An Auteur In Hitchcock's Psycho
“If I made Cinderella, the audience would immediately be looking for a body in the coach.(Hitchcock).” An Auteur has full control over the movie and puts some of themselves into each movie they make. Francois Truffaut and Alfred Hitchcock were masters of this. Truffaut with his 400 Blows and Hitchcock with his Psycho. There is one very famous scene in 400 Blows that Truffaut made that was very different for his time. It is the last sequence of the movie. Jean escapes juvenile hall and we are led on a chase scene. The content of the sequence is him running away but in the form, only a few shots were taken. The is no non diabetic music playing, just sounds of him running through the environment. The audience is taken on a trip with him with …show more content…
Hitchcock loves suspense and perfects it in his craft. The sound of just the water and Janet cleaning herself leads you and her into a false sense of security while making the audience question why the scene is taking so long with her just showering. Then Hitchcock shows the door bing opened but on the other side of the shower curtain building up tension and making the audience wonder what is going to happen. Then as was see the shadowy figure open out the shower and hold the knife, the ear shrieking music starts to help surprise the audience. Then the rapid shot progressing at various angles helps surprise the audience with low and eye level shots of the killer making him seem powerful and then neutral. As the killer leaves and she slowly dies, the score comes in with the deep chellows to musically tell the audience that the deed is done and she is done for. But what greatly makes Hitchcock's and auteur is the film norms he broke like the showing of blood as Janet was being stabbed and even before she got in the shower, the showing of the toilet was norm breaking at it’s time. Hitchcock like to build up suspense and surprise a lot throughout the movie too with every person who dies to the killer. But Hitchcock has a formula of playing with the audiences’ emotions and attention. He writes the script so it’s “done for the audience (borgus).” He likes to tease the audience and keep them
Les 400 Coups Sparknotes
607 Words | 3 PagesLes 400 Coups by François Truffaut displays personal cinema by sharing his own thoughts through the eyes of Antoine. As stated in the lecture video, cinema was a way for Truffaut to escape from his unhappy home life. His unfortunate home life is shown through the perspective of Antoine to display how Truffaut may have felt when he was a child. François Truffaut makes the audience feel sympathy and a sense of understanding for Antoine's predicament through the use of realistic and noteworthy sets.
Spike Lee's Auteur Theory
416 Words | 2 PagesBy that he meant that the success of an artistic project depends on the stylistic qualities of the author, and not on the work itself. Based on the specific argument, Truffaut stated in a provocative way that “there are no good and bad movies, only good and bad directors”. Thus, Truffaut praised the remarkable visual style that is reflected in the director’s body of work (the film) through a consistency of themes. He also believed that even if a film is produced collectively, the director’s artistry outshines any further interference from the film
Effective Use Of Macguffins In Alfred Hitchcock's Film
222 Words | 1 PagesHitchcock utilizes sound, camera work, MacGuffins, and plot twists to tell the storylines of the movies. Hitchcock understood the importance of camera work and sound because he began his career making silent films.12 It is why he uses many close up shots so the audience can pay attention to specific details and the emotions on the character’s face. He does not rely on dialogue to tell the story. He uses sound to help convey the message of a scene.
Tim Burton Use Of Cinematic Techniques In Edward Scissorhands
158 Words | 1 PagesTim Burton Tim Burton; director, of Charlie And The Chocolate Factory, Big fish, Edward Scissorhands, and many more loved films. Uses many different cinematic techniques to portray mood and setting. Some of these techniques are, lighting, camera angles, and music. Tim Burton first uses camera angles to portray distances and sometimes height comparison. For example;
'Rear Window And'shadow Of The Doubt'
526 Words | 3 Pagesauteur əʊˈtəː,ɔː-/ noun a film director who influences their films so much that they rank as their author. There are distinctive similarities between all Hitchcock Films, some of the being voyeurism, falling, transference of guilt, food and death. There are two Hitchcock films that are going to be the main focus for this piece of writing, ‘Rear Window’ (1954) and ‘Shadow of the doubt’ (1943). Alfred Hitchcock’s distinctive style can be seen in both movies. Young Charlie (shadow of the doubt) and L.B Jefferies are both similar, in which they are both trapped.
Sorry Wrong Number Book Vs Movie Essay
417 Words | 2 PagesYou could see the suspense because how scared she was. My last piece of evidence is when she died at the end it made the audience more into it and question.(SWN, Lucille Fletcher) This made the movie better because you could actually see what happened when she died. That is how suspense makes the movie better.
