"In these short stories, as in most of his work, Crane is a consummate ironist, employing a technique that most critics find consistently suggests the disparity between an individual 's perception of reality and reality as it actually exists." This quote is written by poetryfoundation.org and applies to Stephen Crane 's "The Blue Hotel" as the entire story exists in the irony of one of the few characters introduced, the Swede. Being a consummate ironist means Stephen Crane is very skilled in the forming of his irony 's which can make it sometimes difficult to recognize all of them throughout his works. Other ironic situations occur throughout the story which will be explained in detail. American Naturalism is a form of literary genre that first originated as an art movement …show more content…
The Swede believes he is going to be killed while staying in the hotel. This itself is ironic as the hotel has a very comfortable feeling with an eager host located outside the town that Scully, the hotel proprietor, says is going to be state of the art in a few years. However, throughout the story his paranoia causes him to sink deeper and deeper into the belief he is going to be killed. Eventually his prior actions do lead him to be killed. The Swede grew too comfortable after needing to be calmed down by Scully that he forces upon himself the idea he is better or greater than the rest. After finally leaving the hotel he heads to a saloon in the town behind the hotel, Romper, where he is stabbed by the Gambler and meets his final resting place. This whole situation is ironic as if he was not paranoid of being killed nothing after would have occurred and there could have been a good chance the Swede was not going to be killed. This situation helps support the idea that the quote describing Stephen Crane applies to the story as it shows how the story itself is an
Unable to bear the tattered man’s questioning and realizing his gun lesions are turning fatal, he abandons him to die alone in the woods. Continuing on, he stumbles upon a rotting soldier corpse that puts all the death he has witnessed into perspective. The body serves as a powerful reminder of exactly what’s at stake. This is where Crane establishes the switch in Henry’s mind: the vain belief that human life is a reputation unearned, and the realization that, regardless of your status, all human life meets the same
But it should be noted that Swede never explains what he’s seen or presents any evidence of his accusation, he is already too angry to control himself. It’s as if Swede is always on the offense, ready to fight at the drop of a hat. Perhaps this feeds into his victimology, real or imagined, which leads to the feeling that he must always be ready to defend himself less his integrity be questioned. Victimized by society in “The Blue Hotel”, Swede battles the snowstorm and is drawn by a red beacon. The red on the snow signifies the blood that Swede is so inextricably drawn to in the saloon.
Makes you wonders if he cares about his own life or if his even aware of the severity of the situation that he’s in. During the robbery, Anders critiques them as he would one of the books he reads. He seems powerless to censor himself or comprehend that there is a time and place for everything. Even while he has a gun to his head, he takes time out the moment to analysis a painting. He continues to remain disobedient up until the very moment he is shot in the
"The Blue Hotel" is heavily related to Shakespeare and his idea of "things are not as they appear". The entire intro of the story is written by Crane in a way that is showing the distrust of the Swede and how he feels vulnerable at this hotel. To the Swede, the situation appears horrifying and life-threatening. Though it is not as it seems to him, in reality, Crane uses dramatic irony to show that while the Swede is being calmed down all of the men speak of how they have no violent intent towards the Swede. Along with this the owner of the hotel, named Scully, appears to be a menacing old man.
Though viewed as such an important figure to the public and to himself, the most important event in his life, his death, occurs without notice, despite his conspicuous position when it occurs. In the end, the truth catches up to him and he is finally able to remember the reality of his past in the final moments before his
Lord Of The Flies Every obstacle in life makes you stronger even if at the time you think you’re going through hell and don’t know how you’re going to get out. In the novel Lord Of The Flies by William Golding the author uses many ways in each different situation to develop the theme of the novel. Every story has situations that are shocking to the reader, and this book was great at letting the reader know what’s going on before the character. Character development was very big in this book as each boy changed towards the end.
In the story The Most Dangerous Game by Richard Connell, irony plays a big part in establishing the characters and it emphasizes how different General Zaroff and Rainsford are. It also shows how the context may change throughout the story in the sense that the hunters become the hunted and the enemies thrive with each other. It changes Rainsford perception on the animals he has hunted for sport when he quickly becomes the hunted. Overall, the author, Richard Connell uses irony very well to show emphasize different points in the story. One clear example of how the author uses irony in his work is through the conversation between sailor, Whitney and game hunter, Rainford.
