In American culture, there is a constant state of flux in regards to what is in and what is not. In John Leland’s study, Hip: The History, these fluxes are examined in depth and are thouroughly investigated. Leland establishes that being hip is not something that can be defined by some locals hanging out in a coffee shop in a rainy city wearing combat boots and flannel but rather by centuries of cultures in what was the mxing pot of America all melding together to create a unique yet unified sound. Through his anaylsis of the Beboppers, Leland sets up a premise for Hip that had previously not been established. To be considered hip, in modern day terms, is not someting that is commonly achieved. Leland focuses his study around the assumption …show more content…
Those reading and learning about hip are inadvertently not hip. But, John Leland in a way goes against his own warning. He creates a literary historical study that provides the ignorant with knowledge about a past that was unbeknowst to most. In american society now, it is incredibly common for individuals to go about life not knowing about the past. Leland teaches the reader what it means to be hip so they can walk away knowing about the consequences, results, and the actions that determined these cultural high points. Leland rebells against the norm that average americans are used to and establishes his own type of hip. To be hip is not to sit in a coffee shop, wearing flannel with every intention of going out hiking later. In the same sense, being hip is about sitting in a coffee shop, wearing a flannel, with every intention of going out hiking later if it counteracts a previous notion of not doing those exact events. Hip, in american society, is in a contstant state of flux. In Leland’s words, “Through its changes, hip maintains some constraints: a dance between black and white; a love of the outsider; a straddle of high and low culture; a grimy sense of nobility; language that means more than it says” (Leland, p. 10). To be hip is to be malleable yet to know about conformity and to establish oneself without the pressure of having to abide by societal norms. Leland wants the reader to believe that being hip is not about the trivial things that society sees but rather about the impact the actions leave and how others are influenced by said actions. The future depends on what hip really is and how hip is
American Writer and Musician, James McBride has written multiple books and has voiced his opinions in magazines as well as newspapers. In this particular essay, which appeared in National Geographic in 2007, he talks about how hip-hop has influenced the world and how he realized that he has missed an important part of his life. There are many rhetorics used in this essay, -“Irony, Metaphors, Hyperbole and Allusions. ”- are some of the more notable ones. While talking about his biggest nightmare, a feeling of disjoint comes into his mind, “It is no longer…hip-hop planet.”
Altschuler discusses media commentator Jeff Greenfield’s opinion about the influences of Rock and Roll on American youth. Greenfield states, “Nothing we see in the counterculture [of the 1960’s], not the clothes, the hair, the sexuality, the drugs, the rejection of the reason, the resort to symbols and magic – none of it is separable from the coming to power in the 1950s of rock and roll music.” He continues with “Brewed in the hidden corners of black American cities, its [Rock-n-Roll] rhythms infected white Americans, seducing them out of the kind of temperate bobby-sox passions out of which Andy Hardy films are spun. Rock and Roll was elemental, savage, dripping with sex; it was just as our parents feared.” (Altschuler, 8) Rock and Roll stood as a powerful alternative to the conformist ideals Americans had valued.
She flips this negative opening statement with cheerful quotes about those flashy plastic industries of the 50s. She makes Americans in the 50s look like someone trying to defend Steph Curry, goofy and silly. She continues to do so by further explaining Americans’ obsession with the color pink by giving examples of household items that come in all shades of pink, including Elvis Presley’s pink Cadillac, which isn’t really a household item, but still beloved by Americans. By using this structure, she is able to effectively expand her
Charlie Chaplin once said, “I don't think the real America is in New York or on the Pacific Coast; personally, I like the Middle West much better, places like North and South Dakota, Minneapolis and Saint Paul. There, I think, are the true Americans.” Debra Marquart distinguishes this so-called ‘true America’ in her 2006 memoir titled The Horizontal World. This memoir is a detailed account of her childhood in the Midwest. In an excerpt from The Horizontal World, Debra Marquart utilizes syntax, diction, and imagery to characterize the Midwest.
The United States is well known for being a melting pot of cultures, and because of this there are constantly changing trends. In the 1980s it was poofy hair and disco clothes, in the early 2000s it was long hair for guys, and in recent years it has been for guys to have short, styled hair. There is always something trendy in the United States, and in the early to mid 20th century, it was the color pink and the (pink) flamingo. Jennifer Price details this in her essay ”The Plastic Pink Flamingo”. Through her use of satirical devices, Aristotelian appeals, and persuasive techniques she shows how the country is constantly going through fazes.
