Amy Tan is an Chinese-American novelist who is known for writing the daughter-mother relationship and the life of an Chinese-American. The themes in her novels shows a bond between mothers and daughters, love, forgiveness, and the differences between generation. Family, mother-daughter relationships, and divorce are her main topics. All of her novels also have a huge aspect of Chinese history and culture. This appears in many of her successful books like “The Kitchen God’s Wife”, “The Joy Luck Club”, and “Saving Fish from Drowning”. In Amy Tan’s short story, “Two Kinds”, Tan uses the literary devices of characterization, symbolism and theme, to show the readers the relationship between an Chinese-American mother and an American daughter. “Two Kinds”, a short story by Amy Tan, is about the relationship between a Chinese-American mother and an American daughter. Jing-Mei mother, Suyuan, comes to America after …show more content…
Another one is when Suyuan had given Mei the piano. “Through the process, Jing-Mei’s mother demands that she “try on” a variety of identities: from “Chinese Shirley Temple, to child genius and now to a piano virtuoso” (Stein). Now, Suyuan wants Mei to become a young successful pianist. “Three days after watching the Ed Sullivan Show my mother told me what my schedule would be for piano lessons and piano practice” (Tan 2). Because her mother watched the Ed Sullivan Show, she was so inspired that she thought Mei could do it. So, when the piano was given to Mei, it symbolized a sign of regret because Mei mother is pushing her to do something that she wishes not to do. “A few years ago, she offered to give me the piano, for my thirtieth birthday. I had not played in all those years, I saw the offer as a sign of forgiveness, a tremendous burden removed” (5). But in the end, it showed the sign of forgiveness, love, and support her mother has for
Two protagonists of Amy Tan’s The Joy Luck Club, Lindo and Waverly Jong live the lives of a usual Chinese mother, and American daughter. They live through struggles, and although both go through journeys, there are key distinctions in which the Jong family does not complete the Hero’s Journey. The Jong family does not complete the Hero’s Journey, primarily due to their lack of sacrifice for the purpose
Teaching life lessons through experience is a strategy used by both mothers. In “Fish Cheeks,” Amy’s mother lectures her about the Chinese dinner with the minister and his son. She says, “Your only shame is to have shame” (Tan, 176). The mother wants Amy to be proud of her family’s customs instead of embarrassed. The story “The Rights to the Streets of Memphis”
Jing-Mei realizes that her mother gives her two halves of the same song because it tells the story of Jing-Mei’s life. As a kid Jing-Mei was sad and depressed, but as an adult Jing-Mei is happy and free. The purpose for Jing-Mei’s mother to give her the two halves of the piano song were to help Amy realize who she was, and who she is today. In conclusion, Jing Mei learns about her identity through two piano
The tone and diction of each passage lets the reader decipher the sort of relationship the mothers and their daughters share. Within the story by Amy Tan, we read the excerpt “Jing- Mei Woo: Two Kinds”. Tan reminisces her childhood and remembers how controlling and possessive her mother would be. Reading from the excerpt, the fights between Tan and her mom seem to have been a regular thing.
She then uses these “new thoughts” and ideas to state that she “won’t let her [mother] change” her into the person she seeks her daughter to be. When Jing-Mei experiences a realization that she is her own person and not simply another part of her mother, she can embrace the comfort of knowing that she will not change for anyone, and is simply extraordinary for having her own thoughts and feelings. This reflects how Amy Tan can understand her thoughts and feelings about the hardships in her relationship with her mother as a way to connect more closely to her characters and make them more realistic in her writing (“How Amy Tan’s family stories made her a
She deliberately sets herself up for failure, but this is justified in her own way since she is being forced to play the piano against her will, something she does not appreciate. Jing- Mei could have lived up to her mother's expectations of being decent pianist, but she never wanted to. This is what will create massive tension in the near future between the mother and Jing-
One day, Jing-Mei’s family and Waverly’s family meet and both mothers brag about how their daughters are very successful. After seeing her mom brag about her non-existent talents, Jing-Mei is determined to stand in the way of her mother's ambitions. A few weeks later, Jing-Mei participates in a talent show at a church hall, although she hasn't practiced and does not know any of the music. Halfway through the song, she realizes how badly she’s playing. The weak applause and her parents’ look of disappointment revealed the indisputable truth: Jing-Mei is not a musical prodigy.