Poe essay Fear is a natural instinct that could potentially save your life, but that doesn't mean it’s always a good thing. Fear can lead to paranoia or obsession, and then it can engulf your sanity. If you become so fearful in the face of danger it could possibly cause paralysis, cloud your rational thought, or cause you to faint. However, it could potentially save your life by holding you back from irrational acts, making your more alert, or offering restraining from making hazardous decisions.
Poe uses irony in his stories to demonstrate how fear can distort the mind and what the result of that fear looks like. In Poe’s story, “The Masque of the Red Death,” Prince Prospero locks himself and other wealthy people up in his castle, leaving only the castle to live in: “They resolved to leave any means of ingress or egress…” (57). This is ironic because by locking himself and other wealthy people up in his castle, he secured his death and the death of everyone else he lives with. Prince Prospero’s fear of Death leads him to make these decisions. In the same way, “The Tell-Tale Heart” is ironic in that the old man bars his windows and makes his bedroom dark because of his fear of death, however, death is already inside.
The nineteenth century was a breeding ground for many literary movements, including realism, romanticism and naturalism. Realism consists of literature that is consistent, predictable, and sticks to the “simple truth” of how regular people live and talk. Romanticism is literature that contains things of intellect, strangeness and remoteness and tries to make the familiar unfamiliar. Finally, naturalism is literature that has regular people in extraordinary circumstances; the hero is at the mercy of larger social and natural forces, which are cruelly indifferent; traces of social Darwinism can be found in the literature and there is generally a brutal struggle for survival. Realism can be seen in The Yellow Wallpaper by Charlotte Perkins Gilman,
There is a profusion of themes in “The Blue Hotel” such as alienation, you are your own worst enemy, and fear. Throughout this story these themes are palpable through the Swede; from the beginning, he makes everyone around him apprehensive. Additionally, he is uncivil to the owner of the hotel and to the others by accusing them of wanting to annihilate him. Then he assumes that because he is in the west that anyone there could be out to get him. Later in the story, he leaves the hotel and goes to the saloon and gets himself killed; his
The movement in Stephen Crane’s text shows hope toward the end. They are struggling in the boat to get saved. Then they see a lighthouse, the shore, trees, and a house. It seems they are getting closer and closer and they start feeling almost cheerful even though they are working really hard to get there. He also writes that the correspondent feels cigars in the top pocket of his coat.
“To Build a Fire” has regionalism, naturalism, and realism has many examples. The regionalism for To Build a Fire starts with the beginning of the story when London described the “day as broken and gray” and the main character “climbs a high earth-bank” and the “Yukon is hidden under three feet of ice”. “London”. The naturalism in the story has multiple examples but the overall theme of it is that natural doesn 't care about the man in the story with the temperature being colder then he thought and when he walks on the ice and gets his feet and then you got the men building his finally fire in which he pulls to much twigs and sticks from the tree so the consequence is that the tree drops all its snow on him and the fire. The final example of
In reference to “To Build a Fire”, a key element such as Naturalism shows the true harshness of nature in its wholeness. Naturalism is shown as he walked through the unforgiving and challenging landscapes of Alaska. The extremely cold temperature and liquids freezing as soon as they hit the open air played an influenced his harsh conditions. These are all characteristics of naturalism and each relate to naturalism. The main character had limited choices to make while trying to live.
Raymond Carver’s short story “Popular Mechanics” was written in the minimalist style, but that didn’t stop him from using rich and full uses of imagery, symbolism and irony. Carver begins the story up by giving details on the weather outside than slowly comparing it to the drama going on inside his story. By using a mix of imagery and symbolism, the day gets darker as well as the story and gives off a feeling of melancholy. Though the communication is brief, Carver makes every word said important and meaningful. He uses irony throughout the entirety of “Popular Mechanics” and gets the purpose of the writing across while still adding emotion to the argument.