A bleach blonde bombshell named Amber Stevenson stretches seductively on a black ocean of velvet covers, waiting for her me to fuck her in a scene. Her kawii shaped eyes, ebony shaped lips, triangular shaped cheekbones, and upturned shaped nose, coated with a thick layer of baby-doll makeup, did not provide her with the perfection of angelic beauty, but more the imperfection in sex appeal. However, her body being more childlike than woman, possessed skin so white that it almost seemed prosthetic. Not a pimple, mole, freckle, Jackson Pollack this lactescent embodiment of visual purity. Consequently, the juxtaposition made her dangerously desirable to perverts.
These physical attributes and the visceral tenacity to please cock (which had won
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Generally a man retaining an odious personality of fast food burps and beer farts. What was really repellent about this man was the excessive amount of body hair. Long black chest and armpit hair sprouting from the caves of his greasy white stained t shirt, always trying to grab a new host by its tentacles, specifically when people walked past him at a quick pace, moved the pubic hair to their direction, hungry like zombie arms reaching for soft flesh.
"What 's up with this guy?" i hear specky complain to his colleague. "All should I say what 's down".
"When you 've got no lead you can 't shoot", snorts the beast. i can see Speacky starting to show a vulpine grin through the crease in the door.
"What are you smiling at?"
"It 's funny, in an ironic way". Speacky replies.
"How do you mean, ironic? ' exclaims the fat man."And before you answer, I know what ironic means" He says with an unease projection of a man who never went to college or read anything apart from hustler and playboy, the bastard.
"You must have seen it."
"Seen what?"
"The commercial." ' ' Commercial, what 's so ironic? ' '
"Well, are impotent actor happens to be in a commercial dressed as a Roman selling a
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The character of this particular specimen was the type that took great passion in the films that he spawned. And, to the people, that had the honour or should I say the horror of working with him, enduring great shame in mass of used up fortitude, (and I like to add that I 'm one of them) had to put up with a great deal. He made atrocities without a shred of decently. One could say a driving force without a moral steering wheel when it came to making movies for people who needed to de- stress. Every porno he produced was to him a work of celluloid platinum. He pretty much did everything in such inadequate artistry. Wrote the screenplay, composed the music, cut the editing. He wanted to revitalize story telling in porn and not just random scenes of fuck. ' 'There has to be a story. Building up tension which will always create a better climax with a plot ' ' was his augment
Philips establishes the sewing woman's appearance underneath her mask of makeup as unappealing in order to contrast what an individual craves for in life to what
I think he enjoys creating projects such as “Diary of A Mad Black Women” because those type of actions is taking place in today’s generation. He is certain that others would enjoy watching it, that is exactly why he continues to produce such outstanding movies. Even though his creations are very similar to each other, each movie has it’s own unique purpose. Although, the
He was abandoned and left alone. He wanted to be accepted by society, but he did not know that his appearance would cause others to be horrified. This alone was injustice. It is unfair to judge someone solely because of their appearance.
1. Irony as we talked about in class is considered to be intellectual or a sort of dry humor. It also has a double meaning, where you say one thing but the opposite meaning is implied. For example, in the reading “SantaLand Diaries” David and another elf realized that Santa is an anagram of Satan. So they would substitute the word for Santa by using Satan in front of customers.
The 2009 film Jennifer’s Body was met with poor box office performance and lackluster reviews from critics at the time of its release despite its producers’ wholehearted attempts to market it on star Megan Fox’s allure without any regard to writer Diablo Cody’s original vision. In the utmost fairness, what was to be expected from a marketing strategy summarized as ‘Jennifer sexy, she steal your boyfriend’ [sic] and a predominantly male base of critics in an industry desensitized to its own mistreatment of women? The film ultimately wouldn’t find its footing until ten years later, when it found its footing as the feminist horror classic it was always supposed to be and Fox, objectified for much of her career, gained more respect for roles where
Watching the commercial, the intended audience for an adult man with a son. I say that because the main character’s are an old man and his son. This commercial instills values like the past meaning reliving what you loved and also family. It’s not effective because it doesn’t use the Rhetorical Appeals like Ethos and Logos but, it does include Pathos which makes it somewhat good. Pathos is a Rhetorical Appeal that the commercial does portray in many forms.
