On Sunday, September 4th the Santa Rosa Junior College Theatre Arts Department presented Almost, Maine by John Cariani. Directed by John Shillington, Almost, Maine presents a variety of true to life situations that reflect the various stages of love and loss. All of the short scenes represent a pivotal moment in the lives of various people living in the same small town in Northern Maine; all scenes also take place at the same time on a Friday night, and during each of the moments the Northern Lights appear. The production takes place in the Junior College’s smaller auditorium; which makes sense because play by nature is very simplistic and minimalistic with a few set pieces that could easily be reused in each vignette while still making sense …show more content…
But not quite.’The play’s intentions seem to be to portray love and relationships in the way they really are. There are eight scenes in the play, as well as an prologue, an interlude, and an epilogue; each scene focuses on one of nine ‘couples’(the prologue, interlude, and epilogue feature the same couple) whose relationships are moving from one stage to the next throughout the course of the scene. For example, the couple from the Prologue, Interlude, and Epilogue are on a date where they say ‘I love you’ for the first time; the couple from Where It Went are a married couple that realizes they no longer have fun together like they once did; and the couples from They Fell and Seeing the Thing are two best friends who realize that they are in love with each other in different ways. Each of the nine situations are situations that can, and do, happen in real life to real people. Many romantic comedies, as well as other romances, typically do not focus on ‘simple’ situations; they are centered around people who are thrown into some extraordinary situation that is not likely to happen to many people. Although people do ‘suspend their belief’ when they go to the theatre or to a movie; many situations in movies are still too good to be true in the way they are depicted. Almost, Maine has created …show more content…
All of these people make up the hard working middle class, and nobody who had stayed in town is particularly rich. One could easily describe the town as being full of ‘simpletons’ and probably not be too far off with the majority of the population to some extent. The culture of Almost, Maine is the same as any American small town; it’s very true to the culture one would find in any small town, regardless of state. All of the characters have problems, jobs, and personalities you could find in any other small town-as well as in some larger towns and cities as well. Almost, Maine really is a realistic look into small town America; and provides some commentary on how outsiders from larger areas think of small towns. For example, in the scene Her Heart; the character of Glory is an outsider who has come to see the northern lights, and she tells East that her reasons for setting up camp in his front yard is because she had read in a brochure about Maine that people from Maine were so nice that they would allow complete strangers to camp out in their yards without having to ask. And in the scene Story of Hope, the character of Hope comments on people from larger towns asking questions like ‘Do you have plumbing all the way up there’
Gatsby and the Characters’ Perceptions In F. Scott Fitzgerald’s The Great Gatsby, the characters’ perception of themselves and those around them lead them to live in worlds apart from reality while they try to climb up higher in the Eastern wealthy society. Their quest to advance to a place of extreme excess and wealth out of the reach of their incomes and birth rights leads them to their downfall as they try to outlive their luck. The characters falsely perceive their peers and surroundings, leading them to a false sense of security, where they can hide within their wealth and making them miscalculative and reckless.
Culture is something that is important to everyone. When a person goes from one place to another, the shock of the different culture can be considerably large on a person’s character and their identity as a whole. In Into the Beautiful North, Urrea illuminates cultural collision and its affect on character’s sense of identity through Nayeli’s naivety and her reaction towards how America truly is throughout her journey. Nayeli’s naivety really stems from her home of Tres Camarones.
In the book “Across Five Aprils” by Irene Hunt, the author makes a few statements to portray her feelings toward the war, she uses the characters and their actions to show her emotions and thoughts about it. The views on war change throughout the book, in the beginning Tom and Jethro think war is going to be so cool, but as time went on their thoughts change. I believe one of her views from the book shows that she is passionate towards war, she uses Tom to demonstrate this. Tom is a soldier, and he is very passionate about what he does for the Union.
William Shakespeare’s Much Ado About Nothing has a major role about love in relationships and friendships in the play. Majority of the characters aren’t searching for love, yet love just tends to “just happen”. It also relates to how falling in love “just happens” in reality. In this play Shakespeare 's shows you how a couple needs to have achieve a sense of understanding, trust, and commitment. In Shakespeare 's time, Beatrice and Benedicks relationship was rather unordinary.