The Use Of Suspense In Alfred Hitchcock's Psycho
425 Words | 2 PagesAlfred Hitchcock successfully performs suspense and shock in a number of ways. One way was when he reveals that the cop is following her, making us think that he found out concerning the money she stole. Another way is when we see Norman staring through the hole, examining her as if he is waiting to make his move. The last technique that Hitchcock constructed suspense is when we identify a shadowy character gazing at her take a shower, making us wonder who it could
The Auteur In Alfred Hitchcock's Rear Window
1591 Words | 7 PagesAuteur is the french word for author and is a term given to those far and few between who were responsible for handling and directing most of, if not all post and prior production of a film, including techniques, advertising, and choice of cast. So much so that they are considered to be the "author" of the film. Alfred Hitchcock has no doubt left an indelible and engraved mark on all of cinematography as one of the most successful and influential auteurs of all time, as seen through the wide range of techniques Hitchcock employed throughout his films such as voyeurism, doubleness, and the famed magcuffin, as can clearly be seen in the film "Rear Window" as well as "Shadow of a Doubt". Hitchcock also showed immense dedication to the post and
Rear Window Mise En Scene Analysis
657 Words | 3 PagesEven though Hitchcock used these techniques in completely different ways, the end result for both was a timeless, suspenseful
Alfred Hitchcock's Use Of Suspense In The 39 Steps
856 Words | 4 PagesAfter watching The 39 Steps (1935), I realized that Alfred Hitchcock really did have a talent for establishing suspense through films. Even though suspense was the primary focus, Hitchcock managed to effectively and intelligently mix humor, romance, and thriller. He uses a variety of techniques to convey these feelings to the audience. According, to some of his interviews with Francois Truffaut, Hitchcock mentions his love for The 39 Steps, specifically about the techniques he uses to create a bewitching experience throughout the film. In this film, he uses a variety of themes that he continued to constantly use throughout his later films.
Biographical Criticism Of Alfred Hitchcock's Vertigo
1148 Words | 5 PagesWhen watching the scene where Hedren in being attacked in the upstairs room, one will notice the bleeding of her face and her absolute terror. Her acting was not so much as acting as it was emotions expressed from real fear. Hitchcock took a week to film the one scene, and it led to Hedren passing out and having a bloody face. During the making of Marnie, Hitchcock tries one more time to have Hedren’s love by asking her for sexual favors. Hedren rejects Alfred and leaves the Hitchcock filming industry after the making of
Rear Window Final Scene Analysis
627 Words | 3 PagesDuring the final scene when the killer, Mr. Thorwald, finds his way into the hero, L.B Jeffries room, the speed of the film is slowed down to create an engaging feeling of suspense. Pace and tempo is the speed of the movie and how quickly everything is happening. This is a very important aspect of movies and Hitchcock has mastered this technique, allowing him to create suspense for his audience. Hitchcock slows down the pace of the movie, making the viewers anticipate what is about to come and leave them with the feeling of suspense. This scene starts off with Mr. Thorwald slowly entering Jeffries room.
Tim Burton Cinematic Style Essay
679 Words | 3 PagesTim Burton’s films utilize music to enrich the viewing experience of all of his films. In the introduction of the movie Edward Scissorhands, Tim Burton
Alfred Hitchcock Spellbound Suspense Analysis
1044 Words | 5 PagesHitchcock creates the “big” suspense in the film. Let the audience guess when the other will discover the murders and watch the murders how to hide their crime during the time of the party. While Mrs. Wilson is tidying up the “table”, a scene keeps showing a chest on the left-hand side. After that, Mrs. Wilson wants to put the books back to the chest after she has tidied up. Hitchcock designs, these settings in the sequence to increase the tension between the chest and Mrs. Wilson.
Importance Of Auteur Theory
2424 Words | 10 PagesThe Auteur Theory-Intro Part Considering the collaborative process of filmmaking, especially nowadays in most film production, the concept of there being a singular creative supervisor is debatable. Nonetheless one cannot deny the existence of directional motifs and instances of thematic and stylistic elements within the work of filmmakers like Tim Burton and Alfred Hitchcock. These directors indicate that within traditions and genres lies the overall definition of an auteur: a director whose inventive traits are listed throughout his/her work like a signature. Auteurism rose to the surface in the 1950s French New Wave criticism as an appraisal of Hollywood directors who were ready to avoid the rules of the studio system and create films that were distinctively their own.
More about An Auteur In Hitchcock's Psycho
Les 400 Coups Sparknotes
607 Words | 3 PagesSpike Lee's Auteur Theory
416 Words | 2 PagesEffective Use Of Macguffins In Alfred Hitchcock's Film
222 Words | 1 PagesTim Burton Use Of Cinematic Techniques In Edward Scissorhands
158 Words | 1 Pages'Rear Window And'shadow Of The Doubt'
526 Words | 3 PagesSorry Wrong Number Book Vs Movie Essay
417 Words | 2 PagesThe Use Of Suspense In Alfred Hitchcock's Psycho
425 Words | 2 PagesThe Auteur In Alfred Hitchcock's Rear Window
1591 Words | 7 PagesRear Window Mise En Scene Analysis
657 Words | 3 PagesAlfred Hitchcock's Use Of Suspense In The 39 Steps
856 Words | 4 PagesBiographical Criticism Of Alfred Hitchcock's Vertigo
1148 Words | 5 PagesRear Window Final Scene Analysis
627 Words | 3 PagesTim Burton Cinematic Style Essay
679 Words | 3 PagesAlfred Hitchcock Spellbound Suspense Analysis
1044 Words | 5 PagesImportance Of Auteur Theory
2424 Words | 10 Pages