Lucille Parkinson McCarthy, author of the article, “A Stranger in Strange Lands: A College Student Writing Across the Curriculum”, conducted an experiment that followed one student over a twenty-one month period, through three separate college classes to record his behavioral changes in response to each of the class’s differences in their writing expectations. The purpose was to provide both student and professor a better understanding of the difficulties a student faces while adjusting to the different social and academic settings of each class. McCarthy chose to enter her study without any sort of hypothesis, therefore allowing herself an opportunity to better understand how each writing assignment related to the class specifically and “what
He made films to express his personality. A lack of funding was a limitation for him to make his films, but he was still able to reach something that he wanted in his film. Characters he has made were the outcome of his deliberation. For example, Stranger than Paradise is one of his successful films, and it really pulls audiences to think about their life. He made movies not for input
A simple powerful story of a rural family that contains a returned changed daughter leaves a family in surprise. “Everyday Use” by Alice Walker demonstrates that the theme of the story that consists different views of heritage by using literary elements like characterization, imagery, and settings. Each literary element holds a strong value to define the meaning of heritage from different perspectives of the characters. Alice Walker demonstrates it by Mama, Maggie, and Dee by how they each value their heritage by the things that they have left from their ancestors. To start of with, characterization is the highlights and explanation of the details of a character (“Definition and Examples of Literary Terms Characterization”).
No one would think to do a rhetorical analysis on such a humorous popular super bowl commercial. I discussed the author by giving a breakdown on the company and providing statements of how long they've been around and how they have continuously been one of the most popular laundry detergent brands. When talking about the audience I provided some insight in who the primary audience is and how tide switched up from making generally feminine aimed ads. Finally within the text I broke down the main components of Ethos and Pathos in the paper and how it strengthened the ad. At first it took me awhile to understand what to write the paper on, but while watching the Super Bowl I had the idea to select an advertisement from there.
Figure 2 and 3 exemplify women presented in a submissive and docile image. In figure 2, there is a direct eye contact to the camera which conveys a personal address to the reader. It allows the audience to be captivated in the seductive qualities of her body. However, the use of black around her eye helps to accentuate salacious look upon her face. Furthermore, white fur and jewelry in her costuming portrays this ideal of wealth and affluence that women should be aspiring for to attract the ‘right man’.
In the short story “The Flowers”, Alice Walker sufficiently prepares the reader for the texts surprise ending while also displaying the gradual loss of Myop’s innocence. The author uses literary devices like imagery, setting, and diction to convey her overall theme of coming of age because of the awareness of society's behavior. At the beguining of the story the author makes use of proper and necessary diction to create a euphoric and blissful aura. The character Myop “skipped lightly” while walker describes the harvests and how is causes “excited little tremors to run up her jaws.”. This is an introduction of the childlike innocence present in the main character.
In face of severe situation, people often feel relief when they think of happier, simpler times in order to alleviate the severity. In the fiction novel, The Handmaid’s Tale, written by Margaret Atwood, a theocracy government controls every aspect of life in order to produce the best result of its plans. At the beginning of chapter 12, Offred takes a required, but luxurious bath because she can take off the burdensome wings and veils. While she bathes, Offred remembers her daughter from the past and a time with her family. Atwood compares Offred’s past and present through imagery, tone, similes, and symbolism combined with parallel structure to highlight the vulnerability of women to their surroundings.
The irony is where Sedaris writes on his bag, “My candy. Keep out. ”His unwilling to share with people who are willing to share with everyone else is where the irony come into play. He even started eating the candy, even though it makes him sick. It is portrayed that Sedaris is somewhat biased and unwelcoming to people who are different from him.
Seeing an ad of a well-built, attractive male model posing in his high-brand underwear, Tyler questions whether that is “what a man is supposed to look like” (FILM). In a society where their remaining, lingering sense of masculinity is measured by their wealth, power and status, the men in Fight Club must harness the frustration, confusion and rage they feel towards the world defining them, forcing them to become “byproducts of a lifestyle obsession” (PAGE). In the same way that Tyler, a confident man “free in all the ways (Jack) is not” (PAGE), exists as a constant reminder to Jack of his lack of qualities, advertisements have a way of making society feel incompetent. Tyler, no longer confined to this mental enslavement, is able to realize that “you are not the contents of your wallet; you are not your job” (PAGE). It is the uneasiness of the lack of perfection the narrator’s ideal self makes him feel which mirrors the role of advertisements in society, thus offering consumers a myriad of products to become their enviable future self.