Film noir came into the public gaze in the post-war 1940’s. The American film industry continued to make and produce films during World War II and because the German’s where occupying France, they stopped all American films from being screened in the French theaters. When World War II had ended and the Nazi regime had collapsed in 1945 the France audience where greeted with a back log of American films. American films that reflected the anxieties of the American nation at that time and of the years that came before. Anxieties of the Great Depression that had taken place just two decades ago and the effects that the wars where having on the country. The French audiences where shocked with what they saw at their theatres. These new American
Entertain The Pain! America’s most fearful nightmare brewed like a horror film coming to life in the1930s. Families starved, unemployment rate skyrocketed in a short amount of time and the stock market crash in 1929. Society as a whole suffered greatly, as the 1930s was known to be the hardest time in American history.
Despite some issues, The Gilded Age, or Industrial era, overall had a great impact on America. During this time, the economy saw a great increase, people were given new opportunities such as jobs, and the popularity of America increased globally. I really enjoyed watching "The Gilded Age", and found it very educational. I found the meaning of the name of the documentary interesting, the fact that America put off this image that they were perfect but behind the image were various issues. I guess you could say this proves to never judge a book by its cover.
The producer of the films, Jack Hays, was very strict with the children who played the part. They did not have enough money to waste time . It was said that Hays would make the kids who were not cooperating go into a locked, windowless sound box and sit on a block of ice. Even Shirley had to go in the box a couple of times, but she learned quickly. This is probably where Shirley gets her work ethic from.
In the mid to late 1950’s France saw the birth a new and unique form of moviemaking. This movement was famously known as the French New Wave and was developed by many different directors, critics and film students. Films found in the New Wave many communities that tie them together. Although a very famous New Wave film that came out near the end of the cycle, La Jetee (1962), broke away from many of the common tropes. The 400 Blows (1959) on the other hand was one of the first examples of a New Wave film, meaning that it followed the tropes more closely.
The economic recession of 1877 created a sense of fear that sent nativist looking for people to blame. They began to look right at the
I hope that everyone (well, at least some of you) had the opportunity to enjoy the special programming block shown on TCM during the months of June and July known as TCM 's Summer of Darkness. Every Friday during this period, the TCM schedule was jam-packed with key noir pieces (eg. Detour), as well as films that were great "influencers" - essential viewing that established the mood and essence of what would come to engender this film movement/genre (eg., Fritz Lang 's M). And not to be left out, there were a even a few contemporary pieces that had clearly had a noir DNA imprinted on them.
The great depression was a rough time for many Americans. The country suffered as a whole but everyone reacted differently to the crisis. The businesses, people and government all handed the Great Depression in different ways. Large businesses and corporations did not help too much to help when the depression hit. The cotton factories in specific were known as terrible places.
Joseph Frank Keaton IV, commonly known as Buster Keaton was an American comedian, actor, director, and producer. He was born in October 4, 1895 in Piqua, Kansas and died in February 1, 1996 due lung cancer. He was known as the “Great Stone Face” and also for his expression and visual comedy in silent film industry. Born in a family of vaudeville, he was the oldest among three siblings. He has one brother name Harry and a sister name Louise.
BBBBBOOOOOOKKKKK The relationship between film and society continue in the 1930’s. With the start of the great depression came the start of the Breen Office. The Breen Office regulated films in the mid 1930’s and the movie makers decided to embrace the American Values the Breen Office was trying to stand for. Sklar states that this new sense of American Values in film helped to “boost the morale of a confused and anxious people by fostering a spirit of patriotism, unity and commitment to national values,” (3597).
Noir films were generally much more pessimistic in nature than other films. The intent was to explore a darker reality, and a shadier underworld than what was usually portrayed. The film noir movement in its entirety has to be seen against the convoluted history that came before it. Darker themes, environments, and characters stemmed from the difficulty of coping with a rapidly changing world. As the industrial world was drifting into insanity, violence and despair, harrowing stoies came about because of it.
After the financial crisis of 1929 there were but eight studios left and to help the studios reduce risk they created the studio system. It’s use of the contract system was one of it’s most powerful strategies. This allowed the studios to mitigate some of the risk of making films. Under the contract system everyone who worked for the studio was under contract to the studio. This allowed the workers to identify with the studios that they worked for, since all employees worked on all films.
Both the film noir and the female Gothic film cycles address the changing tides of the woman throughout the 1940s. As the social implications of wartime America emerged in cinema, exploration of the female’s role outside of the home and as a part of a moving and shaking society became key. Women began to emerge as highly competent and counter to their previous role as the subservient doe of a housewife. Females rose to status in their new role as the “working-woman,” embracing previously male-occupied jobs whilst bounding into the world of education (Helen Hanson, At the Margins of Film Noir: Genre, Range and Female Representation). This historical contextualization is utilized and portrayed in the film noir genre as well as the female Gothic
The Great Depression The Great Depression was a period of time in the 1930s where a massive wave of unemployment, bank failure, and the stock market crash. the great depression is often remarked as the worst economic decline ever. “the years of the Great Depression marked the worst period of poverty and hardship in the twentieth century, both in North America and abroad.” (Great Depression) Its significance in american history can be described as a crisis.
Why did Hollywood become the dominant film industry with audiences inside and outside America by the end of the 1930s? Hollywood became the dominant film industry with audiences inside and outside America by the end of the 1930’s due to the implications of World War II Hollywood rose to become the dominant film industry with audiences inside and outside America by the end of the 1930’s due to the implications caused by World War II. The Hollywood era of the 1930’s, which is also known as the Golden Age, was filled with great benefits for the film studios of Hollywood. The main factors that, enabled Hollywood to become the dominant film industry by the end of the 1930’s included a combination of factors including: the rise of the five major studios, the Great Depression, and technological developments.
Americans were boldly trying new styles and ideas, women were wearing short dresses and bobbing their hair, cars were at the peak of their popularity, it all seemed to be going well for America. Then the stock market crashed, sending America into the downward spiral that was the Great Depression. The depression rattled the country and people realized how unstable the economy was and people were