The hippie movement is arguably one of the most famous culture movements from the twentieth century, made widely famous in pop-culture involving romanticized images of overly friendly people clothed in bell-bottom pants and flower-print button down shirts. The romanticization of this movement allowed for a widely accepted and skewed view of the true events that happened during this time. The reality is much darker than publicized to the ignorant generations that followed. It can be maintained by many that personal experience and firsthand knowledge provides the most accurate depiction of the true happenings of the time period. Through vivid imagery and impersonal diction, Joan Didion offers a critical unveiling the mayhem that she witnessed during her various firsthand immersions in the developing culture of the 1960s.
Carly Herrin American counterculture of the 1960s was one of the most powerful movements that had a lasting influence on American society in the following decades. The counterculture movement is strongly associated with the hippies, sexual revolution, and the protests against Vietnam War. The movement was shaped up by the rejection of the social norms of hippies’ parents but evolved to embrace more specific political and societal goals, including the withdrawal from Vietnam, environmentalism, gender equality, and the expansion of civil liberties. “The Electric Kool-Aid Acid Test” by Tom Wolfe is an excellent non-fiction work that allows to see the movement from the inside and in the specific details of the daily hippie life. Even though the
America experienced a sudden disregard of Victorian values following World War I, causing the generation of the 1920s to dramatically contrast the previous. This severe degree of change produced three major manifestations of the contradictions in the twenties. There were massive conflicts to the Jazz Age, technological advancements, and Black Migration. The contradictions of the 1920s reflect America’s conflicted state between advancement and convention, as the cultural and technological developments of the era coincide with the inability of individuals to stray from traditional norms and racist attitudes.
Since early ages, mothers have always criticized the ways their daughters acted. In the 1920s criticisms were taken a step further by the flappers, who completely revolutionized the view on females. Flappers in the 1920s had an impact on women for the future. Who they were, what they wore, and what their morals were was how their impacts changed the future for all the females. “The term "flapper" originated in the 1920s and refers to the fashion trend for unfastened rubber galoshes that "flapped" when walking, an attribution reinforced by the image of the free-wheeling flapper in popular culture.”
After words younger women started to rebel against the standard for women. “In a cool, glittery style that mirrors the roaring decade she delves into.” (Publisher Weekly 2013) Flappers set a new tone of normal from the older housewife lifestyle to rebellious and hard working citizen. These brave women stand against the norm and changed the world by allowing women to work at the same jobs that men work by proving themselves.
Christina Valentin History 108 The Flapper: More than a Pretty Face In the 1920’s there were a few revolutions, but none as everlasting as the female revolution that was the flapper. It is hard to imagine that so many people influenced her in different ways. From the way she dressed to the things she did, the flapper was conceived by the world around her. What is more amazing is that she has left a mark that has transcended throughout the decades.
After an economic depression in the 1930s, Americans underwent a phase of joy and expressed their excitement in a series of trends. One of the movements was the obsession over flamingos and the color pink. In the essay “The Plastic Pink Flamingo: A Natural History” by Jennifer Price, she talks about this vivacious tendency, but in reality she is mocking U.S. culture with her diction, tone, and allusions to show how Americans get easily obsessed with trends. Although she never clearly states her opinion of this trend, her point of view on U.S. culture can be seen through her word choice.
Her hair was cut in a bob style , she wore shorter, more revealing dresses, and walked around with a bold new confidence. The flapper was a symbol of the change that occurred during this era. The 20s were a time of change and enthusiasm for the future. In this passage, Stevenson uses the rhetorical devices of diction, metaphors, and asyndeton to describe to her younger audience this interesting and entertaining new age. Stevenson uses diction to thoroughly describe the changes that were brought
The modern day hipster is dedicated to image and impression management. Everything about the hipster persona is calculated down to the last detail. Race, social class, homes and neighborhoods, subculture, and consumerism are all elements that are essential to analyze and to explain the hipster identity. The modern day hipster adopts the lifestyle of a hip subculture but does not have the a priori knowledge that is associated with the term, hip. The modern day hipster emerges from the hip subcultures of the 1950s and 1960s with the Beboppers and the Beatniks whose lifestyles reflected how they wanted to live and not how they wanted others to perceive them (Leland, Chapter 6).
I have recently read your article “Hip Hop Planet” where you discussed the global impact of hip hop. During your introduction, you expressed your nightmare where it revealed your fears, and values. You evinced that rap, which changed the world, now rules the world which left you feeling behind and uncomfortable; a stranger to it. You experienced a nightmare vision where your daughter fell in love and married a stereotypical thuggish rapper, which caused you to rethink your ideas of hip hop. You experienced hip hop right as it started to originate, and as a result, unknowingly influenced you throughout the rest of your life.