Going to the universities’ library earlier this month to rent three films, - 500 days of Summer, Annie Hall and High Fidelity- was the first step to my critical writing and analysing process. I spent some time at home, to watch these three completely different movies. Although there is one theme that captures the common motif in these three movies, the theme Romance. The standard model suggests that a film wherein the plot revolves around the love feelings and love between two protagonists can be defined as a romance film. It is a well-known fact that love makes people do strange things, Shakespeare himself even said: “Love makes blind”.
Love. Catastrophe. Death. In this play, two teenagers fall in love in the matter of hours. Their love is forbidden because of a rancor between their families.
The former embraces the nostalgic conservatism of the 1980s, presenting an idealistic outlook of the possibility of a love akin to those of iconic romantic texts, as visualized by its music, imagery, and editing. The latter maintains the former’s optimism about a potential perfect match, but its music, imagery, and editing recontextualize this theme into a reflection of a new century shaped by changing social attitudes about love and relationships, emphasizing the individual rather than the couple. Ultimately, however, the romantic comedy at its core is meant to be lighthearted and positive in its depiction of a journey toward love, and with differing perspectives and outcomes, both of these films imply that success in such a journey may not in fact be an impossible fantasy, regardless of society’s
Throughout A Midsummer Night’s Dream, falling in love twice is conveyed on multiple occasions. The reader is also able to see that love can be portrayed as a bully that victimises those who fall for its games. The people of Athens and the fairies of the mythical fairyland are victimized by false love, falling in love twice, and the emotions that come with falling in
They come to America at an early age and invest in a dentistry office. Trying to have children and are unsuccessful, causing strife in their life, they begin to have thoughts of infidelity. In the end, the couple is left with an illness that leaves them to make decision they never thought they’d have to. Themed with the lessons that teaches the audience to love unconditional, accept the things you cannot change, and live your life to the fullest, this production touches home. There were two versions of each character in the production.
This brief play shows that one needs to enjoy life and love before it is too late, and both disappear
The Tragedy of Romeo and Juliet by William Shakespeare has toyed with the emotions of its audience members for centuries. The play’s main characters, Romeo and Juliet, love one another in spite of the feud between their families and later on, in the wallows of grief, each take their own life. While the characters both meet their end tragically, it was their choices that realistically led them down that path. The cause of the two “star-crossed lovers” final end is not due to fate or destiny, but by their own foolish hands.
Starting out, he thinks love doesn’t need to be earned or mutual but ends up thinking that love should be about caring for one another and needs to be fought for. In the beginning of the play, he views love as something that doesn’t need to be mutual and ignores the feelings of nearly everyone
Although each character is intricately different it is their desire for love that brings the four unlikely characters together in this impractical situation of love. In A Midsummer Night’s Dream, the author alludes to the tragic conception of love in the opening scene where Lysander foreshadows what is to come: “…The course of true love never did run smooth” (MND.1.1 135), Lysander’s proclamation sums up the entirety of the play as lover will always encounter troubles when on the road of merriment. This is evident in Act 3, Scene 2 where a breaking point is present as tension arises between the blooming yet strained friendship between Helena and Hermia. Throughout the fight sequence we see the girls comparing one another looks
Shakespeare is known throughout the vocabularies of almost anyone who has ever attended an English classroom. Shakespeare writes about forbidden lovers torn apart by a family feud. In the play, Romeo and Juliet, the two obsessors brought forth the question: are Romeo and Juliet truly in love? Romeo and Juliet are not chaste saints but infatuated lovers. During this stage in a teenager’s life hormones are flourishing, and it is hard to distinguish between love and lust.
Although many romantic comedies seem to initially set up their protagonist's eventual mate as their antagonist, in most cases love itself is the antagonist.”. The display of humor and imperfect scenarios separate romantic comedies from traditional romance movies. It is from this separation that the development between traditional romance movies and romance comedies become identifiable. Romance comedies have now adapted their own definable style due to the change within society,this allows further displays of romance comedy development between contemporary and traditional