For instance, her famous novel ‘The Joy Luck Club’ depicts the Chinese mother and her American daughter relationship where they go through various circumstances trying to understand each other including the evolvement that comes in their relationships as the daughters know more about their mother’s life stories. Secondly, Tan considers the theme of identity in terms of Chinese immigrants and their life experiences as an immigrant in the United States. She reveals how the children born to the immigrants strive in an environment which is a mixture of American and Chinese influence. Moreover, Tan is found to have explored identity issues through her fictive creations and tackled the issue of authorial identity (Becnel, 2010). Similarly, romantic love is another subject included in the literary artworks of Amy Tan which considers the relationships and romance an important aspect of human’s life.
The connection between a mother and her daughter is special. A bond is created from birth that is unbreakable. Because this bond is so important, it is approached in many different ways. In the excerpt from Amy Chua’s memoir Battle Hymn of the Tiger Mom, she talks about her daughter growing up playing the violin. In the excerpt from Amy Tan's novel The Joy Luck Club, she talks about herself as a young woman growing up with a very strict mother figure who wanted her to play the piano.
Mother knows best. And yet so many daughters in Amy Tan’s The Joy Luck Club feel slighted by what the matriarchal figures in their lives have in mind for them, or rather, what they believe their mothers have in mind for them. A perfect storm of expectation, true and false, about love, about success, about being Chinese. The souring of mother-daughter relationships in The Joy Luck Club stem from unrealistic or ill conceived expectations that both parties hold for the other.
Amy Tan is a Chinese-American author who was born on February 19, 1952, in Oakland, California. In Tan’s early life she had many struggles because her parents desired for her “to hold onto Chinese traditions and her own longings to become more Americanized” (Encyclopedia). While she wanted to become a writer when she was still young, her parents wanted her to become a neurosurgeon. When she got older and went to college she majored in English then started her career in the 1970’s. She was a technical writer and then started writing fiction stories.
Throughout the story, Jing-mei’s feeling toward her mother change in critical ways. As a young child, Jing-mei wants constant attention from her mother, going so far as agreeing to become a child prodigy. In the story, Jing-mei commented, “In fact, in the beginning, I was just as excited as my mother, maybe even more so” (Tan 221). This was before her mother becomes highly adamant about wanting her child to become a prodigy. As time went on, she wanted Jing-mei to become the epitome of a child star.
In her novel, The Joy Luck Club, Amy Tan focuses on the fact that the bond between a mother and daughter can overcome any ethnic barrier. Despite there being many disagreements and arguments about the ways to live their lives, Tan defies this issue by creating a bond that is unbreakable even though the experienced different upbringings. Certain disagreements keep the novel interesting and create a conflict depicting the problems stemming from this barrier. Through her use of similes, metaphors, and flashbacks, Tan shows how the bond between a mother and daughter can withstand even the strongest cultural differences.
The mother in "Two Kinds" was a Chinese immigrant who had come to America in 1949 after she lost her entire family. The mother never looked back at this painful time because she believed in her life in America. A couple years later she remarried and had Amy with her second husband. 4. Between Auntie Lindo and Amy Tan's mother, there was a strong rivalry over their children, and who was "more" of a prodigy.
Amy Tan is a contemporary American writer born in Oakland, California on February 19, 1954. She was born to Chinese immigrants Daisy and John Tan. Her works explore mother-daughter relationships and Chinese-American experiences. Tan’s best-selling novels were The Kitchen God’s Wife, The Bonesetter’s Daughter, The Hundred Secret Senses, Saving Fish from Drowning, and The Valley of Amazement. Chinese American Literature began in the 19th century and flowered in the 20th century.