant rejection. The loss of innocence in Frankenstein and his monster led to the unfortunate deaths of Frankenstein's family and friends. The monster desired revenge and found it in murdering the innocent people Frankenstein loved. Justine, William, Clerval, and Elizabeth were all people Frankenstein held close to his heart, losing his innocence put them in danger. The monster losing his innocence also put them in danger, as they became his targets in getting revenge on the only person who was supposed to love

Again do I vow vengeance; again do I devote thee miserable fiend, to torture and death. Never will I give up my search, until he or I perish; and then with what ecstasy shall I join my Elizabeth and my pilgrimage”(198). Victor thought about all of this loved ones that the Creature killed as the result of abandonment. Victor and the Creature have a true vengeance for one another. The true source of Victor and the Creature 's animosity is their unparalleled hatred for themselves.

Once he completes it he then rips it apart so the monstrosity will not spread. This causes the monster to be lonely, and become angry. When Dr. Frankenstein creates life from a monstrosity of parts he abandons it in disgust that he had the nerve to give an inanimate object life.

The monster declares that he desires “creatures…cheering my gloom”; however, no “Eve soothed my sorrows” (118, Shelley). Because of this abandonment, the monster “cursed [Frankenstein]” (118, Shelley). No mother or Eve is present to nurture the monster. Therefore, he faults his creator for his isolation and plans to seek vengeance against Frankenstein, sending a message to the reader concerning the violent repercussions from an absence of nurture. Similarly, after the De Laceys beat the monster, he feels there are “none…men that existed who would pity or assist” him, causing him to “declare everlasting war against the species” (122, Shelley).

Bane wanted revenge for taking his mother

Grendel vs. “The monster” Grendel in the novel by John Gardner is very similar to “the monster” in Frankenstein by Mary Shelly because both Grendel and the monster feel like outsiders, they kill humans, and they both are able to learn new things. Grendel feels like an outsider because he knows he is different and he wants to know the truth of why he is what he is and why God made him that way. Grendel asks his mother “Why are we here?” which means that he is doubting his existence. Grendel kills humans in the mead hall while they are asleep.